On Fri, Mar 6, 2015 at 7:09 AM, Patrick Lichty wrote:
> I see a continuum of positions that are
> potentially constructive and disruptive, ones I call the positive,
> critical,
> jamming, and negation/troll.
>
"The negative troll engages in deliberately illegal and/or damaging and
disruptive beh
I had a dream one time of teams of artists paratrooping into troubled
areas - delivering theatrical re-interpretations of local mythology -
explaining in local vernacular the torment that locals faced. From
Ferguson to Belfast to Jerusalem they went - para-troop-theater they
called it. Nullifying c
On Thu, 5 Mar, 2015 at 7:42 AM, dave miller
wrote:
"Daniel Larimer, who is working on a tool called Bitshares to apply
blockchain technology to banking, insurance and company shareholding,
believes that this new breed of technologies will ultimately render
government entirely obsolete. "
Thi
On Thu, 5 Mar, 2015 at 2:52 PM, Randall Packer
wrote:
@Ruth & @Rob, some additional ruminations on the connection between
Net practice, the Happenings & the 1960s in general:
With the Internet & social media, like the Happenings, there are
opportunities for collective participation, distribut
For Howard Guttenplan, rest in peace
http://www.alansondheim.org/forHG.jpg 2004
http://www.alansondheim.org/holler.mp4 2004
http://www.alansondheim.org/danceofdeath.mp4 2004
=
mixed reals
http://www.alansondheim.org/livehere4.png
http://www.ala
@Ruth & @Rob, some additional ruminations on the connection between Net
practice, the Happenings & the 1960s in general:
With the Internet & social media, like the Happenings, there are
opportunities for collective participation, distributed processes, real-time
systems of performance, information
> if you take a broader
> perspective on time + history, I think you can see that art + the artist
> has in fact changed the course of cultural and political thought, time and
> time again, however glacial it may occur.
>
>
I'd really like to believe that. Can you think of specific instances? Look
@Johannes > "(I) find the idea of artizen nation objectionable.²
And so I introduce the origin of the concept of ³nation² from Wikipedia:
"related to 'ethnic community' (with) a common history, elements of
distinctive culture, a common territorial association, and sense of group
solidarity
Quantification has splashed up on us. Technology does more than adorn
us, it has fused into our skin. Abjection, despair, collective trauma
- in 2007 GNN declared "the war is over. we lost."
We all know that there never were any weapons of mass destruction -
that systemic classism has flourished -
here:
https://www.flickr.com/photos/szpako/16520166227/
set, so far:
https://www.flickr.com/photos/szpako/sets/72157651122579216
cheers
michael
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@Mab >> "tapestries wonderful metaphor for weaving the net²
Yes, I agree! An age-old pre-post-Internet tradition that begin with the
Jacquard Loom.
Randall
From: Mab MacMoragh
Reply-To: NetBehaviour for networked distributed creativity
Date: Thursday, March 5, 2015 at 3:13 PM
To:
Sub
https://www.flickr.com/photos/szpako/1672755/
set, so far
https://www.flickr.com/photos/szpako/sets/72157651122579216
cheersmichael
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@Michael: your portrait will now hang in the official archives of the US
Department of Art & Technology. Thx!!!
http://usdat.us/
Randall
https://www.flickr.com/photos/szpako/16539604289/in/photostream/
oil on canvas //12X9" //painted from google search // posted to Flickr
___
@Patrick >> "What if capitalism has become so ubiquitous that the
Foucauldian system of power is so pervasive that there is nowhere to go.²
I can see that it is rather futile to be an optimist on this list.
However, I hang on to the notion there is power in words, power in art,
power in commun
BishopZ > "the Internet of Things will inevitably consolidate
corporate power over our personal liberty.”
How so? Isn’t the Internet of Things just the idea of connecting any and
all “things.” Or do you view it as part of some grand big data conspiracy
to surveil our every move + our every obj
patrick, tapestries wonderful metaphor for weaving the net
On Thu, Mar 5, 2015 at 7:00 AM,
wrote:
> Send NetBehaviour mailing list submissions to
> netbehaviour@netbehaviour.org
>
>
> Message: 1
> Date: Wed, 4 Mar 2015 14:12:43 +
> From: furtherfield
> To: NetBehaviour for networked
In regards to Mez Breeze' piece on the Internet Rage Machine, I am more
inclined to posit that net.rage has at least two manifestations, as Mez
writes, but is not quite as pervasive as is suggested. Certainly, in many
areas of the Net, rage, trolling, and "Sea-Lioning" (lest I create a very
strang
On Wed, 4 Mar, 2015 at 8:34 PM, BishopZ wrote:
the Internet of Things will inevitably consolidate corporate power
over
our personal liberty
Absolutely.
Making, tracking, and acting on the data from Things is possible in
direct proportion to (operating) capital.
unless we implement strict
I agree in being curious about the nature of future historiography. I predict
that the documented history will not look anything like anyone think it will.
There was a point in an essay “The Historiography of New Media” where I was
speculating scholarship that would modify itself as its online
game
--
Instructions:
you press keys on your keyboard, which will be your actions.
an action moves you forward in time (to the right).
you can decide not to move forward in time, but remain where you are
blinking your eye
On Thu, 5 Mar, 2015 at 5:26 AM, ruth catlow
wrote:
On 04/03/15 16:19, Randall Packer wrote:
It is my personal opinion that social media promises,
at least in part a new look at the collective forms that
emerged in the 1960s & 1970s. I don’t want to go into a
someone said something and someone else responded and another took note.
a few others noticed the note and said something in addition. the whole
incident was given the name
05637595419dace7bc6217963dcc98f02a4896eb71a0e01f422ab584a9f7bff9 -
meaning to say something which someone else responds to
dear all
Ruth's response to the discussion on "citizenship" on the net (following Rob,
Edward and many others here in this lively debate) is intriguing, and I assumed
you were seeing the notion of a place (not to speak now of a 'nation') or a
"here" as deeply problematic, yes?
