Sorry for any cross posting...
Interview with 'Monsters of the Machine' Artist, Eugenio Tisselli
Marc Garrett interviews artist, Eugenio Tisselli about his collaborative
project with Tanzanian farmers currently being shown as part of a larger,
touring exhibition 'Monsters of the machine:
Interview with Inke Arns & review of the transmediale show, alien matter
Sorry for any cross posting...
Interview: Looking at Alien Matter with Inke Arns
Since 2005, Inke Arns has been the curator and artist director of Hartware
MedienKunstVerein, an institution focusing the cross-section
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New Tendencies: Art at the Threshold of the Information Revolution (1961 -
1978).
Kristian Lukić reviews Armin Medosch's New Tendencies – Art at the
Threshold of the Information Revolution (1961-1978), comparing the
movement's approach and relationships with the
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New review on Furtherfield
That Ends That Matter – An Installation by Jean-Paul Kelly
Review by Chloe Stavrou.
That Ends That Matter is a three-channel video installation by Jean-Paul
Kelly exploring the lack of transparency elucidating a direct relationship
Sorry for any cross posting...
Garrett Lynch reviews HFT The Gardener, the recent exhibition by Susan
Treister at Annely Juda Fine Art, London. The review relates Treister's
work to the artistic visualisation of networks and the links between
network structures and art practice.
The work of
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Data Asymmetries: An Interview with Burak Arikan | By Carleigh
How does network mapping exist as a tool for visualizing a politics of
control as well as routes of emancipation from surveillance? In the first
of a two-part interview series, artist/technologist Burak
Sorry for any cross posting...
The Spectacle of Failure in Drone Warfare.
Dave Young writes on the politics of the drone crash in response to the
artist collective IOCOSE and their sculptural work Drone Memorial.
"In IOCOSE's Drone Memorial, our attention is drawn to the fact that these
complex
Sorry for any cross posting..
IGNORANCE: The Power of Non-Knowledge
The Disruption Network Lab (DNL) has been presenting in Berlin some of the
finest platforms for the discussion of art, hacktivism and disruption,
presenting academic debates on not-so-conventional forms of thought.
Pedro Marum
Sorry for any cross posting...
Review of Dreams Rewired -- Screening at Watermans, London
By Samantha Penn
The 2015 film Dreams Rewired (dirs. Manu Luksch, Martin Reinhardt, Thomas
Tode) will be screened at Watermans, London on 3 December. By comparing
historic and current responses to new
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Harun Farocki - Empathy at Fundació Antoni Tàpies
By Chloe Stavrou - https://t.co/kxglEoPK9J
Two years after Harun Farocki's death, a project-retrospective
collaboration of his work was undertaken, with its first part at The
Institut Valencià d'Art Modern (IVAM)
Sorry for any cross posting...
Backdoored: An interview with Nye Thompson
By Millicent Hawk @furtherfield #surveillance #webcams #privacy...
How much can users really know about the functioning of the cameras which
are embedded in their devices? Backdoored, Nye Thompson's recent work,
explores
tre, Regina de Miguel, Joana Moll & Cédric Parizot, Guido Segni,
Karolina Sobecka, Alan Sondheim, Thomson & Craighead.
Curated by Marc Garrett on behalf of Furtherfield.
Monsters of the Machine is a contemporary take on Mary Shelley’s
Frankenstein and asks us to reconsider her warning, tha
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Baruch Gottlieb reviews Benjamin Peters' How Not to Network a Nation: The
Uneasy History of the Soviet Internet, The MITPress, 2016 -
http://bit.ly/2dqngBU
In Benjamin Peters’ “How not to Network a Nation” we learn that the USSR
had the engineers with the technical
Sorry for any cross posting...
Soviet Utopian Past in the Critical Present: Power and Architecture.
reviewed by Molly Hankwitz - http://bit.ly/2e5HmaA
In Power and Architecture, the post-Soviet city and utopian public space
was used as a critical framework with which to discuss issues related
Sorry for any cross posting...
