, Guiseppe Logan, etc.?
Just curious. Sometimes I think my music's an odd inversion of yours,
trying to wk. as many notes as possible into a short interval but then
doing stuff w/ it for ages -
On Sat, 15 Jul 2017, Curt Cloninger wrote:
> Hi Alan,
>
> That loop is just from this song
http://playdamage.org/115.html
//
Last month in Berlin I bought a pillow from Alma Alloro which she custom made
after viewing playdamage.
Here is a picture of the pillow:
http://lab404.com/misc/alma_pillow.jpg
I made this playdamage based on
Hi all,
Here is an essay i wrote about nothing. It is derived from a talk i gave about
nothing and will become part of a chapter in a book i am writing about nothing:
http://textshopexperiments.org/textshop03/bereft-nothing-vs-fecund-nothing
I am posting this from the south bank of the Thames!
org>
> Subject: Re: [NetBehaviour] two curricula
>
> Sounds wonderful. Though...you're reading Arthur Machen? What sort of
> eldritch lore are you unearthing in London?
>
> // Paul
>
>
> On Sun, May 21, 2017 at 1:23 PM, Curt Cloninger <c...@lab404.com> wrote:
>
Hi netbehaviour folks,
Next week I am taking my new media students to London, Paris, and Berlin. Here
is our schedule and curriculum, with links to readings and viewings:
http://lab404.com/374/
We did this last year to Belgium and the Netherlands:
http://lab404.com/375/
This year the readings
Hi all,
Here is an idiosyncratic essay I wrote a while back that got published just now:
http://textshopexperiments.org/textshop02/cones-intersecting-planes/
It is in the journal Gregory Ulmer started called Textshop Experiments. This
Issue is called Tours & Detours:
Hi all,
Here is documentation of an art project:
http://deepyoung.org/current/day/
And here is a talk:
http://lab404.com/nothings/
Love,
Curt
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:/:::
Absence as remains
Weak optimism
//:/:/
Loss like all affect is held in the face.
(B)lack
//:
Polition (sp?)
Critiques picture theory
Noey -- anti-representational theory. Avant garde science of the mind.
/
1:45 - flicker short donneley
/
Tom sherman --
Dear NetBehaviour,
I woke up this morning and made you a mix tape of popular songs:
https://open.spotify.com/user/julesclon/playlist/6sZaA31jt5BxQPqiK0I3th
I will be listening to it today, thinking of you thinking of me thinking of you.
Love,
Curt
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http://playdamage.org/114.html
love,
curt
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For me, the net itself (when solely the net) feels better for idiosyncratic
wunderkammer than monumental institutions. (My own is here:
http://deepyoung.org )
Regarding shows in physical galleries, there is the story of the little girl
who can't sleep because she's scared. Her mom comforts
Here I am around 1993 playing a 4-track version of U2's Even Better
Than The Real Thing:
http://www.lab404.com/plotfracture/scott/real_thing.mp3
Here is a picture/meme of Jean Baudrillard that someone (Brad
Troemel?) put together and posted to my old facebook page:
https://twitter.com/#!/wisdomofjames
As beautiful as the chance encounter of a sewing machine and my
youngest son on an operating table.
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Hi Patrick (and all),
Below are notes from my moleskin notebook re: my thoughts on new
aestheticy things, written around a month ago.
whitead-has-a-posse,
curt
//
alter-Benjamin, alter-Debord. the image is a trace of process and
http://lab404.tumblr.com/
http://lab404.tumblr.com/page/2
http://lab404.tumblr.com/page/3
http://lab404.tumblr.com/page/4
http://lab404.tumblr.com/page/5
curt
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http://playdamage.org/90.html
http://playdamage.org/89.html { http://lab404.com/video/sliverider/ choruses)
http://playdamage.org/77.html {
http://www.petracortright.com/footvball_faerie/footvball_faerie.html }
http://playdamage.org/67.html {
http://deepyoung.org/radio/
http://25.media.tumblr.com/tumblr_m4l0cwn2As1qb58eqo1_400.jpg
http://25.media.tumblr.com/tumblr_m4l0dkmddA1qb58eqo1_400.jpg
http://24.media.tumblr.com/tumblr_m4l0ccCvhb1qb58eqo1_400.jpg
http://25.media.tumblr.com/tumblr_lyxmf23Vs91qb58eqo1_1280.jpg
http://lab404.com/video/sliverider/
A video collaboration between A. Bill Miller and Curt Cloninger.
Audio by Low. Bill and Curt swapped files back and forth until the
person receiving the file felt it was finished. Links to the video
files in progress are included
This morning I read and highlighted the following passage on my
kindle during our commencement ceremonies, 2 hours prior to returning
home and reading this email:
But as soon as I had succeeded in falling asleep, at that more
truthful hour when my eyes closed to the things of the outer world,
http://cabinetmagazine.org/issues/28/foer.php
http://28.media.tumblr.com/tumblr_m3j99oAuQ81qb58eqo1_1280.jpg
http://28.media.tumblr.com/tumblr_m3jadcTkgp1qb58eqo1_400.jpg
http://28.media.tumblr.com/tumblr_m3jao192co1qb58eqo1_1280.jpg
http://30.media.tumblr.com/tumblr_m3j99epNiq1qb58eqo1_500.jpg
Deep/Young Ethereal Radio Broadcast #142
http://deepyoung.org/radio/
(Kevin Shields has a posse)
LOVE,
curt
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Hi all,
Here is some documentation of a recent performance:
http://deepyoung.org/current/again/
Best,
Curt
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Hi all,
I realize I am blowing my own horn here, but I thought this recent
interview turned out well:
http://www.youtube.com/watch?v=iaeySf1o9swfeature=youtu.be
Here are links to the works mentioned:
http://deepyoung.org/current/tom/
http://deepyoung.org/current/genesis/diptych.mov
Dear Everyone Reading The Net Behavior Mailing List,
I made y'all a holy week mix tape becaues I love you.
http://deepyoung.org/radio/
curt
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http://rhizome.org/discuss/view/49741/
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1946:
http://squarewhiteworld.com/2009/12/10/stop-screaming-ideas-are-the-voids-of-the-body-penetrating-connexions-self-serving-excerpts-from-stephen-barbers-the-screaming-body/
2011:
http://francoisegamma.computersclub.org
1980:
http://lab404.com/273/deleuze_guattari.pdf
http://lab404.com/cones_intersecting_planes.pdf
I really enjoy forgetting. When I first come to a place, I notice
all the little details. I notice the way the sky looks. The color of
white paper. The way people walk. Doorknobs. Everything. Then I get
used to the place and I don't notice those
http://lab404.com/video/cup/
documentation of all five of my performances in this series.
black mountain boulder chicago providence.
john cage theodore darst mark amerika jeff tweedy vanessa place.
best,
curt
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http://playdamage.org/89.html
damo suzuki vs. petra cortright
http://deepyoung.org/radio/
getting in touch with my new wave roots
love,
curt
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http://playdamage.org/88.html
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the lapse toward slighter actuality - whitehead
http://deepyoung.org/radio/
best,
curt
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Hi Rob (and all),
I was just going back through a recent moleskin notebook and came
across this observation:
++
Rosalind Krauss's theoretical writing would improve if she were to
learn how to program in C++; whereas if jodi were to read
Wittgenstein's Philosophical Investigations,
http://www.lab404.com/plotfracture/cina/2003_08_21_13.html
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To fail does not mean to represent successfully existential failures
or existential meaninglessness; it means to fail to represent (either
meaninglessness or meaning). - Bersani/Dutoit
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Hi Annie (and all),
I will inject (arf) on this one. Deleuze/Guattari's becoming animal
seems relevant. DG are often accused of being unpragmatic and
playing hard and fast with science, but of all the philosophers I
read, I find them curiously pragmatic. To summarize: they suggest the
http://playdamage.org/86.html
(source audio by cluster)
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http://playdamage.org/85.html
audio and language by The Good, The Bad, and The Queen
glass by Charles Comfort Tiffany / chair by Alessandro Mendini
typeface is Cloninger Hand
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CRANK:
http://deepyoung.org/radio/
RadiatorSprings:
http://playdamage.org/84.html
Curt
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These ideas, which are so subtle that they all but elude the mind,
cannot be expressed in ordinary language (a mode of expression which
is one of the greatest causes of confusion), because our scope for
expression in any language is so extremely narrow that we
http://rhizome.org/discuss/view/47694
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Yes, James found it:
http://playdamage.org/market-o-matic/
and don't miss the thrilling copyright information page:
http://playdamage.org/market-o-matic/faq.html
Hi Curt
This is brilliant!
