Hi there,
Anyone happen to have the presets for the Nectar Production suite? It’s
Izotopes take on vocal processing. If i could or had access to sighted help,
i’d try making them myself and contribute but as it stands now, all i can do is
ask politely for them.
/Krister
9 dec 2014 kl. 02:04
Anyone know if the parameters are exposed on the Windows side for that one?
At 03:40 AM 12/9/2014, you wrote:
Hi there,
Anyone happen to have the presets for the Nectar
Production suite? It’s Izotopes take on vocal
processing. If i could or had access to sighted
help, i’d try making them
Hi folks.
I mixed and mastered an easy listening track for Brian Howerton
recently, and since I haven't mixed something lighter like this
before, I thought I would ask for opinions on it. Here's a 48-second sample:
https://www.sendspace.com/pro/dl/7bhny7
So, what do you like and more
Hello Chris, nice overall mix. The only thing that stands out to me is the bass
and the drum. I am not sure if the drum has to many low frequencies that need
to be cut and then boost some of the higher frequencies around maybe 150HZ. Or,
it could be a compression thing I think I am hearing,
Hi, I had this also happen in pro tools 10 but again just tried this and
am finding the same issues come up. First I opened up a pro tools
session one of my friends who goes to school did in a class and the midi
sounds like they say it should with drums and other types of synths at a
very
interesting. thanks, i'll look into that.
hmm yep a little pumping in there.
At 11:07 AM 12/9/2014, you wrote:
Hello Chris, nice overall mix. The only thing that stands out to me
is the bass and the drum. I am not sure if the drum has to many low
frequencies that need to be cut and then boost
Personally, I didn't find it all that bad. OK, yeah, the drums might have
been just a tad bit too loud in the mix, but I said a slight! bit. I'm not
kidding when I say, it really wasn't! that bad at all. I think if you was
to turn down the drums by maybe 1 to 1 and a half DB, I'd say 2 at
Hi Chris. The client is happy with the track and actually asked that
the snare be fattened up. (grin)
It's interesting how opinions differ on this stuff and I'm just out
to learn more as I go.
At 12:08 PM 12/9/2014, you wrote:
Personally, I didn't find it all that bad. OK, yeah, the drums
oh, ok, if that is the sound he was looking for then, yeah, I'd trust his
opinion, and if that client happens to be! Bryan, then I'd really! trust his
opinion. LOL! I'd listen to him long before listenning to me! LOL! This
guy knows quite a huge amount when it comes to Audio
Looking at Nectar 2 over on the dark side, yup, there's a lot of
parameters exposed... 150 or so. Well labeled, but not real-world
values, so things like the frequencies for each EQ band are a bit of a
guessing game. As usual for iZotope, the actual plugin GUI is sort of
accessible too, with the
yep, still though, the wide range of opinions I've receive on and off
lists has given me about half a dozen things to try.
At 12:25 PM 12/9/2014, you wrote:
oh, ok, if that is the sound he was looking for then, yeah, I'd
trust his opinion, and if that client happens to be! Bryan, then I'd
Loving how solid the bass is on this man... it's like carpet.
I might've set the piano in a tad wider space using a reverb that's
all about the mids... not for a noticeable decay, just a bit of extra
warmth if that makes sense. The percussive-ness of the piano seemed a
bit overbearing here, but
Hello, to all,
I am having trouble quantizing drums using elastic audio.Would some one
be willing to give me step by step instructions on how to complete this
task?I have all my drums added to a group with the tracks selected, I
navigate to the edit view, locate the elastic audio button and
Good way to look at it Chris, and when you have a happy client then that is the
thumbs up or down. I liked the percussive sharpness of the piano, because it
seemed to just make it all a little more edgy and raw and not too tamed. Thanks
for sharing
-Original Message-
From:
Hi, it’s easy to get Stutter Edit working with Midi in Protools. Put Stutter
edit on an audio track as an insert. Create a new midi track. Set the Input to
your midi controler, and the output to Stutter edit. I think you need to arm
the midi track so that it is record enabled. YOu can trigger
Well, this sort of thing is very
subjective. I would have brought the bass up a tad and maybe wetened the
snare and toms just a bit, not that eighties big reverb thint, just subtle.
But as it has been said, the customer's always right.
GOrd
-Original
Hello, I hear what you are talking about with the pumping between the bass and
drums. So I agree, but the mix sounds great. Ha ha, of course listening from
my Apple iPhone headphones. The bass sounds fine to me, maybe a little bit on
the loud side, but then again what do I know? I am just a
Daniel, it's not just one parameter that you can say is the magic gold.
Different songs are going to have different dynamics and different people
doing them will have different results. Furthermore, you're almost never
going to get it where the same recording redone by the same person in the
I should have known it wasn't that simple ha ha. Thanks for the response Chris.
Not to mention the arm weight when playing arpeggios and what not. Take care
Daniel Contreras
On Dec 9, 2014, at 2:14 PM, Christopher-Mark Gilland clgillan...@gmail.com
wrote:
Daniel, it's not just one
Pro tools is not natively compatible with a standard called “General Midi.”
What? Pro Tools not compatible with a standard? That’s new. Lol.
Anyway, general midi insures that midi files played back on any GM compatible
setup will play the right sounds.
Unfortunately, Pro Tools never had a sound
Kevin,
I'm curious though,
When you make a stereo instrument track, isn't the stuff it then receives
triggered by midi? So in other words, if I make an instrument track, then I
try to play a virtual instrument through it with Xpand2, is that not midi
that is triggerring xpand2 to play?
---
There’s more to midi than just the notes played.
Midi can also send bank and patch changes to a keyboard or software.
So if you download a song off the internet and load it into a GM compatible
player like Quicktime, the midi file tells qt what the different instruments
are for each track.
Hey Kevin, you went to LCB a few years ago?
Ricky
On Dec 9, 2014, at 5:23 PM, Kevin Reeves reeves...@gmail.com wrote:
There’s more to midi than just the notes played.
Midi can also send bank and patch changes to a keyboard or software.
So if you download a song off the internet and load it
Isn't this the type of thing that templates could help with? I've
never really gotten into them in PT, but I know a few people on here
are big on that school of thought. Maybe someone can chime in...
On 12/9/14, Poppa Bear heavens4r...@gmail.com wrote:
Hello David, I do know how to set it up,
Hi, So what both of you are basically saying is I am out of luck as far
as getting either my friend's midi pro tools into a normal file.mid or
importing a raw file.mid into pro tools and messing around with it? The
friend I am trying to help does not have pro tools so they wanted me to
export
Pro Tools is capable of both importing and exporting standard MIDI files.
That's not your problem. Your problem is that you need a General MIDI
Instrument. If you have a MIDI module capable of General MIDI, no problem. Hook
it up to Pro Tools and you're done. If you don't have a GM synth, there
Hello Scott, I do use a few templates and they can help to streamline workflow
a lot of the time, in my experience though, with something like studder it is
an afterthought and not something that I would really shape a project around.
All in all, I think that it is a neat tool and in other
To tack on to what Slau said,
You can import a midi file from the internet, but you are stuck
assigning each track to it's own instrument in the air creative collection.
It's extremely time consuming.
In the cakewalk world, you would assign all the midi tracks to 1
instance of something like
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