A Contemporary Delphic Oracle: The Church of Big Data
New article on Furtherfield by Marloes de Valk.
An essay on waiting for the technological rapture in the church of big
data. Marloes de Valk writes about the paralysing effect of hiding the
human hand
The tireless enchantment of technological sorcery
Ars Electronica 2016 Review At Furtherfield..
By #KissMyArs - http://bit.ly/2ctU82g
A participant asks how Ars Electronica, one of the longest standing and
biggest media arts festivals in the world, has found itself so far
distanced from
Sorry for any cross posting...
On Saturday 6th August Ruth Catlow and Marc Garrett from Furtherfield led,
or rather collaborated on the 'Do It With Others - Art and Solidarity in
the Age of Networks' event, with Gretta Louw and They Are Here (Helen
Walker & Harun Morrison) and writer Tim Wate
Sorry for anyh cross posting...
contesting/contexting SPORT 2016: Interview with Zeljko Blace
Josephine Bosma interviews Zeljko Blace on his involvement in the
exhibition and program 'contesting/contexting SPORT 2016' and discusses how
it contests the field of SPORT through critical art and
Sorry for any cross posting...
Pawnshop - the Greek Reality Board Game.
What is the relationship between state corruption and economic collapse in
Greece? Lina Theodorou, artist and creator of the board game 'Pawnshop',
talks with Furtherfield’s Ruth Catlow about Grexit, Brexit, and crisis in
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Universal Basic Income Is a Neoliberal Plot To Make You Poorer
By Dmytri Kleiner.
The reason many people on the left are excited about proposals for a
Universal Basic Income (UBI) is that it acknowledges economic inequality
and its social consequences. In reality,
Sorry for any cross posting...
By Cornelia Sollfrank and Rachel Baker.
Techno-feminisms are, once again, on the ascent. The Xenofeminist
Manifesto, published in 2015 by the collective Laboria Cuboniks, is a
provocative and elaborate example for the renewed exhortation for gendered
bodies to
we have invited
Furtherfield (Ruth Catlow and Marc Garrett) to develop and lead a day-long
symposium with contributions from artists Gretta Louw and They Are Here
(Helen Walker & Harun Morrison) and writer Tim Waterman.
Furtherfield create online and physical spaces and places for different
k
al Culture, YAMA is also the name given
to the multimedia installation made by artists from the Warnayaka Arts
Centre with Napanangka (Gretta Louw) for the Networking the Unseen
exhibition at Furtherfield Gallery.
Article
http://www.furtherfield.org/features/articles/home-within-yama-and-ng
Sorry for any cross posting...
Review by Gerald Straub.
The “As rights Go By” exhibition at freiraum Q21 aimed to unfold the
irregularities of a ‘regular legal system’ in today's postdemocratic
societies. The 15 works on show, curated by Sabine Winkler, focused on the
complex dynamics of this
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Digital Pop | Review of the 12th Athens Digital Arts Festival
By Marianna Christofi.
What kind of digital content do we consume and what culture do we create?
How are we “feeding” today’s digital markets? How ephemeral is digital Pop
culture? Under the theme of
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Julian Rosefeldt`s Manifesto
Review by Inga Seidler, on Furtherfield.
For the exhibition „Manifesto“ Julian Rosefeldt collaged the texts of
numerous manifestos — from Futurism to Pop Art, Conceptual Art or Dogma 95
- into poetic and entertaining monologues
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The Critical Atlas of the Internet
An interview with Louise Drulhe by Chloe Stavrou, on Furtherfield.
The Critical Atlas of the Internet, Louise Drulhe’s latest project, is a
virtual and physical exploration of the Internet space. The implications of
our physical
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Mathias Fuchs reviews Gerald Raunig's latest book 'Dividuum' @furtherfield
- http://bit.ly/1UBrl7g
Gerald Raunig's latest book examines the concept and the genealogy of
“dividuum”. Locating its roots in Epicurean and Platonic philosophy and
referring to its
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Under New Moons, We Stand Strong
Silvia Casini reviews Teresa Dillon's latest project at Seventeen, Art
Centre, Aberdeen, Scotland.
