> Subject: Re: [Sursound] theatrical ambisonics > To: sursound@music.vt.edu > Message-ID: <518fb3fb.5020...@dlc.fi> > Content-Type: text/plain; charset=ISO-8859-1; format=flowed > > Iain Mott wrote: >> I wonder if people on the list have >> other references or links on ambisonics applied in theatrical
For a Carte Blanche Dance piece "Klunen" choreographed by Eva-Cecilie Richardsen (2009) I used live spatialisation of B-format (processed) field recordings and stereo recordings panned into B-format. The piece was "in the round" with a 4 channel square of speakers surrounding the audience and a smaller square of speakers in the middle surrounding the dancers. I could change the balance between these two squares which gave nice effects. Listening to a rig from outside worked suprisingly well, especially if there were moving sources. Unfortunately I can't find any documentation online! best, Justin Justin Bennett jus...@justinbennett.nl www.justinbennett.nl http://jubilee-art.org/ _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound
