Bob W-PDML wrote:
>> On 2 Sep 2015, at 19:38, Mark Roberts <postmas...@robertstech.com> wrote:
>>
>> http://www.theguardian.com/artanddesign/2015/sep/02/contact-sheets-magnum-photography-magic-chaos
>>
>I have that book. Trouble is, I never seem to find the
http://www.theguardian.com/artanddesign/2015/sep/02/contact-sheets-magnum-photography-magic-chaos
--
Mark Roberts - Photography & Multimedia
www.robertstech.com
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Possibly the best, certainly the sharpest, photo ever taken of me was
a passport photo done as a black-and-white contact print.
New Delhi in the 70s, & both photographer and equipment looked as
though they might have been around since Victoria was Empress. He had
an 8x10 view camera, but I think
I have that book. Trouble is, I never seem to find the time to enjoy it.
B
> On 2 Sep 2015, at 19:38, Mark Roberts <postmas...@robertstech.com> wrote:
>
> http://www.theguardian.com/artanddesign/2015/sep/02/contact-sheets-magnum-photography-magic-chaos
>
> --
>
--
And he _can_ do it :-) wish I could. But I did see the Frank exhibit at
the Met a couple of years ago where
they showed many of his contact sheets in cases in a room withhis
choices on the wall. It was terrific.
The slides in 20 to a page sleeves to slap on a light-table give the
same effect
Maxtor, had too much trouble with them, like with
Fujitsu.
Sam
- Original Message -
From: Shel Belinkoff [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Sent: Wednesday, November 17, 2004 7:11 AM
Subject: Re: Bye Bye Contact Sheets (was RE: Robert Frank - New York Bus,
1958
can be created with just a couple of keystrokes in Photoshop, and, as some
have said, storage is cheap and easy to come by, it shouldn't be too
difficult for a photog to save all their work and make contact sheets.
Shel
[Original Message]
From: Bob W [EMAIL PROTECTED]
The exhibition
Very true, Shel. I consider each CF card download to be a contact
sheet. A one gig card downloads as 72 RAW images, a half gig card
downloads as 36 RAW images. My hard drive is full of dated and
categorized contact sheets. The best are backed up on CDs.
Eventually, I hope to back up everything
at
this:
http://www.lacie.com/products/product.htm?pid=10025
Shel
[Original Message]
From: Paul Stenquist [EMAIL PROTECTED]
To: [EMAIL PROTECTED]
Date: 11/16/2004 6:57:02 PM
Subject: Re: Bye Bye Contact Sheets (was RE: Robert Frank - New York Bus,
1958 )
Very true, Shel. I consider each CF
: Wednesday, November 17, 2004 7:11 AM
Subject: Re: Bye Bye Contact Sheets (was RE: Robert Frank - New York Bus,
1958 )
The external drive is the way to go, IMO. You get a lot of flexibility.
When I was at my lab last, Kevin, the PS expert, was scanning hundreds of
slides for a client, who just
On 31/8/04, Caveman, discombobulated, unleashed:
I fear that we'll first see some very tempting 20D on the shelves.
Ar, yoyu are tempted by the Dark Side, Luke?
Cheers,
Cotty
___/\__
|| (O) | People, Places, Pastiche
||=|www.macads.co.uk/snaps
I thought it was artistic movement.
Caveman wrote:
Cotty wrote:
Nice one, Cavo. Was she shaking or were you? ;-)
Actually she was moving. Wish I had one of those fast lens high fps
cameras.
On 30/8/04, Caveman, discombobulated, unleashed:
Nice one, Cavo. Was she shaking or were you? ;-)
Actually she was moving. Wish I had one of those fast lens high fps cameras.
I reckon you'll pick up an *ist D as they drop just after the baby D is out...
A dollar says so.
Cheers,
A question to those shooting digital - just wondering how you present your
proofs to your clients...
do you:
a) print out a contact sheet such as that generated in PS?
b) hand over a CD with low res files for the purpose of proofing?
c) present them to your client as a slideshow etc?
d) do
I'd like to see a book of just well printed contact sheets. Imagine
what could be learned by looking at several months worth contact sheets
by some of the great photographers. Erwitt has some sheets, or portions
of sheets, in the Masters of Contemporary Photography series, which show
how he
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