Reid,

You're talking about saturating the filter elements in CS then drying 
and firing them, correct?

Are the filter elements themselve produced locally? From what kind of 
clay medium are they made? If it's a powdered or crushed dry clay that 
is re-hydrated before forming or slip casting, would it make sense to 
use water with silver in it to wet the clay? Then the bisque firing 
will incorporate the silver right in the substrate, in a fashion that 
will keep the silver bound but available, I'd bet.

There's no way I can think of to avoid blackening in a reducing 
atmosphere, but then I've got *no* experience there. On the other hand, 
are you sure that the oxide is not an acceptable form for the silver?

Interesting project. Thanks for sharing it with us.

Be well,

Mike D.

> My understanding is that while CS ions are trapped within the
> permeable structural of the filter medium these will continue to be
> effective in this form.  On the other hand it has been my impression
> that heating to about 475C, the first visible red, will cause the ion
> to gain a positive charge, thus becoming the metallic silver. Past
> bacteriological testing has proven the metalic silver is also 100%
> effective. My impression is that the silver metal has a bond with the
> ceramic, so that it cannot be so readily flushed away as is the case
> with the ion.

[Mike Devour, Citizen, Patriot, Libertarian]
[mdev...@eskimo.com                        ]
[Speaking only for myself...               ]


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