It does imply that an ambisonic panner plugin that incorporates spectral manipulation would be more efficacious
Dr. Peter Lennox Senior Lecturer in Perception College of Arts University of Derby, UK e: p.len...@derby.ac.uk t: 01332 593155 https://derby.academia.edu/peterlennox https://www.researchgate.net/profile/Peter_Lennox -----Original Message----- From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of Augustine Leudar Sent: 10 December 2015 15:57 To: Surround Sound discussion group <sursound@music.vt.edu> Subject: Re: [Sursound] vertical precendence and summing localisation (wallis and lee 2015) that's the one . There was a few others as well though - including a couple of papers by the US militaryif I remember rightly..... its been a long time. On 10 December 2015 at 15:50, Peter Lennox <p.len...@derby.ac.uk> wrote: > That was what the paper by Wallis and Lee was talking about, I think - > Blauert's 'directional bands' > > Dr. Peter Lennox > Senior Lecturer in Perception > College of Arts > University of Derby, UK > e: p.len...@derby.ac.uk > t: 01332 593155 > https://derby.academia.edu/peterlennox > https://www.researchgate.net/profile/Peter_Lennox > > > -----Original Message----- > From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of > Augustine Leudar > Sent: 10 December 2015 15:42 > To: Surround Sound discussion group <sursound@music.vt.edu> > Subject: Re: [Sursound] vertical precendence and summing localisation > (wallis and lee 2015) > > It was the subject of my masters thesis, or one of them... If I > remember rightly there is a migrating frequency notch/peak above 10 khz that > changes > according to the height of the sound sources ( ie it migrates upwards in > frequency if the sound is higher) . This frequency notch/peak > (direction dependent filtering) is dictated by the angle of incidence > of a sound reflecting off the pinnae into the ear canal. > > On 10 December 2015 at 13:56, Peter Lennox <p.len...@derby.ac.uk> wrote: > > > Thanks for that - having quickly dashed through it, it does seem > > that, with a fadein/out of 1s, that there are no onset transients to > > speak of and so I would expect precedence effects to be largely > > neutralised, leaving the primary cues for location to be spectral > > cues - but in that case, I wasn't sure about the possible benefits > > of interchannel > time differences... > > > > Dr. Peter Lennox > > Senior Lecturer in Perception > > College of Arts > > University of Derby, UK > > e: p.len...@derby.ac.uk > > t: 01332 593155 > > https://derby.academia.edu/peterlennox > > https://www.researchgate.net/profile/Peter_Lennox > > > > > > -----Original Message----- > > From: Sursound [mailto:sursound-boun...@music.vt.edu] On Behalf Of > > Jörn Nettingsmeier > > Sent: 10 December 2015 12:56 > > To: sursound@music.vt.edu > > Subject: Re: [Sursound] vertical precendence and summing > > localisation (wallis and lee 2015) > > > > On 12/09/2015 03:00 PM, Jörn Nettingsmeier wrote: > > > > > i've attached the paper, since it is open access. > > > > well, i meant to, but apparently the attachment got eaten. here it is: > > http://www.aes.org/e-lib/browse.cfm?elib=18040 > > > > > > > > > > -- > > Jörn Nettingsmeier > > Lortzingstr. 11, 45128 Essen, Tel. +49 177 7937487 > > > > Meister für Veranstaltungstechnik (Bühne/Studio) Tonmeister VDT > > > > http://stackingdwarves.net > > > > _______________________________________________ > > Sursound mailing list > > Sursound@music.vt.edu > > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe > > here, edit account or options, view archives and so on. > > > > The University of Derby has a published policy regarding email and > > reserves the right to monitor email traffic. 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