On 18 May 2013 19:34, Stefan Schreiber <st...@mail.telepac.pt> wrote:
> Dave Malham wrote:
>
> On 16 May 2013 18:54, Stefan Schreiber <st...@mail.telepac.pt> wrote:
>>
>>
>> Moi?? Not that I remember. It would be odd, given the fact that, for me,
>> it's essential otherwise stuff just seems to stick behind me, never coming
>> to the front...
>>
>>
>> Sorry, this was a serious mis-read. My apologies!
>
> Stefan
>
>
Hey - no worries!
Dave
>
> ------------------------------**------------------------------**
> ------------------------------**------
>
> Been there, done that - albeit with other sensing technologies like the
> earlier Polyhemus Tracker. Then, of course, there was Jacques Poulin's
> Potentiometre d'Espace which was used to project Schaeffer's musique
> concrete into space back in the early 50's - and even I am too young to
> have actually heard that! What I have found is that the movement of sounds
> (particularly in towards the centre) just based on sonic perception - i.e.
> without any visual feedback - is very difficult to control properly because
> muscle memory is not good enough without a lot of rehearsal.
>
> Dave
>
> On 5 May 2013 02:57, Iain Mott <m...@reverberant.com> wrote:
>
>
> Em Sáb, 2013-05-04 às 17:46 -0400, Matthew Palmer escreveu:
>>
>
> > http://vimeo.com/65229978#at=5
>>> >
>>> > imagine using the oculus & a kinect to be able to assign 3 directional
>>> > information to sounds to make music, virtual speakers corresponding to
>>>
>>
>> real
>>
>
> > ones, hand is a brush
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>
> >
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--
As of 1st October 2012, I have retired from the University, so this
disclaimer is redundant....
These are my own views and may or may not be shared by my employer
Dave Malham
Ex-Music Research Centre
Department of Music
The University of York
Heslington
York YO10 5DD
UK
'Ambisonics - Component Imaging for Audio'
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