The video you mentioned was a John Hartford tribute gig in Albany, NY. That tenor was a blond Kalamazoo Oriole, ladder braced 00 sized 12- fret box and gorgeous. Curly maple plywood back(as are the Orioles). Another guy who's got a lot of tenor chops is our own Peter Martin. He kicks serious butt. I'll bet Mister Seale is familiar with Mister Martin, yes?
Tbugger On Mar 10, 8:52 am, mistertaterbug <taterbugmu...@gmail.com> wrote: > Oggy, > Unfortunately no, I don't have one currently, though I've had about 9 > really nice ones; Martin flattop, Epiphone(walnut archtop with > matching case...sniff), 30's Gibson archtop( can you say 'butter'?), > Vega flattop, Gibson flattop(thinking of buying this one back soon's > the money comes in), Kay archtops, etc...I do miss having one to mess > with. Whether strung in fifths or like an octave mandolin, I like the > range they have. My main hurdle to playing a tenor was to stop > thinking with mandolin brain and play it for what it is, sort of the > same thing I have to do with the mandola. With the single courses, I > find a lot of mandolin technique won't necessarily work either, though > curiously, the archtops seems to work more like mandos than do the > flattops. Maybe it's just me. > > You might check around and find some of Joe Craven's recordings. He's > nutso about tenors and does some good work with them. Thanks for the > topic. > > Tenor Bug > > On Mar 9, 11:05 am, Oggy <oskarny...@hotmail.com> wrote: > > > Any fans of tenor guitars in this group... besides me? > > > I ordered a Gibson L-00 copy from David Sundberg last year (one of > > Swedens top luthiers, very capable, even used to work for Bill > > Collings)... and I've played it everyday since I received it in april. > > The way I see it, it's the perfect cross-bread between the a guitar > > and a mandolin. It's tuned GDAE, with quite high string pressure. I > > can play it almost as a mandolin, but it sounds like a regular guitar > > (almost...tenors do have a certain sound with regard to the tuning in > > fifths, and of course it doesn't have the same bass response). > > > Well, I do love playing regular guitars and mandolin (and mandola) > > too, but sometimes my tenor just seems to suit the tune better. > > > In a recent interview at the Mandolin Cafe, Lowell Lovinger said the > > folIowing about tenor guitars: "I promote it everywhere, but so far it > > seems that I'm the only one actually playing one on gigs and records. > > I just don't understand why everybody doesn't jump on the bandwagon. I > > guess there's just no accounting for taste." Hence I started thinking, > > why doesn't more people play the tenor guitar? People seem to consider > > it an oddball instrument, way down in the hierarchy... more like an > > instrument to goof around with than to play with ambition. What do > > y'all think? > > > The most interesting thing about my own fascination for tenor guitars > > is that Mr. Compton himself started it. I saw a video clip of him > > playing a tenor guitar (he was playing with a bunch of great folks, > > John Hartford, Norman Blake, Tut Taylor, Vassar... can't remember the > > occasion), and his bluesy licks just struck a chord inside of me. The > > video could be found on Taters old website. > > > So Mike... do you have a tenor guitar? If so, do you play it a lot? If > > not, why? > > > BTW, I'll upload a picture of my Sundberg tenor guitar. -- You received this message because you are subscribed to the Google Groups "Taterbugmando" group. To post to this group, send email to taterbugma...@googlegroups.com. To unsubscribe from this group, send email to taterbugmando+unsubscr...@googlegroups.com. For more options, visit this group at http://groups.google.com/group/taterbugmando?hl=en.
