forge.net/projects/dispcalgui/?source=navbar
http://dispcalgui.hoech.net/#instruments
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On 27 March 2013 04:12, P.J. Alling wrote:
> Yet almost every review I've read that makes a comparison, says they're
> better than the competition...
Then the competition must be truly crap.
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An interesting compilation
http://www.aphotoeditor.com/2013/03/25/who-pays-photographers/
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http://www.cnet.com.au/how-to-get-started-with-freelensing-339343764.htm
Dog give me strength!
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imes? Is this
>> something that's just to be expected and I should look at sending
>> lenses out every few years for cleanings?
>
>
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Super pics Derby, it's amazing how much "atmosphere" a little fog can
make, the lights look great.
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On 16 March 2013 09:26, Zos Xavius wrote:
> Its 1:2. Says so right on the barrel in his sample pics.
All I can see is 1:2/180 which means it's an f2 lens, presumably this
one, which is not a macro lens:
http://en.leica-camera.com/assets/file/download.php?filename=file_1840.pdf
s as a macro, Leica
certainly doesn't and at the highest reproduction ratio: 1:6.7 who
would. Nice lens though.
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camera but the raw should be
better exposed in matrix mode especially in instances when there is
latitude remaining in the dark end of the histogram.
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paper, what were they thinking?
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On 14 March 2013 12:45, knarftheria...@gmail.com
wrote:
> My Brownie is still around. Same with the Yashica. Lord knows where the
> Instamatic might be...
I can't find my Instamatic either, it was my first camera, a later 56x
model with the Magicube flash
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http://vimeo.com/61083440
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-0.7) and when I shoot concerts with variable
lighting I generally set them to -1.0 as otherwise I often experience
saturation in one color channel and this is regardless of the lens
used.
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ens I wished that I had used one of
my better lenses instead (the 16-45 included in those better lenses).
Not a fan of the Pentax 18-55mm at all, they deliver mushy images from
my experience, their only saving grace is that they are very
inexpensive IMO.
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. I recently changed over to a Sigma 17-50/2.8 though, mainly so
that I had a bit more speed for people oriented shots, it was more
expensive but I can't complain, it delivers.
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On 12 March 2013 13:08, Aahz Maruch wrote:
> Which website?
I assume this one:
http://blogs.msdn.com/b/color_blog/archive/2006/09/29/profile-utilization-test-image-and-profile.aspx
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otorcyle is blue.
>
> Hopefully this is helpful.
That's an interesting page Mark, I've yet to read the comments, but
for reference on my Calibrated XP system the Bike is blue on Opera and
IE and green on Firefox and Chrome
This is another interesting page which tests for ICC 2 vs IC
with the O/S's colour
management system, they even use proprietary profiles WCS :(
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lastly simply setting the display to a known standard device
profile such as sRGB and just running with that. Personally I've never
had a great deal of success with factory monitor profiles, I would
assume that the success depends largely on the accuracy and
consistency of factory monitor adjustme
t was difficult looking at the
images made by the guy who took my place (not as good as I could have
done of course :) You win some and lose some I guess.
Has anyone else got any interesting photo projects lined up for this weekend?
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http://www.abc.net.au/news/2013-03-08/the-australian-ballet-portraits/4560622
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prises, even their brute force attack (elimination of W7
options) doesn't seem to be working. About time.
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pped top and bottom to correct for
> my handheld inconsistencies in placement of the horizon. To follow up on a
> recent discussion of travel kit, this was with the DA35/2.8
Very nice Stan :)
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they are getting a bit old now. Many
moons ago I wrote a page about LX problems (most of which I
experienced as I had a heap of these bodies) which in the film days
used to get a lot of hits, it can be found here:
http://users.tpg.com.au/distudio/pentax_lx_problems/
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t.
>
> Comments?
>
> Jack
>
> http://photolightimages.com/aspupload/detail.asp?ID=679
>
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;>> It's all headed east.
>>>> Good Luck, Bob S.
>>>>
>>>
>>>
>>
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at isn't (that's why we have color management). As long as you've
> exported your image in sRGB color space the difference should be
> minimal.
Some time ago I authored a page to practically illustrate this (in a clumsy way)
http://users.tpg.com.au/distudio/temp/ICC_test.html
rm.net/journal/2009/07/color-management-wide-gamut-dell-2408/
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Hi Team,
I thought this may be of interest to some of us here:
http://www.satechi.net/index.php/smart-trigger-c
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#x27;t let the power lines cheat me out
> of the shot. :)
Nice Walt, I'm with you, even with vapor trails and less than
desirable scenery in the foreground when I see a nice sunset I will
make a shot, I might not show it to anyone else but it's still nice to
review.
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Frank, moody and very atmospheric :)
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Hi Team,
A token bicycle shot:
https://dl.dropbox.com/u/9304908/temp/IMGQ07974.JPG
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On 27 February 2013 04:30, David Savage wrote:
>
> Squats, core exercises & some weights are your best friend.
