Hi Søren Here's My 2 pence.
I have used Logic, live and protools for years, and dreaded the switch to Reaper to take advantage of the 64ch buses. In the end i didn't, i use them all. If i am composing i generally use logic, transfer and mixing from film edits, protools, and live performances, Ableton. But i always go through Reaper to do most spatialisation. This is all done via digital in and outs and network sync, midi and osc. It works very well, and meant i did not have to change over 20 years of programming in a short time. Now i tend to do a lot more in Reaper, and and quite happy working solely with it. It's a fantastic DAW made by a very responsive team. The transition is greatly helped by the fact i have changed all similar functions to the same key commands. No looking in a load of menus for differently named items. I'm not fully convinced of the use of vbap just because of the sweet spot. To me even 1st order Ambisonics sounds more immersive, even out of the sweetspot. It doesn't suffer speakers pulling the phantom image to the nearest source so obviously. Ambisonics also seems to even out room response , and is tolerant of cheap speakers (if they are all the same). This all should be a consideration. So using both techniques may yield a more robust response. Best Steven On 27 Mar 2018 17:13, "Søren Bendixen" <soerenbendi...@gmail.com> wrote: Hi Johannes I’ve been demoing it for a few days!, so I know about it - but only scratching the surface - and I actually forgot it on my testing list. I liked it, and I´ll get back to MNTN soon, but now my concern is DAW - stay in Logic Pro or go to Reaper BR Søren > Den 27. mar. 2018 kl. 17.23 skrev Johannes Scherzer < j.scher...@taucher-sound.com>: > > Hi Soeren, > > If you’re looking for a VBAP/DBAP tool, check out The Sound of the Mountain. > > WWW.MNTN.ROCKS > > It’s super flexible with custom speaker setups, lightweight in terms of required processing power, and we intentionally built it exactly for media based scenography in museum exhibitions. > > Good luck! > Johannes > > >> On 27. Mar 2018, at 08:32, sursound-requ...@music.vt.edu wrote: >> >> Re: (a little )help needed for ambisonics museum project >> (s?ren Bendixen) > -------------- next part -------------- > An HTML attachment was scrubbed... > URL: < https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/9041d34e/attachment.html > > _______________________________________________ > Sursound mailing list > Sursound@music.vt.edu > https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. Med venlig hilsen/Best regards Søren Bendixen Composer/Sound Designer/Producer Winner of Monitor Industry Award 2016 for the exhibition “Gladiator”, At Moesgaard Museum New album Music for exhibitions out 15 January 2017 Company: Søren Bendixen & Anette Krag soerenbendi...@gmail.com +45 60624394 www.soerenbendixen.com Facebook Soundcloud -------------- next part -------------- An HTML attachment was scrubbed... URL: < https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/ae9524e1/attachment.html > -------------- next part -------------- A non-text attachment was scrubbed... Name: Musicforexhibitions_2x32cm.jpg Type: image/jpeg Size: 61248 bytes Desc: not available URL: < https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/ae9524e1/attachment.jpg > _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on. -------------- next part -------------- An HTML attachment was scrubbed... URL: <https://mail.music.vt.edu/mailman/private/sursound/attachments/20180327/9d1a171d/attachment.html> _______________________________________________ Sursound mailing list Sursound@music.vt.edu https://mail.music.vt.edu/mailman/listinfo/sursound - unsubscribe here, edit account or options, view archives and so on.
