Agreed. I discovered the night photographers last year and find the imagery
quite intriguing. Also check out http://www.thenocturnes.com and click
on the gallery link on the left.
Mark
http://www.interwalk.com/gallery.htm
-- Original Message --
>Not pinhole, but still damn cool:
>
>http://www.l
There goes my cent to the thread.
I use changing bags. I use a lot of film holders too. As much as I can I
avoid changing films in sweating conditions. As much as I can I try to
change films indoors (be it in a house, a car or a tent), specially at the
night before, so that it wont be necessary to
Dick Blick handles most of the easy printmaking supplies, asphaltum's at
http://www.dickblick.com/zz452/05/products.asp?param=0&ig_id=1830
Mike Keller
http://www.mikekellerphoto.com
"With every mistake
We must surely be learning
Still my guitar gently weeps"
George Harrison 1943-2001
|-Orig
Not pinhole, but still damn cool:
http://www.lostamerica.com/lostframe.html
Inspired me enough to go out and buy some slide film and try it...
You can find Asphaultum as a liquid or powder at Printmaking supply houses.
Rembrandt Graphic arts: http://www.rembrandtgraphicarts.com/
Renaissance Graphic Arts: Inc www.printmaking-materials.com
then look under :Intaglio:grounds for etching
powder
http://www.printmaking-materials.com/Merchan
Best wishes for the opening, Eric. I sure would like to be there and
see the work and the plates.
Guy
"Eric S. Theise" wrote:
> Eric S. Theise writes:
> > This opportunity is to good to miss.
>
> Groan. "too good".
>
> Occurs to me that I'll also be bringing my camera and some of the
> photogra
Joao Ribeiro wrote:
> My home solution is a heavy cloth curtain wider and longer than the door
> placed
> right behind it, so when I'm in with door closed, the curtain cuts all the
> light
> leaks comming in.
Yep. This is the way I work too: it's simple and economical. The only
shortcoming
"Gordon J. Holtslander" wrote:
> Can't imagine doing handling roll film in a bag. I've reloaded an 8X10
> pinhole camera in a changing bag - thats difficult
I used to use a changing bag to load exposed roll film (both 35mm and
120) onto development tank reels. It's not nearly as hard as it seem
Hello,
On Sat, 1 Dec 2001, Andy Schmitt wrote:
> (sorry Europe but there really is a use for inches)
I doubt it ;-) Since the method you used was based on fractions, it does
not matter at all which units you use. So no excuses for not using
metric! ;-)
Regards,
Robert
*
In a message dated 12/1/01 10:32:10 AM, hu...@rcn.com writes:
<< PS Leezy - I'm a huge fan Robert ParkeHarrison, too. His use of
digital technology is really inspired. He uses the technology, instead
of having it use him. >>
I must confess...I didn't know he used Photoshop.
Are you sure?
leezy
Hey there
How it was explained to me is use a Tape Measure..
Mark the tape measure off in fstop-inches...
Say you start with a 4" lens and have a total bellows length of 9"
2.8" 4" 5.6" 8" 11" 16"...etc
^ ^
You have a 2+ a 1/3(?) fstop-inch extension and that is also yo
"asphaltum" now thats one I haven't heard in a while...Where can you get it?
thanks
andy
-Original Message-
From: pinhole-discussion-admin@p at ???
[mailto:pinhole-discussion-admin@p at ???]On Behalf Of Eric S. Theise
Sent: Saturday, December 01, 2001 12:54 AM
To: pinhole-discussio
How about James Fee? (He should be of major interest to the
alternative process practitioners in the digest.)
Kate
PS Leezy - I'm a huge fan Robert ParkeHarrison, too. His use of
digital technology is really inspired. He uses the technology, instead
of having it use him.
Hi,
On Sat, 1 Dec 2001, Sue T K wrote:
> All this talk about long exposures and reciprocity have made me think of
> trying a indoor low light pinhole pic. For what I want to do I'm guessing
> the exposure should be about an hour long. No one mentioned shorting
Exposure guessing indoors is extr
> That was my instinct, Guillermo, and thanks for your
> answer.
>
> Funny thing is, I tried it yesterday at a minute and a
> half--my rough calculation, which was close to your
> suggested 84.5 seconds--and it completely overexposed
> the film. It was all white (using Polaroid Type 55).
> Then I t
At 09:53 PM 11/30/01 -0500, you wrote:
oh sure ! " at home in france " aliance francaise in n.y.see
pinhole news non.25-01
What did you think of that show, Mickey? I'd like to hear about it.
- Gregg
_
Pinhole Visions at http://www.?
Hello!
Or buy the book "Printmaking in the Sun." Buy a photopolymer plate.
Expose your positive with an aquatint screen (80 or 90%) on the plate in
the sun or under UV light. Develop under running water with a brush. Give
it a final exposure to set the plate, And Intaglio print. Safe, Fast and
I've used a changing bag for years. Haven't noticed any problems -though
I contact print mostly. I used to take my 4x5 on camping trips. Load
and reload film in the bag on a picnic table etc.
I didn't want to limit the shots I took on a trip to the number of
darkslides I have.
Can't imagine do
Hi:
how about direct postive ortho film - processed to make a continuous tone
postive.
See http://rmp.opusis.com/documents/reversal4.pdf
This is technique is intended to produce one step enlarged negatives, but
it could be used to make a direct postive.
Gord
On Mon, 26 Nov 2001, Jack Duganne w
Eric S. Theise writes:
> aquatinted with resin
Geez! Rosin. Pine tar. I need to s-l-o-w d-o-w-n.
--Eric
Gregory Parkinson writes:
> How 'bout some more tech talk :)
>
> How are you making the gravures?
How 'bout we wait until after the reception?
How 'bout you take my workshop next year? 8-)
I'm not sure what you're asking, anyway. It's one of the standard
variants: full-size positive on lith f
> There is no "rule of thumb", just plain physics of light.
> This case is in no way different than if you were using a glass lens.
I guess you could say the rule of thumb is to add 2 stops every time you
double the focal lenngth.
You can think of it this way... If you have a 50mm lens at f/16, d
I don't remember guillermo explaining it, so here's my shot at it.
Every time the bellows extension is doubled, you have to increase exposure
by 2 stops. If you extend the bellows by a factor of 1.414 (the square
root of 2), you must double the exposure.
so... sqr(2)^x = extension factor. x i
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