Can citizens today read, confront and resist infrastructures of
surveillance? Teresa Dillon's latest project at the Seventeen, Art
Sorry for any cross posting...
Lynn Hershman Leeson's - Civic Radar: Book Review.
Marc Garrett reviews Civic Radar, the first comprehensive monograph of Lynn
Hershman Leeson’s pioneering artistic career, spanning across five decades,
in the fields of photography, video, film, performance,
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On Obscurity: An Interview with Paolo Cirio
By Daphne Dragona
Obscurity, the latest project of Paolo Cirio, targets american mugshot
websites aiming to sabotage their functioning and expose their supposed
ethics. Cirio cloned some of the most known mughshots,
tal networks manifest physically as tonnes of
cabling, and electrical or electronic devices, the social and cultural
impacts of the networks remain somehow invisible, eroding clearly felt
boundaries of geography, place, culture and language.
Together with artist and curator Gretta Louw, Furtherfi
Sorry for any cross posting...
Nervous Systems – Algorithms and our everyday life.
By Valie Djordjevic - 28/04/16
Statistics, probabilities, correlations – more and more quantifying methods
and tools are becoming the epistemological grounding of governance in the
21st century. The exhibition
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Banter With Corporate Governance, or, like, Neoliberal Lulz (at
Carroll/Fletcher).
Review by Nicole Sansone.
Constant Dullaart, Femke Herregraven, Émilie Brought & Maxime Marion, and
Jennifer Lyn Morone. Showed at the Carroll/Fletcher Gallery 12 February – 2
April
Sorry for any cross posting...
Accelerationist Art | By Rob Myers.
Despite its image of rapid technological change, progress under capitalism
has stalled. Spinning ever faster is not the same as going somewhere.
Contemporary Accelerationism wants to take off the brakes, and it is
enlisting art's
Sorry for any cross posting..
Article 27: Algorithmic politics.
By Eugenio Tisselli.
Eugenio Tisselli shares his thoughts on global, financial dictatorship and
Necrocapitalism, where politics itself is reduced to market related
executables based on algorithms of finance.
“The global financial
Sorry for any cross posting...
Furtherfield Gallery is proud to present Dimensioning – Live Architecture
an exhibition of new digital artworks by Italian artist Chiara Passa, part
of Furtherfield's Open Spot programme.
Opening event: Friday 1 April 2016, 1 - 4 PM. (Please RSVP by 25th March
Sorry for any cross posting...
Ordinaryism: An Alternative to Accelerationism. Part 3 - What Motivates the
Accelerationist impulse?
By Robert Jackson.
In this third article on Accelerationism, Jackson further investigates its
philosophical roots and looks at skepticism, Enlightenment
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Ordinaryism: An Alternative to Accelerationism. Part 2 - Exit versus Voice:
Freedom, Reasoning and Skepticism. By Robert Jackson.
Robert Jackson continues with a second journey into the realms of
Accelerationism and Ordinaryism. Having articulated how
Sorry for any cross posting...
Marc Garrett writes about strategies for solidarity discussed in the
Off-the-Cloud-Zone at this year's Conversation Pieces at Transmediale
festival 2016.
""Last year’s festival explored the marketing of big data in the age of
social control. This year, the chosen
Sorry for any cross posting
An Exploration of Diminishing 'Hope' & its Correlation to 'Constructive
Alienation'
Chloe Stavrou reviews the exhibition 'What Hope Looks Like After Hope (On
Constructive Alienation)' curated by Bassam El Baroni featuring Hisham
Awad, Katia Barrett, Amanda Beech,
Sorry for any cross posting...
A celebration of twenty years on the Web: 'My Boyfriend Came Back From The
War'.
Annet Dekker in conversation with Olia Lialina - http://bit.ly/1SPNkZN
Twenty years ago, in 1996, Russian artist Olia Lialina created My Boyfriend
Came Back From The War (MBCBFTW).
