- Original Message -
From: <[EMAIL PROTECTED]>
Subject: Re: leaf shutter for 35mm? (was RE: how good)
>
> The Mamiya RB67 system, which is a big SLR, has a dark black
flap that sits
> behind the mirror and swings up just after the mirror has
lifted, and after
> the leaf shutter has clo
I believe you want to be in Liberty State Park in Jersey City, New
Jersey. Here is the web link that should help you out.
http://www.libertystatepark.com
Jeff
At 08:33 AM 5/7/2002 -0400, you wrote:
>Date: Mon, 06 May 2002 22:49:14 -0500
>From: Tiger Moses <[EMAIL PROTECTED]>
>Subject: Statue o
Try 2 guinea pig rolls to be safe.
--- David Brooks <[EMAIL PROTECTED]> wrote:
> Thanks Brendan.I'm not sure if i'll shoot B&W this
> weekend or the slide roll.If its B&W i'll proccess
> this roll myself as the 'guinea pig' roll.
> Dave
>
> Begin Original Message
>
> From: Brendan <[
Good point, Tom.
tom wrote:
>
> Hold up...why don't we do this with a 35mm neg? Not all of us have 67
> carriers.
--
Shel Belinkoff
mailto:[EMAIL PROTECTED]
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Thanks Brendan.I'm not sure if i'll shoot B&W this
weekend or the slide roll.If its B&W i'll proccess
this roll myself as the 'guinea pig' roll.
Dave
Begin Original Message
From: Brendan <[EMAIL PROTECTED]>
Sent: Tue, 7 May 2002 11:20:59 -0400 (EDT)
To: [EMAIL PROTECTED]
Subject: Re:
Yes, I am ... but I'd dearly like to try printing a larger neg, too.
You can send me two negs if you'd like.
William Robb wrote:
>
> - Original Message -
> From: tom
> Subject: RE: Thoughts About Making Good B&W Negatives, and a
> challenge.
>
> > Hold up...why don't we do this with a
Dave I'm 15 min south and Aaron is a phone call away
:-) also invite that fellow Pentaxian to the TPDML :-)
. I can see the difference in my negs from the 1st
set I developed and the last 3, noticeable differences
in grain and contrast.
--- David Brooks <[EMAIL PROTECTED]> wrote:
> One thing I h
On Tue, 7 May 2002, Mick Maguire wrote:
> speaking of feedback, and how helpful it is to have comments on your
> work... what happened to the organized PUG comments each month? Did I
> miss their demise?
I had to miss a couple of months because of problems with moving and
internet access. I int
speaking of feedback, and how helpful it is to have comments on your work...
what happened to the organized PUG comments each month? Did I miss their
demise?
Regards,
/\/\ick...
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Newark is too far inland, and too far North. Probably
around Bayone. The best thing to do is get a map and
draw a line through the Statue of Liberty and extending
from an accesable point in NJ to Manhattan. A few things
to keep in mind:
- The statue faces into the bay (southeast) so you will
From: "Nitin Garg" <[EMAIL PROTECTED]>
> Didnt the language translation tool help to get a rough idea ?
Nothing decisive, really.
Meanwhile, I've established an hotmail account through which I have
sent them some critical questions. If they can provide answers, and I
get on with my inquiries to
Check this out if you haven't seen it already:
http://www.somd.com/news/2002/04/tornado/
Christian
On Tuesday 07 May 2002 09:44, Bill Owens wrote:
> NASA photo of last week's La Plata tornado
>
>
> http://earthobservatory.nasa.gov/Newsroom/NasaNews/2002/200205029304.html
>
>
> Bill KG4LOV
> [E
NASA photo of last week's La Plata tornado
http://earthobservatory.nasa.gov/Newsroom/NasaNews/2002/200205029304.html
Bill KG4LOV
[EMAIL PROTECTED]
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Dave described:
> The Mamiya RB67 system, which is a big SLR, has a dark black flap that sits
> behind the mirror and swings up just after the mirror has lifted, and after
> the leaf shutter has closed immediately before exposure-time. Its
> well-sealed enough that a separate focal plane shutter
Liberty State Park in Jersey City. It's right off the
New Jersey Turnpike's Newark Bay extension (which goes
to Jersey City and the Holland Tunnel, not Newark). I
think it's exit 14B. You can also catch a ferry to the
statue and Ellis Island from there.
You will have the statue (from the
Tommorrow (5/8) a few of us will be meeting to do some shooting at
Roosevelt Island:
http://www.nps.gov/this/
We'll be meeting in the parking lot at 6:30. We may find a place to go
have a beer afterwards. If you're free, please come on out and join
us.
Sorry for the short notice...if you have a
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of William Robb
>
>
> - Original Message -
> From: tom
> Subject: RE: Thoughts About Making Good B&W Negatives, and a
> challenge.
>
>
> > Hold up...why don't we do this with a 35mm neg? Not a
In a message dated 5/7/2002 7:40:37 AM US Eastern Standard Time,
[EMAIL PROTECTED] writes:
>
> > Hold up...why don't we do this with a 35mm neg? Not all of us
> have 67
> > carriers.
>
> I take it your in if we use a 35mm neg? I will dig around and
> see what I can find for a decent 35mm nega
If one brings his or her right thumb up along side the viewfinder of the
ZX-5n while shooting it helps one see the exposure info much more
clearly. The 5n is a great camera, I would recommend it without hesitation.
