Hi, it's me again.
Okay, so I've been reading about how sfz files tend to be better than
sf2. I've also found a better orchestral soundfont, which is good,
because I don't know what synth program that will work with Rosegarden
will load sfz files or how to do it.
So, my point is this: I started a
Well, shoot. I knew I was missing something. Thanks!
On Thu, May 12, 2016 at 3:31 AM, Abrolag wrote:
> On Thu, 12 May 2016 03:16:00 -0500
> Silas Mortimer wrote:
>
>> Hiya, it's me again. I have a temporary, version one sorta complete
>> piece made from the fir
Hiya, it's me again. I have a temporary, version one sorta complete
piece made from the first one I started making on Rosegarden. It's
short and if someone would like to check it out, look here:
https://ralopyb.bandcamp.com/track/rapid-cycle
The thing is that it's kind of artificially shortened,
On Wed, Apr 20, 2016 at 2:16 AM, Lorenzo Sutton
wrote:
> One test to do would be:
>
> - make sure Rosegarden and Jack are using Jack Transport and the BPM and
> meter are the same (I think both default to 120 BPM and 4/4 so starting
> from scratch should get you going).
> - In hydrogen put one not
On Mon, Apr 18, 2016 at 9:45 AM, D. Michael McIntyre
wrote:
> I couldn't repeat your gross timing discrepancy between the
> applications, but I couldn't really work out an effective way to use
> both of these sequencers at the same time either.
I kind of figured that the discrepancy in mine proba
On Mon, Apr 18, 2016 at 8:26 AM, Ted Felix wrote:
> On 04/18/2016 09:19 AM, Silas Mortimer wrote:
>That's a ratio of 2/3. Check the time signatures. Are they the same?
I just looked up time signatures in Hydrogen and I'm going to have to
look at it for a while to unders
I have a song that begins with an intro that I wrote in Rosegarden,
then transitions to a guitar/bass/drum-based song. I'm making the drum
line in Hydrogen.
I've run into a little trouble in trying to match the rhythm of the
song to the one in the intro. What I've found: 180 BPM in Hydrogen is
*no
On Mon, Apr 18, 2016 at 3:59 AM, Lorenzo Sutton
wrote:
> Not sure if this has been mentioned / is relevant, but in both matrix
> and notation editors you can 'jog' (move in time) by 1/32 increments
> selected notes with ALT + Right / ALT+Left - For certain scenarios this
> (using the keyboard) cou
On Wed, Apr 13, 2016 at 8:32 PM, D. Michael McIntyre
wrote:
> On 04/13/2016 06:52 PM, Silas Mortimer wrote:
>
>> No problem. I just need to work out how to add the arpeggio notation
>> in Lilypond.
>
> It's hacky and weird. Use the text tool. Choose type "L
On Wed, Apr 13, 2016 at 5:08 PM, D. Michael McIntyre
wrote:
> On 04/13/2016 05:58 PM, Silas Mortimer wrote:
>
> A better way to handle that is no less tedious to set up. You could
> have the notation duration for all your notes be one thing, a quarter
> note, say, and then you
Ignore that last question. Since you're using the matrix editor, I
suppose it's entirely possible there, where I wouldn't be able to use
it via the notation editor.
On Wed, Apr 13, 2016 at 4:58 PM, Silas Mortimer wrote:
> This is excellent! Good find! But tell me if I hav
This is excellent! Good find! But tell me if I have this right: This
only works across multiple staves, right? Meaning, if you're making a
chord in a nonpercussion instrument, you couldn't use this method to
arpeggiate the chord, right?
If that's case, I wonder if it could be extended that way. In
Very good to know. Thank you!
On Tue, Apr 12, 2016 at 8:50 AM, D. Michael McIntyre
wrote:
> On 04/11/2016 04:13 PM, D. Michael McIntyre wrote:
>
>>> I *might* download and compile it
>
> As of revision 14597, working with your Unnamed.rg file:
>
> When you find the whole notes that are too big fo
Awesome! I need to check with the maintainers of the Opensuse
Multimedia repo. Hopefully it's there soon. (I *might* download and
compile it, but I hate messing up the usefulness of a package
manager.)
And you rock! If I ever get a chance to buy you a beer or whatever
your drink is, I will damn we
On Sun, Apr 10, 2016 at 5:46 AM, chuck elliot
wrote:
> Actually there are devices that do this. I have a Roland GI 10
> guitar/midi interface which is basically a real time pitch to midi
> converter. It handles pitch bend too and does an impressive job
> without too much delay and glitches. Paired
Sun, Apr 10, 2016 at 11:17 PM, D. Michael McIntyre
wrote:
> On 04/07/2016 07:00 PM, Silas Mortimer wrote:
>
>> I don't mind sending it here.