Do you have a version that generates artist statements?
dave
On 21 October 2010 20:04, Curt Cloninger c
cf: http://playdamage.org/manifest-o-matic
I agree with you here - also Olson's on field poetry (forget the exact
title). But it's the heart of absolutism that manifestos also offer that
can be a problem.
- Alan
On Thu, 21 Oct 2010, Edward Picot wrote:
I'm very late coming to this, because
Hi Marc (and all),
I guess I came late to the discussion and missed the reading list,
but I just found it in the archives.
It seems like this class is related:
http://lab404.com/179/
I teach at a public liberal arts university ( http://unca.edu ) , and
we all take turns (from every
Hi Marc,
Right on. I love Latour's understanding of politics: shared matters
of human concern that congregate around things in the world. I never
thought of myself as political until I read that definition.
One thing I love about Hakim Bey's Temporary Autonomous Zone idea is
that I don't have
.
Wishing all well.
marc
Think we're pretty much in agreement here!
Thanks for the discussion, Alan
On Thu, 14 Oct 2010, Curt Cloninger wrote:
The best art teaching I've seen (and hopefully articipated in)
was Lutz
Presser's in Tasmania, and David
For me, all these terms, including 'virtual' and 'real' are rife with
problems based on categoricity and ideology - for example following
someone like Lingis, I think we're inscribed, that inscription and culture
goes all the way up and down, we're permeated, we construct (local)
meaning the best
between Bergson's virtual,
though, and the future?
- Alan
On Thu, 14 Oct 2010, Curt Cloninger wrote:
For me, all these terms, including 'virtual' and 'real' are rife with
problems based on categoricity and ideology - for example following
someone like Lingis, I think we're inscribed
as well). Multiple futures only makes
sense in a multiverse, if they're considered 'actualized' at all, and our
selves exist within one of course. It gets tricky, but in any case it
seems to me that agency itself is subject to deconstruction.
(Or not!)
- Alan
On Thu, 14 Oct 2010, Curt Cloninger
The best art teaching I've seen (and hopefully articipated in) was Lutz
Presser's in Tasmania, and David Askevold's at Nova Scotia; in both cases,
they/we assumed the students were already artists/agents, and treated them
as such. So making art became a cooperative effort - sharing techniques
when
Hi Marc (and all),
I would say something like art that matters (rather than
authentic or real). Art that matters is a really obvious and
banal way of putting things that tries not to presume or cloak any
specifc ethical angle or cosmological presumptions. Then you get to
have a subsequent
Hi all,
Here is a recent essay:
http://lab404.com/glitch/
Best,
Curt
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to go
through the list, let's test...)
In reply to Curt Cloninger :
http://www.netbehaviour.org/pipermail/netbehaviour/20100316/014853.html
Yes, that's for me a very important point to address. In several works
(1) i use the IP address of the spectator to compose the picture, so the
picture
http://rhizome.org/editorial/article-2.0.php?article=3345#comment-61069
Absolutely correct (no response necessary), since no two things are the same.
...NOT THE SAME THING AMIGO...MANIK...MARCH...2010...
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Hi all,
I would just chime in here and reference Benjamin's famous art in
the age of mechanical reproduction essay written way back in 1935.
He notes the difference between painting as stationary/unique/cult
object vs. photography and film as mobile/multiple/aura-emptied
object(s). Benjamin
://coldbacon.com
Curt Cloninger (US)
http://lab404.com
http://playdamage.org
http://deepyoung.org
Arcangel Constantini (Mexico)
http://www.arc-data.net
http://www.unosunosyunosceros.com
http://www.nanodrizas.org
http://www.basura.org.mx
http://www.k-ra.de
http://www.X-No-01.net
http
Schwitters masterpoem may be seen and heard (in multiple versions) here:
http://www.ubu.com/sound/ursonate.html
From Jabberwocky to Lettrism.
Eugène Jolas.
Transition. no. 1 (January 1948), ed. George Duthuit. pp. 104-120.
