Thanks for this. I would tune the open strings in relation to each other and
not by using the fingerboard which would be rather begging the question. I
believe this sort of analysis is extremely valuable especially since many (not
you of course) who claim to use some form of 'meantone'
It seemed OK when I received it, but it corrupted when I enclosed it in my
reply to you!
I get these sort of problems when answering emails - the page format suddenly
changes for no apparent reason.
MH
Alexander Batov [EMAIL PROTECTED] wrote:
I do apologize to everybody again.
I guess it's not surprising that the fret settings of the 1st and 6th course
are close since they're supposed to be a double diapason (2 octaves) apart.
It would be of great interest to do this sort of analysis for each course so as
to see the how the different chromatic/diatonic semitone
It would be of further interest to do this for each course so as to see the
different chromatic/diatonic semitone relationships between all the courses.
Alexander Batov [EMAIL PROTECTED] wrote: Palmer orpharion: fret positions
and their corresponding temperaments.
The + sign shows which