DG
At 04:43 PM 5/6/02 -0600, you wrote:
>Nitin is right. I forgot that the
Bill D. Casselberry wrote:
> Yeah, but like all the P&S mentioned - these are all
> separate viewfinder type cameras. If you want TTL viewing
> you need the mirror box and an open leaf shutter which then
> mandates a second focal plane shutter or some other mechanism
> to keep light off the film
I think this challenge sounds like a pretty cool deal. Though I
can't participage (no enlarger and I've never even _tried_ doing
any of my own darkroom work yet), I'd be really interested in
seeing the results (prints and discussion/explanations of choices).
Bob Rapp wrote:
> [...] Sometimes an
- Original Message -
From: tom
Subject: RE: Thoughts About Making Good B&W Negatives, and a
challenge.
> Hold up...why don't we do this with a 35mm neg? Not all of us
have 67
> carriers.
I take it your in if we use a 35mm neg? I will dig around and
see what I can find for a decent 35mm
Wow! It just makes me want to go to Japan even more. It's paradise.
Regards
AG
PS: To keep the OT, search the net for tne song "Shima uta" from The Boom.
Nice japanese song (in japanese of course)
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Bill,
This is a great idea! I would appreciate an
opportunity to participate in such an interesting
experiment.
Regards,
Bob
--- William Robb <[EMAIL PROTECTED]> wrote:
> - Original Message -
> From: Shel Belinkoff
> Subject: Thoughts About Making Good B&W Negatives
>
>
> > Ansel Adams
The camera is fine. The 35mm lens is fine. The filter sacrificed itself,
bending its edge to absorb the shock. Which was no big deal as the camera
only fell from about 12 inches off the floor.
So far, thankfully, I have been spared the high adventure of having a camera
fall from my hand or should
Hold up...why don't we do this with a 35mm neg? Not all of us have 67
carriers.
tv
> -Original Message-
> From: [EMAIL PROTECTED]
> [mailto:[EMAIL PROTECTED]]On Behalf Of Shel Belinkoff
> Sent: Tuesday, May 07, 2002 1:01 AM
> To: [EMAIL PROTECTED]
> Subject: Re: Thoughts About Making Goo
One thing I had planned on doing was to put
my home attempts next to the lab neg's and
see what may look diiferent etc.I don't know
if this will tell me much,but i'm planning
ahead anyway.
Talked developing/home printing with a fellow Pentaxian
but noy a List member last night,so it looks like
i h
On Monday, May 6, 2002, at 06:33 PM, Jeff wrote:
> Are we invited to take some compromising shots?
Won't be that compromising...it'll be a geek party. ;)
-Aaron
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Hi Frank,Jeff,Aaron,Brendan et all.I can come down for
a while on the 11th.One ?? Frank,at Church and Front,any
parking in the area??
Jeff and I will bring the prints from the Tokina/Pentax
zoom off last Sunday for impressions.
Dave
Begin Original Message
From: frank theriault <[EMAIL
FWIW
After I have processed and dried my film, I lay the negative/strips on
top of a fixed sheet of paper. If the highlights are blocked, the negative
was over exposed or over developed. if the shadow detail is missing, it was
under exposed. From those I feel will print, I go for it. Sometimes
In a message dated 06/05/02 19:53:44 GMT Daylight Time, Jens writes:
<< Hi All
Over the years I have purchased lenses with KA or KAF mount
without rear caps. Ebay sellers does not seem to know the what
a KA or KAF mount rear cap is.
I prefere caps that protect the contacts and the AF shaft
In a message dated 06/05/02 14:45:45 GMT Daylight Time, gfen writes:
<< I planted the front end of my A50 f1.4 into the ground yesterday when I
slipped down an embankment. >>
I hope you water it and nourish with plenty o' fertiliser.
Peter
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This message is from the Pentax-Discuss Mail List.
Hi John,
Getting a good SV is worth it. It took me two tries and I have 2. One is
super and the other had a lazy second curtain. I had it serviced and repaired
only to notice some screws missing on the film counter cover. If the camera is
clean otherwise, see if you can get the curtains replac
William Robb wrote:
>
> -
> With this in mind, I am willing to donate a 6x7 negative that
> produced an award winning print to a printing challenge.
> What I have in mind is a sort of travelling portfolio.
> You get the negative in the mail, make a print from it that
> pleases you, send me the pr
According to the European medium format catalogue, this is the complete
compatibility list:
Old accessories (67) vs new camera body (67 II)
CodeDescription Compatible
37910 67 Auto-extension tube set W/Case OK
37912 67 Auto-extension tube n°. 1OK
37913 67
on 06.05.02 16:52, Fred at [EMAIL PROTECTED] wrote:
> Please let me know if, when you reach the end of a roll, the camera
> automatically rewinds the film (whether you want it to or not). [I
> hate that.]
You can set it off via PF function!
> Just one more question on your new beastie - Is the
Patrick wrote:
>As said by someone else, don't hold your breath -- the MZ-S itself took
>nearly 6 years of this-conference-that-event rumors before it was real. I
>don't know what took them so long to perfect on it, so it was probably some
>sort of delay for the proper market.
Actually, the M
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