> with the thumb, and get the "campanella" and
> play and think "re-entrantly"!
I guess springtime has arrived in
Finland.
RT
http://polyhymnion.org
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Dear Bill,
On Wed, 18 May 2005, bill kilpatrick wrote:
> a possible tuning for these pieces would be
> Gg-cc-ee-aa which is one course shy of a charango
> tuning.
I am not sure, if I have understood your quest right, and if I tell
something you already know, I am sorry! So only just in case:
ing
> may have been used.
>
> Monica
>
>
>
> - Original Message -----
> From: bill kilpatrick <[EMAIL PROTECTED]>
> To: Monica Hall <[EMAIL PROTECTED]>
> Cc: vihuela
> Sent: Wednesday, May 18, 2005 10:33 AM
> Subject: Re: re-entrant tuning, l
y 18, 2005 10:33 AM
Subject: Re: re-entrant tuning, las sirenas, jarana
> as best i could, i answered my own question - couldn't
> find any reference to early music written in the
> re-entrant tuning of g-c-e-a. not long ago i found
> some bach tabs for ukulele.
>
> --- Moni
4th),
> but that doesn't affect the octave or re-entrant
> stringing.
>
> Monica
>
>
> - Original Message -
> From: bill kilpatrick <[EMAIL PROTECTED]>
> To: Monica Hall <[EMAIL PROTECTED]>;
> <[EMAIL PROTECTED]>
> Cc: vihuela
> Se
x27;t affect the octave or re-entrant
> stringing.
>
> Monica
>
>
> - Original Message -
> From: bill kilpatrick <[EMAIL PROTECTED]>
> To: Monica Hall <[EMAIL PROTECTED]>;
> <[EMAIL PROTECTED]>
> Cc: vihuela
> Sent: Tuesday, May 17, 2005 1:42 PM
> S
ginal Message -
> > From: <[EMAIL PROTECTED]>
> > To: <[EMAIL PROTECTED]>;
> > <[EMAIL PROTECTED]>;
> >
> > Sent: Monday, May 16, 2005 6:22 PM
> > Subject: re-entrant tuning, las sirenas, jarana
> >
> >
> > > If we could
quot; - it must
> have a bourdon on the
> fourth course. If it always had one would he have
> thought it necessary to
> mention it?
>
> Monica
>
> - Original Message -
> From: <[EMAIL PROTECTED]>
> To: <[EMAIL PROTECTED]>;
> <[EMAIL PRO
AIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <[EMAIL PROTECTED]>;
Sent: Monday, May 16, 2005 6:22 PM
Subject: re-entrant tuning, las sirenas, jarana
> If we could somehow show Mudarra, Milan, Narvaez. etc. a charango, I
doubt
> if they would call it a vihuela. There was a very sm
If we could somehow show Mudarra, Milan, Narvaez. etc. a charango, I doubt
if they would call it a vihuela. There was a very small plucked instrument
that they wrote for which had some similarities though. The charango is a
wonderful instrument in its own right, there's no need to show dire
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