The more I look at the photo, the more lopsided I feel. There seems to
be a lack of balance (not symmetry, but balance) I like the
composition overall, etc, but I get the impression that the left-hand
side has too much to say, while the right says nothing. It's there for
??? In contrast to others,
On 5/18/05, Shel Belinkoff [EMAIL PROTECTED] wrote:
http://home.earthlink.net/~scbelinkoff/bikewaiting.html
I was about to round file this one, but decided to post it here to see what
the experts thought of it. It's just a rough work print. Comments and
crits welcome.
Generally, I like
I'm no expert so
If it were me I would have moved about 10mm to the right, so I could
have gotten the rest of that light that is chopped off in the top left
corner g
Seriously though, technically it's fine. The subject just doesn't do
anything for me.
Dave S
On 5/18/05, Shel Belinkoff
PROTECTED]
To: pentax-discuss@pdml.net
Date: 5/18/2005 6:00:36 AM
Subject: Re: PAW PESO - Bike Waiting for a Train
On 5/18/05, Shel Belinkoff [EMAIL PROTECTED] wrote:
http://home.earthlink.net/~scbelinkoff/bikewaiting.html
I was about to round file this one, but decided to post it here
Shel,
The two posters sort interrupt the mood. Otherwise,
I find the geometric flow, countered by the lines of
the bike, interesting.
Another example of your affinity for the well placed
line.
Jack
--- Shel Belinkoff [EMAIL PROTECTED] wrote:
You're defining the rule of thirds Frank. The Bike's center point is
almost on a line drawn 1/3 of the distance from the bottom of the frame,
if there were more air to the left then the bikes center point would be
approaching a line drawn 1/3 of the distance from the left side of the
frame,
It's a nice composition. The title helps it along, but it doesn't seem to have
much to say.
Paul
http://home.earthlink.net/~scbelinkoff/bikewaiting.html
I was about to round file this one, but decided to post it here to see what
the experts thought of it. It's just a rough work print.
Hi Shel
I have exactly the same opinion as David
greetings
Markus
-Original Message-
From: David Savage [mailto:[EMAIL PROTECTED]
Sent: Wednesday, May 18, 2005 3:03 PM
To: pentax-discuss@pdml.net
Subject: Re: PAW PESO - Bike Waiting for a Train
I'm no expert so
If it were me I
Hello Shel,
The attempt with the perspective seems like a good direction. But
this particular image doesn't do anything for me.
--
Best regards,
Bruce
Wednesday, May 18, 2005, 5:43:46 AM, you wrote:
SB http://home.earthlink.net/~scbelinkoff/bikewaiting.html
SB I was about to round file
Actually, I found the image a bit whimsical, and I
like it. I'm feeling a bit like a bike down on the
rails with an oncoming train at the moment, so maybe
being on the platform seems nice.
Rick
--- Shel Belinkoff [EMAIL PROTECTED] wrote:
One of the problems i see (which you wouldn't) is
--- Shel Belinkoff [EMAIL PROTECTED] wrote:
http://home.earthlink.net/~scbelinkoff/bikewaiting.html
I was about to round file this one, but decided to post it here to
see what the experts thought of it.
Hey, Shel, can non-experts reply, too? Larf.
The only nit I would pick is that the
Sounds like we can commiserate, eh Rick LOL
Shel
[Original Message]
From: Rick Womer [EMAIL PROTECTED]
To: pentax-discuss@pdml.net
Date: 5/18/2005 12:06:41 PM
Subject: Re: PAW PESO - Bike Waiting for a Train
Actually, I found the image a bit whimsical, and I
like it. I'm feeling a bit
LOL Well, you've not seen the stuff that's been banned from the list
;-))
Since you mentioned precise, if you count the tiles on the platform and
divide that number by the number of vertical panels on the right side of
the pic, you'll get a prime number. That's the result of using prime
A well placed line? How about What's a woman like you doing in a nice
place like this?
Thanks for your comment, Jack ...;-))
Shel
[Original Message]
From: Jack Davis
The two posters sort interrupt the mood. Otherwise,
I find the geometric flow, countered by the lines of
the bike,
--- Shel Belinkoff [EMAIL PROTECTED] wrote:
Now, here are the important questions: Film or digital? Color or
BW? Leica or Pentax?
Sometimes I feel like a nut.
Sometimes I don't.
*UncaMikey
Yahoo! Mail
Stay connected, organized, and protected. Take the tour:
Shel,
Another example in support the concept that a line
should be places at the decisive moment. ;-\
('prox 3 martinis in?)
Jack
--- Shel Belinkoff [EMAIL PROTECTED] wrote:
A well placed line? How about What's a woman like
you doing in a nice
place like this?
Thanks for your comment,
On Wed, 18 May 2005 11:10:07 -0700, Bruce Dayton wrote:
The attempt with the perspective seems like a good direction. But
this particular image doesn't do anything for me.
SB http://home.earthlink.net/~scbelinkoff/bikewaiting.html
I'm afraid I agree with Bruce on this one, Shel. It might
Hi!
http://home.earthlink.net/~scbelinkoff/bikewaiting.html
I was about to round file this one, but decided to post it here to see what
the experts thought of it. It's just a rough work print. Comments and
crits welcome.
Me so thinks me is up to the lesson here. Gentlemen, kind sir Shel :),
may
The bike was where it was. The train approaches from the right, from
behind the bike and from where I was standing.
Shel
[Original Message]
From: Boris Liberman
http://home.earthlink.net/~scbelinkoff/bikewaiting.html
I was about to round file this one, but decided to post it here
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