Stuart:
In his instrumental version Michael is taking a tempo to match the
current fashion for rendering the original Passereau chanson. An only
slightly extreme example is the one by the King's Singers:
http://www.youtube.com/watch?v=Nmpl4mZQgAc
If you listen to Michael's rendition immediately
Monica Hall wrote:
Michael Craddock has made a very nice recording of some of these
pieces . It is Cantus Records, C 9632.
However he does try to play the diminue versions at the same speed as
the unadorned versions - and doesn't always bring it off cleanly.
I would think that a slightly slo
Well done, Monica. Good work, as usual. Maybe Rocky could give you some
formatting tips?
Rob
2009/3/26 Monica Hall <[1]mjlh...@tiscali.co.uk>
I have just uploaded my edition of 13 pieces by Playford arranged
for
5-course guitar in the Princess Anne book to my
I have just uploaded my edition of 13 pieces by Playford arranged for
5-course guitar in the Princess Anne book to my
[1]www.earlyguitar.ning.com page.
I had a bit of a problem combining the tablature with the introduction
in one document without the music being reduced in size.
I definitely agree with Martyn on this.
There are numerous variations on 'Si la noce hace escura', 'Mille
Regretz', 'Susanne ung jour/Susana un jur' etc.
I thing the fun was and is in creating new music based on an existing
(othen well known and recognised) tune.
(If this means that 'more deco
I definitely agree with Martyn on this.
There are numerous variations on 'Si la noce hace escura', 'Mille
Regretz', 'Susanne ung jour/Susana un jur' etc.
I thing the fun was and is in creating new music based on an existing
(othen well known and recognised) tune.
(If this means that 'more deco
I definitely agree with Martyn on this.
There are numerous variations on 'Si la noce hace escura', 'Mille
Regretz', 'Susanne ung jour/Susana un jur' etc.
I thing the fun was and is in creating new music based on an existing
(othen well known and recognised) tune.
(If this means that 'more decorat
Michael Craddock has made a very nice recording of some of these pieces .
It is Cantus Records, C 9632.
However he does try to play the diminue versions at the same speed as the
unadorned versions - and doesn't always bring it off cleanly.
I would think that a slightly slower tempo might be a
Dear Stuart,
I don't see why the 'diminuee' sections need to be played at the same
speed as the plain. Once the tune is established then an auditor would
be able to recognise it in a slower, more decorated, exposition. Isn't
there something about this in the Spanish vihuelist's re