I do, and I h
https://www.flickr.com/photos/szpako/16539604289/in/photostream/
oil on canvas //12X9" //painted from google search // posted to Flickr
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https://www.flickr.com/photos/szpako/16518435447/
oil on canvas //12X9" //painted from google search // posted to Flickr
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On Thu, Mar 5, 2015 at 7:00 AM,
wrote:
>
> I'd like to put forward the word 'NetArtisans' as an alternative to
> 'NetArtizens', because I don't feel like a citizen of the net, but I do
> feel
> like someone who takes material off the net and tries to hand-make new
> artefacts out of it (if you c
*"Daniel Larimer, who is working on a tool called Bitshares to apply
blockchain technology to banking, insurance and company shareholding,
believes that this new breed of technologies will ultimately render
government entirely obsolete. "*
This assumes that government isn't already obsolete. I fee
On Thu, Mar 5, 2015 at 7:00 AM,
wrote:
>
> Message: 14
> Date: Wed, 4 Mar 2015 10:10:35 -0600
> From: "Patrick Lichty"
> To: "'NetBehaviour for networked distributed creativity'"
>
> Subject: Re: [NetBehaviour] The NetArtizens Project
> Message-ID: <010a01d05695$c0a9e560$41fdb020$@voyd.
yes, i agree randall :)
On 5/03/15 1:20 33PM, Randall Packer wrote:
> "i mean co-authoring in a way that they can insert their own
> creativity & alter/influence the work.”
>
> @Helen: I am still interested in the idea that social media (and that
> includes this list) is in fact an intermedia
Great links, Rob.
I find out more about the world we live in from netbehaviour than from
anywhere else.
On 5 March 2015 at 01:44, Rob Myers wrote:
> On Wed, 4 Mar, 2015 at 7:52 AM, Randall Packer wrote:
>
> “I'm not sure I feel like a citizen of the net. …. it (citizen)
> [also}] means 'A
Dear #netartizens:
"Whatever the magnitude/form, online dialogues appear to be flooded with
antagonistic commentary.² Mez Breeze
I ask this question: Are the online forums doomed to positioning, attacking,
& posturing as Mez alludes, or do we have the desire or the inclination to
create, b
> "Social medial platforms are designed by commercial companies to elicit
very particular types of normalising exchange between masses of people I don't
see any general connection with mass social media usage.²
@Ruth, I am complete sympathetic with the underlying premise of your
position, how
Sorry for any cross posting...
Dark Days with Ellie Harrison
Caren Gilbert shares the experience of trying to find consensus on how we
should approach life after the apocalype in the pop-up community of Ellie
Harrison's "Dark Days" sleep-over at Glasgow's Gallery of Modern Art.
"Lately, I have n
Hi Edward
The artisans evocation is not an accident: ) And I share your feeling of
fellowship, commonness and community.
There are all sorts of problems associated with taking the Net as a
'place'...however, billions of people now spend a lot of time 'here',
inventing, socialising, working,
On 04/03/15 16:19, Randall Packer wrote:
It is my personal opinion that social media promises, at least in part
a new look at the collective forms that emerged in the 1960s & 1970s.
I don’t want to go into a full-blown lecture here (my students get
enough of that), but the link between the Ha
"if future generations don’t know the past, then they won’t know what to
reject, they will be acting out of ignorance of what preceded them."
Is that a bad thing? In the act of looking back and rejecting everything which
has preceded us in the history of our discipline, Derrida would suggest a t
"I do wonder what my life would be like if I was better at schmoozing, or
at least at advertising. But then I'd have less time to make art²
@Rob, interestingly, for many, from Beuys to Warhol to Koons, schmoozing and
advertising is integral to the work, there is no separation, it is all part
"Glitch as error and glitch as a chaotic system can be situated both within
archaeologies regarding improvisation and chance and within more contemporary
developments regarding complexity”
@Paul, this is all incredibly interesting, but I think what you were
alluding to in regards to chance th
"i mean co-authoring in a way that they can insert their own creativity &
alter/influence the work.²
@Helen: I am still interested in the idea that social media (and that
includes this list) is in fact an intermedial exchange & process of
co-authorship, that we are in fact, together,
authorin
> "What future artists need to know is that they can make their own contexts
beyond the given structures, shoved down their metaphorical gullets ;p-)²
@Marc, true but, if future generations don¹t know the past, then they won¹t
know what to reject, they will be acting out of ignorance of what p
"but i do believe it will matter to those in the future who need to know
alternative histories, just as many of us have needed to hunt out our own
alternative pasts.²
@Helen: Precisely, which is why I think it is the responsible thing to do to
consider our networked practice as relevant not j
Mechanisms of Exclusion: “We Are All Faceless Mobs Now, Dawg.”
New article on Furtherfield by Mez Breeze.
Mez Breeze examines the inner workings of our contemporary internet rage
machine to identify its social and psychological causes.
"Today’s online spaces are communication minefields. When in
> We have to speak in order to be heard.
Rhetorically speaking, being heard as voices of alterity predicates other
places than we are now/alternate worlds. What if capitalism has become so
ubiquitous that the Foucauldian system of power is so pervasive that there is
nowhere to go. As Rita Ral
I've only skimmed this article but it showed up on my tweet feed yesterday
via R.U. Sirius
https://twitter.com/StealThisSingul/status/572917180506902528
"Maidan, Caliphate, and Code: Theorizing Power and Resistance in the 21st
Century"
http://www.ctheory.net/articles.aspx?id=741
also, I know they'
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