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What rights in Copyright? Interview with artist Antonio Roberts
By Filippo Lorenzin @furtherfield - http://bit.ly/20T5ECp
Antonio Roberts is a digital artist based in Birmingham. His artwork
focuses on the errors and glitches generated by digital technology
Sorry for any cross posting...
The closing stunt of Disruption Network Lab, Berlin 2015.
By Pedro Marum.
After a full year of events focusing on several topics, from drones to
surveillance, cyberfeminism to hacktivism, or even the famous Technoviking
and a hot debate on the politics of the
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INTERRUPTIONS: Between You and Me at Furtherfield Commons
- http://bit.ly/1NHaIR1
Discussion event with presentation and film screening. (free lunch)
Interruptions is a new research project by The Bad Vibes Club commissioned
by Field Broadcast. Interruptions
are talking
to.
You can connect to neterarti via this web interface or via any computer or
mobile device software that supports GNU social (or its predecessor,
StatusNet).
— The Furtherfield Crew
__
SPECTRE list for media culture in Deep Europe
Info, archive
Hey all, sorry for any cross posting...
The Wrong Biennial: The Wrong Project that’s So Right – a metacritique.
By Patrick Lichty.
The Wrong Biennial, organized by David Quiles Guilló, is possibly the
largest internet-based exhibition to date. Patrick Lichty gives a
structural & historical
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PORNTUBES: Reveals All @Disruption Network Lab, Berlin
Pedro Marum 'gets physical' with the PORNTUBES conference, hosted by
Disruption Network Lab in Berlin, where "porn practitioners, sex worker
activists, entrepreneurs and critical thinkers discuss disruptions in
Sorry for any cross posting...
Gretta Louw writes about Guido Segni’s 'A quiet desert failure', an ongoing
algorithmic performance in which a custom bot traverses the datascape of
Google Maps in order to fill a Tumblr blog and its datacenters with a
remapped representation of the Sahara Desert.
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Hi all,
Images on Flickr for Furtherfield's People’s Magna Carta, at the Frequency
festival. Lincoln 2015.
http://bit.ly/1WUfz6T
As part of Frequency Festival of Digital Culture (Lincoln 2015),
Furtherfield presented People’s Magna Carta, a contemporary remixing
Sorry for any cross posting...
Ground Truth: ‘The Migrant Machine’ Dani Admiss and Cecilia Wee
Date: Saturday 28 November 11.30-5pm
LAB #4 ipart of the Art Data Money series at Furtherfield
more info - http://bit.ly/1kMbiq0
A day-long workshop, led by independent curators and researchers Dani
Sorry for any cross posting...
Thanks again to all those who came along ;-)
Video of 'The Human Face of Cryptoeconomies' opening @furtherfield
This video was taken at The Human Face of Cryptoeconomies opening event at
Furtherfield Gallery (London) on Friday 16 October 2015.
https://vimeo.com
of collected gold trinkets; at Furtherfield Gallery now a single golden
helium balloon hovers in front of a floor to ceiling projection. Nakamoto
(The Proof) is video documentation of the artists’ efforts to try and place
a face on the elusive Bitcoin creator, Satoshi Nakamoto (but is it his face
Sorry for any cross posting...
The Museum of Contemporary Commodities. A review by Joss Hands on Digicult.
The Museum of Contemporary Commodities – on exhibition at the Furtherfield
Gallery in Finsbury Park, London, is engaging the nature of our stuff – how
commodities enter and disappear
Sorry for any cross posting...
Choose Your Muse Interview: Stanza
Marc Garrett interviews media artist Stanza and asks what inspires him,
personally, artistically and culturally. He's an internationally recognised
artist who has exhibited worldwide since 1984, and shown over 50
exhibitions
Sorry for any cross posting...
Situating the Digital Commons.
A conversation between Ruth Catlow and Tim Waterman.
The negotiation of the commons takes place in two distinct realms that are
increasingly reaching into and shaping one another: the long history of the
landscape commons both in
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Rob Myers reviews Okhaos' "Plantoid" (2015), art that makes itself - with a
little help from the blockchain and human artists.
