*infomercial*
The unexpected happened: artist Constant Dullaart is very close to reaching his
30.000 euro goal on kickstarter. He is now at about 25.000 with only 20 hours
to go. Dullaart has developed a video player for art installations under
The link to the article on Rhizome is missing in my previous mail. Here it is:
http://rhizome.org/editorial/2015/sep/29/dulltech/
One more quote from the article:
"In addition to being a convenient product that "just works," because of
Dullaart's documentation of the manufacturing process in
I wrote a review of David Blair's exhibition at the MUHKA in August, but due to
editor's holidays and other inconveniences it was never published. A great
shame, because this is an exhibition that is very much worthwhile. I sincerely
hope Blair will get the chance to work in similar
Unfortunately I do not have the time to go into debate about most of
the presumptions and insinuations in Julian Oliver's text. Let me
just say it seems written from prejudice rather than knowledge.
Prejudice about how funding bodies work, for example. To simply call
them 'the state' or
The state most certainly does have a hand in how this funding is
allotted, as
you've just seen in the Netherlands. Unlike the Judicial System,
culture and
the funding of it is not separated from the state and its interests.
What happened in NL is that the government put the advice of the
The following was read at a gathering today about the future of the
arts in NL at the Stedelijk.
Fifty years ago, against the backdrop of war and a growing consumer
society, Hannah Arendt wrote The Crisis in Culture: It's Social and
It's Political Significance. Seeing the cultural realm
their names and wonder if others were
confused too.
All best
Maria X
On 15/06/2011 11:23, Josephine Bosma je...@xs4all.nl wrote:
hi Stephen and others,
It is not a naive idea at all imo. The only problem with it is that,
see Heiko's reaction, it needs a thorough argumentation and a readily
Just a quick and final response before getting on my way:
I totally agree with Andreas that we should not make this a battle
for media art alone. That said, what is striking in this new policy
is the division of the arts into (literally called in the policy)
'pearls' that will keep their
hello all,
I realized this week that I had completely forgotten to respond to
Esther Polak's request for examples of alternative symposium models.
Yesterday would have been the best time to finally sit down and talk
about it, but unfortunately I was very busy. One of the things I had
hello al,
I would like to second Susanne's call for some self-reflection on the
side of the authors of the juxtaposium proposal. I respect and admire
the work of most of you (juxtaposium authors, I just don't know
Baruch Gottlieb), but I think this proposal completely misses its
mark.
By coincidence I am looking into this today, and I stumbled onto this:
http://www.roughlydrafted.com/RD/Home/E83D58B3-10E0-4A9C-8847-
BCE665EE235C.html
You should also check out the comments to this criticism.
best
J
*
On Jan 27, 2007, at 11:29 AM, Heiko Recktenwald wrote:
Well,
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