-- Forwarded message --
Date: Sun, 20 Aug 2006 22:29:08 -0400
From: [EMAIL PROTECTED]
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Subject: Congress Poised to Unravel the Internet
Congress Poised to Unravel the Internet
By Jeffrey Chester
The Nation
August 18, 2006
http://www.thenation.com/doc/20060828
VERNISSAGE
a puppeteer in the house
I said do you like this disguise
broadcast a more artificial life
standing frozen I see conversations have vanished
around the mental bend influencing plants
specialise in the earth at an indeterminate end
interview continued on
I think you saw the movie more or less correctly. The activity is based
on what colors are in the image, and a lot of the most dramatic color
activity happens to take place within the first few seconds in this
particular image. The 80% you mention of nonactivity is actually not
empty, but what
for the freedoms of narrators..
~
and somewhere near the fan
the layers, the wax-tongue cabinets whose
octopi-winged torso-arcs
or as if within
the towering round glasses
[to mine the face forever]
which hung upon the absent contour
of a nose
one single lens
might just be a fantasia
an animate
This is an interesting concept for a video. I wasn't put off by the size of
the download, because I assumed that each frame would have many data points,
and that causes compression problems.
Re size of file, if you can bear to make the size of the image smaller, you
can probably reduce the file s
Landscape Movie 01
2006
Here’s a movie I finished today which represents an attempt to think
about how one might animate a still image in some fashion, in this case
one of Monet’s famous paintings of water lilies circa 1920. It
basically treats the spectrum of colors in the digitalized paintin
when we become statues, we think of the sardonic wind (note: me serious
song parody), the varied deep of cold (note: written for the consumer),
and all the measures by which something goes into dust (note: being
pulled into the star).
our statues thrive as worse than forgotten (note: risk arre
phanero wrote:
this is nicely sustained, Lanny
ere wre e wTherere wer wereree whewere
olieat, kiidnapnaappinings,gs, jags. A the
endf th of tatf tha yea e Ga aned that i
was s momovo As. es aagt pele, crile, ces
agmes against nreimpunitimpuny enyed d by by
yed joby e maste ters war of waar iis sh
s shar i wis haredaredd bby thheiir
STRAPPED IN
smiling girl did serve others next to their heads
textbooks spreading difference over her eyes
one person had gem-bright information
hard-natured envelope maker with telepathy
hell could be mottled swamps covered with drumroll
shifted to methodical boom boom
transport of delight
Horizon and Phenomenology
From The Works of the People of Old, Na Hana a ka Po'e Kahiko, by Samuel
Manaiakalani Kamakau, 1869-70, translated by Mary Kawena Pukui, edited by
Dorothy B. Barrere, 1976
HORIZONS
There are two kinds of _kukulu_ which are horizons - the visible and the
invisible. I
Book.IV.05 - Critical Institutions – Aug. 15, 2006
Increased specialization by judges
implies a kind of stasis of
privilege, prestige and importance.
Deploying information technologies
played an increasingly important role
to deal with issues that cross borders.
mobilizing public op
for
Alexander Scriabin
~
in the dream
Scriabin
is riding the pegasus brass
section bicycle
nautilu
his long white
hair trailing
like a wedding tress
like the tail
o
forward from John Lowther
Some on this list might be interested in a recent video made of a
performance installation by Allison Rentz. This performance took place
in Atlanta at the Contemporary (used to be Nexus Gallery connected with
Nexus Press). I saw this performance five times in one we
Andrea loves poetry, and poetry loves her back. A head tilt and an eye
lock give away her focus on what's being said. A candle burning at
both ends, finger-twirled between rock-and-roll drumbeats, she
light-paints passion.
40 words, 40 years
365 days, 365 people
http://www.logolalia.com/40x365
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