I would guess so, holding up a k5, grip and 80-200/2.8 for four hours
straight tests your arms alright.
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nd I hope they have their balls deep fried and
> served to them for lunch.
Indeed!
Thanks for all the offers of help but already a very generous PDMLer
has come to the rescue, this is a great group.
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utton is
positioned in line and close to the green button. Problem solved on
that front though by simply disabling the green button in manual.
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irrelevance to real life photography.
Yes and no Boris, generally the more sensitive the camera the more
usable it is at higher ISO. I'm sure that you wouldn't dreamed of
shooting regularly at ISO1600 with sensors of two generations ago?
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ll aware of just how
>> much bad stuff I can say about things that annoy me.
>> I must get rid of it, and soon.
>>
>> Help me.
>>
>> bill
>>
>
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e-dial creep would be a bit more
> of a problem.
Wouldn't be too difficult, hel they can do it on washing machines, ie
hold exp comp and ISO buttons simultaneously for a second?
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ake a
greater part of your picture taking the creative component.
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t possibility.
>
> For studio shooting, I wish there was a way to lock out all the
> settings buttons and dials after configuring them.
>
>
> On Sat, Feb 23, 2013 at 9:19 AM, knarftheria...@gmail.com
> wrote:
>> Ouch.
>>
>> Cheers,
>> frank
>>
>>
from the PDML, please visit the link directly above and follow
> the directions.
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On 22 February 2013 10:58, Darren Addy wrote:
> I shared that link 8 days ago in the "Last call for K-5" thread, but
> it elicited no comments, which surprised me, a bit.
I saw the link when it was first posted, I think it's a somewhat
exaggerated result, I guess others tho
On 16 February 2013 01:52, Aahz Maruch wrote:
> On Fri, Feb 15, 2013, Rob Studdert wrote:
>> When it's a 10-20mm zoom perhaps?
>
> Again, when would you use that instead of e.g. a 14mm? I'm looking for
> specific use-cases, particularly from people who use both zoo
that may indeed be applicable.
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aphs where it's often near impossible to
perceive the inherent FE distortion due to the lack of regular
geometric references in the frame. If a photographer can't see the
potential and scope that a FE lens affords then they probably just
lack creativity or a sense of adventure. There's
On 15 February 2013 16:51, Aahz Maruch wrote:
> When would those advantages be enough to not bother using the 60-250?
> Putting it another way, when is it worth using a zoom with less than 3x
> range?
When it's a 10-20mm zoom perhaps?
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Te
x27;t have any filters.
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f you're going to buy a fisheye, it doesn't make much sense to spend
much money on it, since you'll probably get tired of it in a few
days."
http://www.kenwell.com/tech/8mm-f35.htm#perf
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Gm
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> www.robertstech.com
>
>
>
>
>
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and changes when it was to full of dirt
>>and scratches.
>
> Yup. Still have mine, still waiting for a Pentrax FF body to mount it on.
I calibrated my new pano rig to use it on the other night :)
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d fund some rather nice
purchases now. I do regret selling my A28/2 just because it was a
really nice lens, I sold it when i acquired my 31/1.8LTD due to
financial constraints at the time but I wish that I had kept it.
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before, I would assume that you would also then be able to see the
internal stresses in the crystals too?
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t; longevity...
It's not a particularly strong lens optically either, at the wide end
the old A24/2.8 runs rings around it when comparing distortion,
contrast and resolution. It's not a lens that I would recommend.
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contrast.
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he FF later.
>
> Mark
Pretty much my take on the introduction of a FF Pentax DSLR too.
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last week shooting with a bunch of Nikon
toting amateurs, the assumption is that they need full frame. Most
were already wielding FF bodies and the ones that weren't were quick
to say that they soon would be going full frame. I didn't see a great
deal of photographic experience there
uld oblige if anyone wished to know how I
had gone about producing any particular image.
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On 5 February 2013 08:04, Charles Robinson wrote:
> It was cold up in the upper atmosphere this weekend.
>
> http://charles.robinsontwins.org/photos/2013/_K5_4126.jpg
Excellent, why not submit it to http://www.atoptics.co.uk/opod_abt.htm
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On 5 February 2013 08:42, Paul Stenquist wrote:
> Hasn't the statute of limitations run out on the hat munch? Cotty was right:
> no full frame. Doing it in a different eon doesn't count.
Where's the like button? :)
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of course.
So long as it's better spec'd than a D600 otherwise it would be a bit rich.
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o buy a Nikon to own it.
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that price.
The introduction of the Aus 10% GST was actually a boon to camera
equipment buyers as the 21% sales tax was eliminated but of course
film processing cost rose, I guess that's why digital image capture
caught on ;)
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ving me 180 degrees DAOV :)
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On 3 February 2013 13:55, Paul Stenquist wrote:
> Some excellent shots. Well done!
Thanks Paul, it was nice to do something totally different.
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#x27;t meant to be easy.