Plantoid (2015) by Okhaos is a self-creating, self-propagating artwork
system that uses blockchain technology to gather and manage the
events focusing on Google's
entry into media art curation, and the role of analog radio as a potential
commons in the digital age. He has presented workshops and given talks at
institutions and festivals internationally, including at Edinburgh College
of Art, V2 Rotterdam, Furtherfield, LiWoLi
Sorry for any cross posting...
Does the blockchain lead to more transparency? By Annette Doms
“Copyright has been a relevant topic since the development of the printing
press. It grants the author the exclusive right to reproduce, publish, and
sell the content and form of intellectual property.
Sorry for any cross posting...
Art & Data from the Ground up
Marc Garrett’s speech at The Human Face of Cryptoeconomies opening last
Friday - http://t.co/9B5pUPPykB
__
SPECTRE list for media culture in Deep Europe
Info, archive and help:
Sorry for any cross posting...
Crypto 2.0 and DAWCs | By Rob Myers
#artdatamoney #bitcoin #blockchain #cryptocurrency
The Anarcho-Capitalist future utopia of post-Bitcoin Crypto 2.0 systems
meet the historical organizational forms of Socialism. Rob Myers brings the
trustless code of
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Set of rules, online interactions and feminism: Interview with Angela Washko
Filippo Lorenzin interviews artist Angela Washko about her performances
within the virtual space of World of Warcraft, the connections with
situationism and feminism.
Sorry for any cross posting...
Disruptions: Party Crashing through the Front Door - An ISEA 2015 Late
Post-Mortem.
Patrick Lichty reviews the 2015 International Symposium of the Electronic
Arts in Vancouver on Furtherfield. He examines a crossover between media
art and mainstream contemporary
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How representations of the future are mired in the past: a case study.
An analysis of the Mercedes-Benz collaboration with Ars Electronica for the
European launch of the brand's intelligent car prototype - the F 015 Luxury
in Motion - and the problems that many
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Rob Myers' Shareable Readymades
We are delighted to launch a special edition of Rob Myers' Shareable
Readymades to collect. Available in a variety of delightful finishes,
complete with certificate of inauthenticity.
Sorry for any cross posting...
The Bitcoin Blockchain discussion in digital art.
By Annette Doms
"Even if digital art is still in its infancy, it flourishes while
essentially remaining unevaluated and the public approaches it with a
degree of curiosity. New art forms in the immaterial digital
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The Human Face of Cryptoeconomies
Private view: Friday 16 October 2015, 5-7pm
17 October - 22 November 2015
The Human Face of Cryptoeconomies exhibition opens at Furtherfield Gallery
in the heart of London’s Finsbury Park, as part of Furtherfield's Art Data
Money
Sorry for any cross posting...
Choose Your Muse Interview,
Marc Garrett interviews Annie Abrahams and asks what has inspired her,
personally, artistically and culturally. Abrahams is known worldwide for
her net art and collective writing experiments and is internationally
regarded as a pioneer
Sorry for any cross posting...
Art Data Money
We are proud to announce a new programme at Furtherfield. Art Data Money
aims to build a commons for arts in the network age, and invites people to
join us and discover new ways for cryptocurrencies and big data to benefit
us all.
While
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Sonic Tunnel by Hazar Emre Tez at Furtherfield Commons, London
Hazar Emre Tez has created Sonic Tunnel as a delightful and innovative
solution to wayfinding in Finsbury Park. Come and explore the park
following a sonic route that has been created using
Sorry for any cross posting...
Review of Arthur Kroker's 'Body drift'.
Review by Marc Garrett.
Body Drift by Arthur Kroker, takes the work of three leading women thinkers
as its main focus. Re-examining their critical perspectives and creative
processes - assemblages, remixing and cyborgs-
Sorry for any cross posting...
http://www.furtherfield.org/features/interviews/creative-promise-and-open-collections-interview-template
Annet Dekker interviews Template, a graphic design and digital development
studio run by Lasse van den Bosch Christensen and Marlon Harder. They
engage in both
Sorry for any cross posting...
