there is nothing so powerful as an idea whose time is right....
it was ahead of the technology.

I don't even think it has failed - it just took off in a 'slow burn' way

Actually, there is more being done on spherical harmonics and ambisonics than 
ever before - more experimental setups, more free tools ( look at Wigware, for 
example) - it's now easy peasy to make and use ambisonics, to convert to and 
from 5.1 - even stereo(UHJ)

Ultimately, "speaker formats" are dead, to eventually be replaced by "speaker 
layout agnostic"  - whether ambisonic, 'scene description' (for use in 
ambisonic, 5.1, 7.1, wavefield synthesis, etc) - in fact, in future, hybrids 
are likely to be the norm
regards
ppl
Dr Peter Lennox

School of Technology,
Faculty of Arts, Design and Technology
University of Derby, UK
e: p.len...@derby.ac.uk
t: 01332 593155
________________________________________
From: sursound-boun...@music.vt.edu [sursound-boun...@music.vt.edu] On Behalf 
Of Martin Leese [martin.le...@stanfordalumni.org]
Sent: 30 March 2012 18:54
To: sursound@music.vt.edu
Subject: Re: [Sursound] Can anyone help with my dissertation please?

Cara Gleeson <coarsean...@gmail.com> wrote:
...
> *Outline of dissertation question*: *Why did ambisonics not take off
> between the 1970's-90's?*

Hi Cara,

You will probably already have found the
FAQ's spin on this.  If not, visit:
http://members.tripod.com/martin_leese/Ambisonic/faq_latest.html#SECTION19

The FAQ is not a scholarly work, so I didn't
bother with sources and no longer remember
where all this came from.

Interviewing people who were involved sounds
like a good idea.  Just be aware that their
opinions will differ, and there will not be a
consensus.  (This is the sursound list; there is
never a consensus on anything.)  At the end
of the day, nobody knows why it failed.

Regards,
Martin
--
Martin J Leese
E-mail: martin.leese  stanfordalumni.org
Web: http://members.tripod.com/martin_leese/
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