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e dramatic ring.
>
> I certainly enjoyed the musing & banter this engendered. I have more & maybe
> even better photos from that day I will try to post soonest. Thanks again
> guys.
Nice shot Don, and the title wasn't too bad either :)
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een the same since
APS-c came along :(
In those situations I'm often shooting into heavy back lighting and
whilst I can but flare to use I don't need it in every shot :)
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prove quite
costly.
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cost me about AU$2150
as I recall, they were shafting us badly back then, I don't think that
they had heard of the Internet but I had.
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ots that you are proud of :)
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nding the CA and edge sharpness, do you think it will
limit the scope of the optic for you?
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HI Team,
Looking through my archives the other day this caught my eye, shot
back in Jan 2004 using my newish *ist D, not overly artistic but...
https://dl.dropbox.com/u/9304908/temp/IMGP00605.jpg
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of... well you've seen
> his pictures... :-) We had a great time!
A super set of images Jostein, I love the night scene containing the
time exposed lights, it's superb.
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ntured onto George street for food but otherwise headed into the
Botanical Gardens then on to the Domain to watch the SSO performance
which unfortunately was marred a little by the gusty conditions.
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type and dynamics of the performance.
Cheers,
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een so many exotic cars in one
location.
http://www.supercardelegance.com.au/web/australia-day-motoring-event/
Thanks Ken and Paul, it was a good show and very well attended.
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On 21 January 2013 12:00, William Robb wrote:
> I picked up a Nikon D4 today.
But did you put it back down or take it with you?
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Rob Studdert (Digital Image Studio)
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form foreground
would encourage me to crop the image centrally to create the aspect
ratio of a horizontal pano. Just a case of seeing differently, which I
am glad we all do.
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re related, no one was injured fortunately but the traffic was in
chaos for a week or more.
https://dl.dropbox.com/u/9304908/temp/IMAG2287.jpg
http://www.smh.com.au/nsw/jib-collapses-after-crane-catches-fire-at-uts-20121127-2a4e7.html
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Rob Studdert (Digital Image Studio)
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ow where to come.
> Nice pictures though - Zeiss lenses really are lovely.
They are but I'm sure that even a lowly Sigma branded zoom lens could
be persuaded to do a decent job in similar circumstances, though at a
significant loss of poseur value :)
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Rob Studdert (Digital Image Studio)
T
ure. Just see by yourself here:
> http://www.flickr.com/photos/dariobon/
> Dario
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twaddle IMO.
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On 14 January 2013 11:03, Christine Aguila wrote:
>
> Cheers, Christine
> http://www.caguila.com/paw2013/content/pawweek2sharpened_edited-1_large.html
Seems so incongruent that the cars aren't from the late 40's, very clever :)
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Rob Studdert (Digital Image Studio)
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Zepher.
A really interesting set of images Dave, the contrasts between the
images are striking, the seasons aren't nearly as pronounced around
here ;)
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l sites, but where might
> the original software be available?
> Thanks in advance.
> Jens, Denmark
Hi Jens,
Maybe try this? :
http://corrosphotoblog.blogspot.com.au/2011/10/how-to-install-pentax-digital-camera.html
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On 12 January 2013 10:05, sky wrote:
>
> We are doing the block (going round australia) starting in feb so i will
> need to unsubscribe for a year.
> Wish us well with lots of good pics taken.
Have fun, edit along the way, no fun having to sort through 1TB of
image files :)
Che
hoto/8371376662/lightbox
>
> I posted another one from that walk in March of 2011, but after re-reviewing
> them, I find I now like this exposure more.
>
> Thanks for looking. Comments always appreciated.
Love the subtleties; detail, exposure and framing, lovely pic.
Cheers,
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olen l...@red4est.com sent from i4est
>
>
>
>
>
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t all possible to do more of the same this year.
You obviously have the technical side nailed but I now appreciate that
there is so much more to this type of shooting.
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Rob Studdert (Digital Image Studio)
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see how this pans out.
Good theory but you might just end up shooting in lower light like me,
because you can ;)
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On 11 January 2013 09:22, Mark Roberts wrote:
> I'm a happy K-5 owner with no plans to upgrade to a K-5II or IIs and I
> treat the idea of living the same way: It's worth doing even with an
> outdated body ;-)
Yes, but I'd slip into a new one if I could ;)
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the camera can't get a reliable lock then at least it
doesn't go hunting every time the shutter button is depressed.
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P.S. It turns out that Ricoh has taken the 8:4 lead this year...
> P.P.S. Number of photos above were posted as PESOs throughout the year...
Wow Boris, you've got some heavy local competition there! Two very
appealing sets of images ;)
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Rob Studdert (Digital Image Studio)
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work with and created a nice honest set of
images, I enjoyed them anyhow ;)
Cheers,
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needed to get great results.
It's even less of an issue to sync external audio if you are recording
on the integrated mics too, just align the audio waveforms, no clapper
bd necessary.
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