Of the sessions I attended last year, the one that I would most like
to see repeated and expanded is the one about fiddle tunes.  (I have
been going through a related exercise lately.)  Specifically, you
could start with the straightforward tune that Bill might have been
exposed to.  Play it and talk about how Bill applied his philosophy/
style to it.

A part of that class, or a completely different class could be the
evolution of his style.  If you take "Darling Corey" for example, his
version with Charlie is more like the old-time Darling Corey/Dig A
Hole; the later version is more aggressive and "bluegrassy" for lack
of a better term.

Another idea for a class might be about Bill's sidemen.  Did he play
differently to accomodate different fiddlers or guitar players/
singers, for example?

Also, I think a session on the influences of Bill would be cool.  We
have discussed this here:  Prairie Ramblers, Mac and Bob, etc.,
Arnold Schultz.

I would love to see Bobby Osborne come back.  I knew of the Osborne
Brothers and new a few tunes by them, but was really taken by his
vocals.

Nelson

On Jan 21, 11:11 am, 14strings <perrypale...@gmail.com> wrote:
> Since you asked......
>
> I thinking some folks would appreciate at least (1) ten minute or so
> "one on one" session with one of the instructors...realize this is
> logistically difficult but I bet it could be orchestrated...maybe the
> student does not have his/her choice of which instructor but get's a
> mini private session with a one of the pro's.
>
> 50 students times 15 minutes (10 plus a 5 buffer)  = 750 minutes
> divided by 60 = 12.50 hours
> Each one of the five instructors each take a 2 1/2 hour slot where all
> they do is see students for the private session
> If students opt out of the "one on one" then the time constraints get
> easier to manage.
>
> Perry
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