I would like Freakwater okay (not a lot; to me, their stuff seems watered
down rather than enhanced by its rock influences, unlike some alt-country)
if it weren't for Catherine Irwin's indescribably lousy voice. The only
time I saw them live--at a Mercury Lounge show that Barry Mazor and I
Amy says:
I would like Freakwater okay (not a lot; to me, their stuff seems watered
down rather than enhanced by its rock influences, unlike some alt-country)
if it weren't for Catherine Irwin's indescribably lousy voice.
and I'm inclined to agree; I spent some time once listening to
Oh, what the hell; here we go again...
I don't even get how people can NOT notice Ms. irwin's "slight"
note-finding problem live--on disc it's a different story, seems to me..and
I say this as someone who's always liked their "Old Paint" CD and still
do--only now I'm aware of the 4800 takes it
Barry:
I don't even get how people can NOT notice Ms. irwin's "slight"
note-finding problem live--on disc it's a different story, seems to me..and
I say this as someone who's always liked their "Old Paint" CD and still
do--only now I'm aware of the 4800 takes it must surely have demanded till
Juzz one thing, meshel: We get these reports of the same "temporary"
problem from shows all over the place, and for some timeIs this
maybe--now let's not start any rumors unless we want to-- one of those, uh,
recurring physical/mental problems not entirely unknown in the music
industry,
CK said:
I LIKE FREAKWATER.
Saw 'em last night and they were darn good
I DO, TOO. Marie and I saw them two weeks ago with The Sadies. They said
that they hadn't played together in awhile and at times they did sound a
little off, but we liked 'em. We had to leave in the middle of their set
