IMO kde libs and qt libs aren't an issue. Rui's apps such as QjackCtl
already need QT and if you wish to use e.g. K3b, you also have to
install kde libs.
Regards,
Ralf
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On Wed, 2012-08-08 at 12:45 -0700, Len Ovens wrote:
I think there is a reason it is
hard to find software that can do this stuff, not enough people want it or
the hardware is just not there yet. I did find a thread where someone was
looking for such stuff, the responses were all that it was
On Wed, 2012-08-08 at 22:27 -0700, Len Ovens wrote:
helper to deal with the cable
One of the jobs I did in my live :D. While camera mechanic and stands
where very handy, still the cables where an issue. Cable puller is a
good job to get in contact with the video and audio business. I still
You're right. There's aren't any specific prices for the Sony Pro range on
their website, but there are plenty of Sony resellers who offer prices. You can
get a rough idea of the prices from this site: creativevideo.co.uk.
On 6 Aug 2012, at 17:10, Ralf Mardorf wrote:
PS: For film Werner
video switching (was: Linux Tools for Serious
Photographers)
Message-ID:
95c0a5ca5c6a54386517b20162b35678.squir...@ssl.ovenwerks.net
Content-Type: text/plain;charset=iso-8859-1
clip
By live switching I mean having two or more
video streams coming in direct from cameras
On Wed, August 8, 2012 8:03 am, Luke Kuhn wrote:
I didn't know LiVES could do anything like that, as it has to import all
video files before use. Kdenlive (in repo, and which I use for making
If LiVES has to import first, then the feature of taking live streams was
just another way to import
On Tue, August 7, 2012 3:08 pm, Ralf Mardorf wrote:
On Tue, 2012-08-07 at 14:13 -0700, Len Ovens wrote:
Our RCA studio cameras were a bit bigger, but the peds and controls were
similar. Control room layout was much the same too.
At that time bigger usually caused a better quality. The funny
On Tue, 2012-08-07 at 11:14 +0300, Stuart McQuade wrote:
You're right. There's aren't any specific prices for the Sony Pro
range on their website, but there are plenty of Sony resellers who
offer prices. You can get a rough idea of the prices from this site:
creativevideo.co.uk.
So Camcorders
On Tue, August 7, 2012 8:14 am, Ralf Mardorf wrote:
I remember similar prices for the Sony Betacam, 15DM.
Betamax already was pro in the beginning 80s, but only Umatic high-band
was pro too. I started my carrier in the 80s, at the video studio of
the University Essen in the age of 17/18
On Tue, 2012-08-07 at 14:13 -0700, Len Ovens wrote:
Our RCA studio cameras were a bit bigger, but the peds and controls were
similar. Control room layout was much the same too.
At that time bigger usually caused a better quality. The funny thing
is, that zooming and sharpness was operated
On Wed, 2012-08-08 at 00:08 +0200, Ralf Mardorf wrote:
Perhaps we should completely keep it off-list at some point, for the
moment I only add an OT to the subject. I like to read such OTs. I
learned by reading yours and I leaned a lot reading experiences of other
engineers, my favorite is
On Tue, August 7, 2012 7:13 am, Emmet Hikory wrote:
Len Ovens wrote:
I don't find SW to handle 3 or
more input streams and do on the fly switching. (I think we used closer
to
7 or 8 streams... though our switchers had more.. they had access to
every
stream in the building)
Assuming
On Tue, 2012-08-07 at 15:13 -0700, Len Ovens wrote:
Comments?
Since Linux suffers of no or no serious NLE video cut, there shouldn't
be too much video packages included to an install media.
Regarding to soundtracks, resp. audio productions for videos, I would
welcome http://rg42.org/wiki/a3vtl
Regarding to a German post Lives seems not to run with 12.04 and there
are packages for
Packages are available for the following releases:
Ubuntu 10.04: 1.4.6-1~getdeb1
Ubuntu 10.10: 1.4.2-1~getdeb1
Ubuntu 9.04: 1.1.5-1~getdeb1
Ubuntu 9.10: 1.2.1-1~getdeb1
Ubuntu 11.04: 1.4.6-1~getdeb1
at
Len Ovens wrote:
Took a while to find any docs for it... in the doc directory of the src
package. freemix is designed to do live showing switching of videos stored
as file on the computer like a VJ. I don't know if it can connect to a
gstream opened by another app or not. But it is not
A little insight into the whole photo processing theme
Linux Tools for Serious
Photographershttp://scribblesandsnaps.com/linux-tools-for-serious-photographers/
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On Mon, Aug 6, 2012 at 8:03 AM, C. F. Howlett seattlec...@gmail.com wrote:
A little insight into the whole photo processing theme
Linux Tools for Serious
Photographershttp://scribblesandsnaps.com/linux-tools-for-serious-photographers/
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On Mon, 2012-08-06 at 21:03 +0800, C. F. Howlett wrote:
A little insight into the whole photo processing theme
Linux Tools for Serious Photographers
Interesting.
I'm missing apps to scan photographic negatives, slides and photos on
paper. Dunno if this is possible with getting good quality
On Mon, Aug 6, 2012 at 9:54 AM, Ralf Mardorf ralf.mard...@alice-dsl.netwrote:
On Mon, 2012-08-06 at 21:03 +0800, C. F. Howlett wrote:
A little insight into the whole photo processing theme
Linux Tools for Serious Photographers
Interesting.
I'm missing apps to scan photographic
PS: For film Werner Nekes (I sometimes made audio for his films) did
(perhaps still does) use a digital version of the Sony Betacam. There
are no prices for professional Sony cameras in the Internet
available :D.
From Canon to Hasseblad there are already prices from 300,-€ to 3,-€
and my
On Mon, Aug 6, 2012 at 10:10 AM, Ralf Mardorf ralf.mard...@alice-dsl.netwrote:
PS: For film Werner Nekes (I sometimes made audio for his films) did
(perhaps still does) use a digital version of the Sony Betacam. There
are no prices for professional Sony cameras in the Internet
available :D.
On Mon, 2012-08-06 at 10:01 -0400, Mike Holstein wrote:
most photography pro's around here have gone digital, and do pretty
much the same as the audio pro's... they use digital because its easy
and the results are good enough now... they have the analog gear if
you want to pay for them to use
On Mon, 2012-08-06 at 10:20 -0400, Mike Holstein wrote:
im not sure what the question is.. if its do pros use digital,
then im saying, the few pros i know here that do it for a living have
and use digital, and they say that they use digital almost exclusively
these days... i can ask them what
On Mon, August 6, 2012 8:37 am, Ralf Mardorf wrote:
Everybody claims digital is better and everybody claims the
artist today are less good. And I always say, the artists today are very
good, but much of the technology is weak.
However, I shut up ;).
I would put it a bit different... I don't
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