The language of poetry has undergone more radical changes in the
That link to the written score from that audio page is broken. The
written score is here:
http://www.ubu.com/historical/schwitters/ursonate.html
rakete bee bee,
Curt
Thanks for the extra info - just been listening to it :-)
marc
Schwitters masterpoem may be seen and heard (in multiple
- Original Message -
From: Curt Cloninger c...@lab404.com
To: NetBehaviour for networked distributed creativity
netbehaviour@netbehaviour.org
Sent: Wednesday, February 17, 2010 9:05 PM
Subject: Re: [NetBehaviour] Search term as text
http://deepyoung.org/current/google/
http://www.minimovies.org
imgcolor seems to be quite limited, though. i haven't found a way to specify
a general color. such as #ff. it seems limited to verbal descriptions of
color such as 'red'.
Correct. It recognizes:
red, orange, yellow, green, teal, blue, purple, pink, white, gray, black, brown
Hi Jim,
Here is a paper published in 2006 by Google engineers about how the
safe search image filter algorithm works:
http://www.cs.cmu.edu/~har/visapp2006.pdf
They describe algorithms that analyze the image itself (looking for
skin tones, certain edges), apart from any consideration of the
http://deepyoung.org/current/google/
http://www.minimovies.org/documentaires/view/ilovealaska
[ http://rhizome.org/lib/rhizome_comment/threaded-popup.php?t=article-2838 ]
Literary Remarks on the Spectral Line Cesium project
Terms searched through Google have structure and meaning and
Hi Helen (and all),
It seems to me that for an artist, the next tactical turn is to not
bother about the next tactical turn (don't bother to make it; don't
bother to refuse to make it). The next move is to follow the topics,
interests, and concepts of one's own practice, however long they may
://antoniodiasadw.wordpress.com/
*Horizons of Significance:*
http://horizonsofsignificance.wordpress.com/
*
*
*Fine Lines*
http://finelinesamatterofdistinction.wordpress.com
On Feb 11, 2010, at 1:21 PM, Curt Cloninger wrote:
Hi Helen (and all),
It seems to me
Thanks Mark.
To me the most insightful part is where Charlesworth explains how
overarching forces of capitalism are causing an arts institution to
sponsor work by artists critical of capitalism. The tactical artists
cary out their confined, parochial, micro-critiques of capitalism
under the
http://playdamage.org/80.html
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Hi Patrick (and all),
http://playdamage.org
2001-present
80 screens (and rising)
Best,
Curt
cf:
http://www.andorgallery.com/shows/22c.html
Content-Type: multipart/alternative;
boundary==_NextPart_000_0297_01CA9C55.7EEFD300
Content-Language: en-us
YTAND (You're the Artist Now,
Hi Rob (and all),
Along the same lines, an excerpt from this [
http://lab404.com/articles/commodify_your_consumption.pdf ]:
Institutional Production of the Interactive Subject
The problem is, not all forms of web 2.0 interactivity are
inherently tactical. Put another
Hi Renee,
Here is the page for the class:
http://lab404.com/179/
So far we have had some interesting discussions. A good mix of students.
Four children with 1 on the way Now I thought I was doing a
decent job of juggling work and teaching with one child. I'm
humbled. Hat's off
Hi Renee,
I'm just playing devil's advocate with those potential critiques of
tactical media. You are absolutely correct to point out that
tactical media is anything but monolothic and homogenous -- by
definition, because to be tactical is to be supple. The work we will
discuss in class is
Thanks Marc,
I would say that explains a lot, and I mean that as a compliment. In
addition to Illich and Friere, I would add Ranciere's The Ignorant
Schoolmaster. We homeschool four children with a fifth on the way,
so teaching, art making, and writing are increasingly intertwined in
my life.
Hi Rob (and all),
Fun quotes (for the prose alone). Yes. stones, glass houses, logs in
eyes and specks in eyes. The following quote is from the
acknowledgements of Rita Raley's 2009 Tactical Media book (which I
will teach this semester in a freshman liberal studies introductory
colloquium
Hi Rob,
I agree. A worthwhile read (
http://www.metamute.org/en/content/how_not_to_be_an_atheist ). There
was Bakhtin where I wanted him to be, and A Thousand Plateaus
interpreted aright. And amen to the observation that old media has
always been a lot more interactive and non-linear than
Sol Lewitt
Saul Bass
(The Artist Formerly Known as) Saul of Tarsus
Eadweard Muybridge
Eddie Van Halen
Edward Scissorhands
Thomas Aquinas
Thomas Pynchon
Thomas the Tank Engine
Emily Dickinson
Émile Durkheim
Emily Post
Alfred Lord Tennyson
Alfred Hitchcock
Weird Al Yankovic
Barbara Kruger
the point.