Filippo Lorenzin interviews Guido Segni about Top Expiring Internet
Artists, an art project that ranks internet artists on the basis of the
expiring date of their websites. They discuss other works, the
hypercompetition, charts and the state of the Web Art scene (if
Sorry for any cross posting...
Robert Hewison’s Future Tense 25 Years Later.
New Article by Marc Garrett.
http://www.furtherfield.org/features/25-years-after-future-tense
This article revisits Robert Hewison’s book, Future Tense: A New Art For
The Nineties, [1] published in 1990. The book
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#TransActing: A Market of Values - an interview with Marsha Bradfield.
Charlotte Webb interviews Marsha Bradfield of Critical Practice, about
#Transacting – a pop-up market made up of over 60 stall holders invited to
creatively explore and produce alternative
Sorry for cross x'ing...
Museum of Contemporary Commodities: Free Market
We've been in residency at Furtherfield physically in Finsbury Park since
April doing work on data, trade, place, values in relation to contemporary
commodity culture. This weekend we're prototyping a few things we're
Sorry for any cross posting...
Science Fiction Realism
Erik Zepka considers the interface of science fiction ideas and
experiential realism in contemporary internet cultural practice. As part of
art production shifts towards online networks of makers. A consideration of
that content could
Sorry for any cross posting...
Hi Spectre list users,
Furtherfield are looking for new reviewers - for articles and interviews
about art, technology and social contexts relating to media art.
We feature contemporary works, projects, manifestos, exhibitions, events,
festivals, conferences
Sorry for any cross posting...
Choose Your Muse Interview: Jeremy Bailey.
Marc Garrett interviews Jeremy Bailey, known for his satire and parodies on
the practices of new technologies. We find out what has inspired him,
personally, artistically and culturally.
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Symposium: Designing Digital Creative Commons for the Performing Arts
Creativeworks London
Sat 27 June 2015 (Free Event)
http://t.co/G7x0waFCMX
This Symposium aims to bring together a range of practitioners from the
Performing Arts and theorists, including those
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Dead Reckoning – Ellie Harrison and The Art of Austerity
Gordon Dalton reviews High Street Casualties: Ellie Harrison's Zombie Walk,
through the city in collaboration with Ort Gallery. Highlighting the
'creative destructive' forces of capitalism on Birmingham's
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Headed out of Beta/Picking Your Superpower.
Patrick Lichty visits this year's Augmented World Expo to find out whether
the increasingly immersive technologies of Augmented and Virtual Reality
will give us superpowers or lock us in to the whims of our technological
Sorry for any cross posting...
J. R. Carpenter reviews Jussi Parikka's A Geology of Media.
http://www.furtherfield.org/features/reviews/massive-media-geology-media-book-review
J. R. Carpenter reviews A Geology of Media, the third, final part of the
media ecology-trilogy. It started with Digital
of events presented by
Furtherfield, where leading international contemporary artists explore the
technical devices that pervade our lives.
“The interface is the sense organ of the computer, whereby it becomes part
of human culture” - Søren Bro Pold1
How much of our life do we spend in front
Sorry for any x-posting...
MoCC: Data Derby Day. Who is tracking who in Finsbury Park?
Date: Saturday 13 June, 10.30am - 4.30pm
Venue: Furtherfield Commons
Walkshop, making session and drop-in day Come for one or both sessions, or
just drop in for a chat about MoCC over tea and cake.
11am-1pm
Sorry for any x-posting...
Choose Your Muse Interview, with Igor Štromajer
http://www.furtherfield.org/features/interviews/choose-your-muse-interview-igor-%C5%A1tromajer
By Marc Garrett
Choose Your Muse is a new series of interviews where Marc Garrett asks
emerging and established artists,
Sorry for any cross posting...
Synthetic Selves: Mediated Body Art | New article By Erik Zepka
How do we represent ourselves and bodies in an environment that is
increasingly saturated with mediation?
