, February 08, 2005 9:34 AM
Subject: Antwort: Re: new pieces for lute - Zamboni
Dear Ed,
Gianoncelli is good. I also enjoy Melii (in spite of many printing
mistakes) and Kapsberger. There are also some modern pieces out which
makes
well-sounding repertoire (to name an example: I like
I show my plebian side, as an ex-hockey player from the days before Zamboni
I find a Zamboni to be a modern invention that saves the players having to
come out and shovel the ice between periods. Wish we had one in my day.
Best, Jon
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I find a Zamboni to be a modern invention that saves the players having to
come out and shovel the ice between periods.
As I said: useful in between more important things. ;-)
David.
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Kopie:
Thema: Re: new pieces for lute - Zamboni
Actually Zamboni is flat and very simple music (often not much more than
simple I-IV-V). Very entertaining but not comparable in any kind to the
music
of Weiss
So what is really worth having for archlute solo
..maybe Milorad Romics:
R.de Visee : 5 suiten in transcription für Archlute,
or some of the music from the Goess-tabulatures.
best wishes
steffen gliese
Ed Durbrow wrote:
Actually Zamboni is flat and very simple music (often not much more than
simple I-IV-V). Very entertaining but not comparable
As far as I can see in the booklet of the recording of Zamboni suites by
Luciano Contini, the biographical dates of Zamboni seem to be very unsure.
The only thing that is known is that He was from 1707 to 1713 contra bass
player in Rome after being in service of the Dome in the city.
The print
Would have been better to have looked up the dictionary earlier.
He had been in service of the cathedral of the city before. Don't know if
dome is also possible in English.
Markus
---
As far as I can see in the booklet of the recording of Zamboni suites by
Luciano Contini, the
LGS-Europe mailto:[EMAIL PROTECTED] schrieb:
Make that Lucca, 1718. Or that's what it says in my SPES facsimile anayway.
Is there another print by Zamboni?
no, you are right and I stand corrected. Nevertheless, Zamboni's
closeness to Weiss always striked my ears.
I would say Corelli School
From the booklet of my CD:
The exact details of the life of the italian lutenist and composer Giovanni
Zamboni Romano (from Rome) are not known. We only know that Zamboni was
employed as a church musician in Pisa from 1707 to 1713. The source for this
recording, Sonate in D'intovalatura di
Markus Lutz mailto:[EMAIL PROTECTED] schrieb:
As far as I can see in the booklet of the recording of Zamboni suites by
Luciano Contini, the biographical dates of Zamboni seem to be very unsure.
The only thing that is known is that He was from 1707 to 1713 contra bass
player in Rome after
Roman Turovsky schrieb:
I would say Corelli School influence is discernible in both.
indeed. --
Best wishes,
Mathias
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Dear Arto,
I tried to find out more about it but without result (actually I tried to
figure out where they are and to get a copy).
Maybe our collected wisdom can help.
Best wishes
Thomas
Am Montag, 7. Februar 2005 21:30 schrieb Arto Wikla:
Dear Thomas
From the booklet of my CD:
...
Actually Zamboni is flat and very simple music (often not much more than
simple I-IV-V). Very entertaining but not comparable in any kind to the
music
of Weiss
'
I tend to agree: so much study to perform it well, so little result. But I
do keep at least two sonatas in my repertoire, as they
Dear Ed,
Ed Durbrow wrote:
Actually Zamboni is flat and very simple music (often not much more
than simple I-IV-V). Very entertaining but not comparable in any
kind to the music of Weiss
So what is really worth having for archlute solo? I only have
Gianoncelli 1650 right now. I'm
Thomas Schall mailto:[EMAIL PROTECTED] schrieb:
Actually Zamboni is flat and very simple music (often not much more than
simple I-IV-V). Very entertaining but not comparable in any kind to the music
of Weiss
okay, let's leave it there. I don't feel like discussing religion here.
--
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