- Alan
On Mon, 14 Dec 2009, Curt Cloninger wrote:
I haven't read Marion - could you elaborate? Could you say some-
thing also about pseudo-Dionysis?
Marion is a Catholic and student of Derrida. Pseudo-Dionysius is a
Christian writing circa 500 AD. Both address
Rev Derrida. Oy!
Reverend / referent / referee of deferring / rendering (polygons) /
rending (asunder)
http://deepyoung.org/permanent/autodidactic/
So much to read; so little pre-grave time.
I will revisit Lingis on bodies.
happy h[u/au]nting!
Curt
Through Derrida vis-a-vis Levinas, but
http://deepyoung.org/current/doubleblind/
Some thoughts on attempting to archiving a counfounded time:
My video documentation winds up being higher fidelity and more
intentionally synchronized than the original performance. There are
all sorts of very strange questions
The Ogre, which
really touches on this discussion.) Apologies by the way, I'm not trying
to drop names, just situate where my work (uneasily) lies. And putting a
work in for Chislenko, who was a wonderful person and an amazing thinker.
- Alan
On Sun, 13 Dec 2009, Curt Cloninger wrote:
My
I haven't read Marion - could you elaborate? Could you say some-
thing also about pseudo-Dionysis?
Marion is a Catholic and student of Derrida. Pseudo-Dionysius is a
Christian writing circa 500 AD. Both address and practice apophasis
(negative theology), Marion particularly from a
, 12 Dec 2009, Curt Cloninger wrote:
Hi Alan,
My phrase below is obviously an oversimplification of Bakhtin's
position. Along with J.L. Austin and Lakoff/Johnson, Bakhtin provides
an alternative to the idea that language somehow stands outside of
the world and re-presents it (or wholly
Hi Patrick,
I think the semantic evolution from doore to door is less
important than the ways in which the contextually-understood,
culturally-understood nuances of door shift, across varying
time-scales of moment, day, year, generation, etc.
Regarding modernism, Latour's We Have Never Been
don't know your work well
enough to comment on it one way or another.
Please forgive me. I have enjoyed our conversation thus far.
Best,
Curt
On Sun, 13 Dec 2009, Curt Cloninger wrote:
If you're not accusing me, why mention me at all in this regard? In any
case, this would be an absolutely false
arse?
Bob
Curt
Cloninger mailto:c...@lab404.comc...@lab404.com wrote Fri, 11 December,
2009 23:19:45
Bakhtin might disagree -- matter flows into language and
language
flows into matter (whatever matter and language may be).
The echo of a touch:
http://lab404.com/misc
Hi Alan,
My phrase below is obviously an oversimplification of Bakhtin's
position. Along with J.L. Austin and Lakoff/Johnson, Bakhtin provides
an alternative to the idea that language somehow stands outside of
the world and re-presents it (or wholly constitutes it, or plays a
game regardless
Thanks Alan,
I like the poetry that this is. It works as language across a network
of ether, ghost calling ghost. A disembodied myth of disembodied
discourse. In real life/space/time I doubt the event would have been
as poetic. In real life/space/time I would have rather asked Bakhtin
an
, all
languages are networks across ethers, across absence - all languages are
ghosts calling ghosts.
Thanks, Alan
On Fri, 11 Dec 2009, Curt Cloninger wrote:
Thanks Alan,
I like the poetry that this is. It works as language across a network
of ether, ghost calling ghost. A disembodied myth
://www.playdamage.org/blockon.gif
3
http://www.playdamage.org/shifton.gif
2
http://www.playdamage.org/sky.gif
1
http://www.playdamage.org/sleuth.gif
+
Best,
Curt
--
Curt Cloninger
Assistant Professor of Multimedia Arts Sciences
University of North Carolina
Amen!
Curt Cloninger
Kurt Cobain
Why with a K?
Who's he kidding?
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