Erik Zepka looks at the work of a series of artists practising on the
internet to get a idea
Sorry for any cross posting...
Choose Your Muse Interview: Mike Stubbs, Director of Fact in Liverpool, UK.
Choose Your Muse is a new series of interviews where Marc Garrett asks
emerging and established artists, curators, techies, hacktivists, activists
and theorists; practising across the
and
cartographic processes.
The panel was moderated by Marc Garrett, director and founder (together
with Ruth Catlow) of the community and art space Furtherfield.
http://we-make-money-not-art.com/archives/2015/05/tracking-drones-reporting-live.php#.VVG9fOS37qR
Sorry for any cross posting...
Data Walkshop* led by data activist Dr Alison Powell
LOCATION -Furtherfield Commons (map)
WHEN - Thursday 7 May 2015, 6:00-8:30 PM
FREE EVENT
Explore and discuss the data surveillance processes at play in Finsbury
Park through a process of rapid group ethnography
with Furtherfield explores how identity and
perceptions of reality have changed in a world where humans, society and
technology have merged in unexpected ways. Who are we, what's real, where
can we expect to go from here, and how can we get there together?
From future shock to FOMO (fear of missing out
Sorry for any cross posting...
Broke and Scared: The Home of the Future
Ben Valentine contrasts the implications of his couchsurfing present with
the precarious and monetized future of the ideal home in his review of
Space Caviar's book of commissioned essays SQM: The Quantified Home.
I’ve been
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Zach Blas, Branger_Briz, Mez Breeze, Heath Bunting, Jennifer Chan,
Francesca da Rimini, Genetic Moo, Nathaniel Stern
http://www.furtherfield.org/programmes/exhibition/beyond-interface-london
Public Opening: Saturday 25 April, 2-4pm
The interface is the boundary
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Telluro-geo-psycho-modulator workshop and field trip
Workshops by Jonathan Kemp
Date: 2 - 3 May 2015
Venue: Furtherfield Commons Epping Forest Field Trip
Furtherfield Workshop: Saturday 2 May 2015 from 12pm
Epping Forest Field Trip: Sunday 3 May 2015 from 12pm
Sorry for any cross posting...
Beyond the Interface - London
At Furtherfield
Private View: Friday 24 April, 6-8pm
Public Opening: Saturday 25 April, 2-4pm
25 April - 21 June 2015
Open Friday to Sunday 11-5pm
Zach Blas, Branger_Briz, Mez Breeze, Heath Bunting, Jennifer Chan,
Francesca da Rimini
Sorry for any cross posting...
Interview With Domenico Quaranta
By Daniel Rourke.
At Furtherfield on November 22nd 2014 Quaranta launched a Beta version of
6PM Your Local Time, in collaboration with Fabio Paris, Abandon Normal
Devices and Gummy Industries. Daniel Rourke talks to artist Domenico
Sorry for any cross posting...
being being read being reading being read and reading beings
Curated by Torque (Nathan Jones and Sam Skinner)
Date: Open Saturdays and Sundays 11am – 6pm, 11 - 19 April 2015.
Venue: Furtherfield Gallery, McKenzie Pavilion.
Torque is a transdisciplinary project
Sorry for any cross posting...
Mainframe Experimentalism: Early Computing and the Foundations of the
Digital Arts
Book reviewed by Rob Myers
Remembering the heroic age of arts computing is often a family affair in
Hannah B Higgins and Douglas Kahn's book Mainframe Experimentalism, which
leads
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Body Anxiety: Woman As Bearer Of The Look | Leah Schrager and Jennifer Chan
Review by lauragonzalez
In a psychoanalytic review of the online exhibition Body Anxiety, curated
by Leah Schrager and Jennifer Chan, Laura González explores fear, symptom,
sublimation and
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Cyberformance in the Third Space: A Conversation with Helen Varley Jamieson
By Randall Packer.
http://www.furtherfield.org/features/cyberformance-third-space-conversation-helen-varley-jamieson
Since 1999, pioneering cyberformance artist Helen Varley Jamieson has
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