>
> I'm going to address the "Tie Notes at Barlines" thing not working
> directly. By the look of things, this has be
Going to try inline. Last time I tried it (a while back), Gmail didn't
handle it all that well.
On Sat, Apr 9, 2016 at 5:08 PM, D. Michael McIntyre
wrote:
> On 04/09/2016 03:13 PM, Silas Mortimer wrote:
>
>
> >> Perhaps another limitation regarding scoring
ding text reads "letter by
> letter". I guess sequencers aren't quite up to the human visual system's
> powerful processing!
>
> Perhaps another limitation regarding scoring sequencer music are the
> limitations of MIDI? Are there MIDI standard events for everything a
>
Of course, it's orchestral strings, so there are no chords. Still, I
think I could probably even redo the first one better now. I think I
might just repair it if I can, though.
On Fri, Apr 8, 2016 at 4:44 PM, D. Michael McIntyre
wrote:
> On 04/08/2016 12:29 PM, Silas Mortimer wrote:
>
>
.
>
> Well well always very interesting discussions on the RG mailing list :)
>
> On 08/04/2016 15:19, D. Michael McIntyre wrote:
>> On 04/07/2016 07:04 PM, Silas Mortimer wrote:
>>
>>> If I might ask, because I've been wondering about this, what makes
>>
doing Slayer's "War Ensemble" that way and it was hilarious.
Just a random thought.
On Fri, Apr 8, 2016 at 8:19 AM, D. Michael McIntyre
wrote:
> On 04/07/2016 07:04 PM, Silas Mortimer wrote:
>
>> If I might ask, because I've been wondering about this, what makes
>>
McIntyre
wrote:
> On 04/07/2016 07:19 AM, Silas Mortimer wrote:
>
>> Anyway, here's one example:
>>
>>
>> https://drive.google.com/file/d/0B8p6zThp4KIdN2NyUXBRWHkxUHc/view?usp=sharing
>
>
> Red bar lines are Rosegarden's way of telling you that some
I don't mind sending it here.
On Thu, Apr 7, 2016 at 4:18 PM, D. Michael McIntyre
wrote:
> On 04/07/2016 07:19 AM, Silas Mortimer wrote:
>
>> Anyway, here's one example:
>>
>>
>> https://drive.google.com/file/d/0B8p6zThp4KIdN2NyUXBRWHkxUHc/view?usp=shar
t; authenticity, honesty, community
> http://dancingtreefrog.comOn Apr 7, 2016 02:37, Lorenzo Sutton
> wrote:
>>
>> Hi!
>>
>> On 07/04/2016 00:27, Silas Mortimer wrote:
>>
>> [...]
>>
>> > One example is at one point I wanted to make a chord
I appreciate it. And it sounds like the game is good, lol.
On Thu, Apr 7, 2016 at 10:55 AM, D. Michael McIntyre
wrote:
> On 04/07/2016 10:44 AM, Silas Mortimer wrote:
>
>> do that and then use shortcuts in LilyPond to "clean it up" visually?
>> To be specific, what I
, Lorenzo Sutton
wrote:
> On 07/04/2016 16:39, Silas Mortimer wrote:
>> Oh, geez. It's been a long time since I've used a mailing list and I
>> sent my reply to Lorenzo personally. Thanks for your patience,
>> Lorenzo.
>
> Happy to help new RG users, it's the
the matrix editor is messing with
> the notation.
> I love the fact that RG is a musical swiss army knife but that does, as
> Lorenzo pointed out, introduce trade offs. If you want the best out of the
> sequencer and the notation editor, I would make 2 files.
>
> Dave
>
> On
with that.
Still, though, in that second example, even in the matrix editor, I
can't get the chord to ring out instead of sounding twice. What am I
doing wrong there?
On Thu, Apr 7, 2016 at 7:37 AM, Lorenzo Sutton wrote:
> Hi!
>
> On 07/04/2016 00:27, Silas Mortimer wrote:
>
> [.
Hi. I'm not only new to Rosegarden, I'm new to computer composing
beyond using guitarix/Hydrogen/Ardour for recording. I've been working
on a piece and learning bit by bit as I go along. Of course, this
means that I'm making a lot of mistakes as I go.
The trouble winds up in the notation editor. B
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