ditto

On Mon, Mar 10, 2008 at 8:57 PM, Cory K. <[EMAIL PROTECTED]> wrote:

> greg emond wrote:
> >
> >
> > > > This version doesn't make my subwoofer knock stuff off my
> > > > shelves any more, which is sort of a downside, but the advantage
> > is you can
> > > > hear every sound from the trumpet in this mix (which is sort of a
> > > > downside.)
> > >
> > > But seriously, I just listened to the first one. I thought I had a
> > pretty
> > > good mix before I recorded it, and looked at the waveform.
> > >
> > > After chasing a better looking picture as much as anything else,
> > going back in
> > > the opposite direction as depicted on one of those brick wall rant
> > sites,
> > > more toward how things used to look in days of yore, I have to say the
> > > difference is immediate and obvious.
> > >
> >
> >
> > here is my 2 cents about mastering.... and only 2 cents, caus I suck
> > at it too
> > there is a reason why I send my mixes to a professionnal mastering
> > house ;)
> >
> > what you see on your pics is the "sideways" picture of the wave...
> > so you see how "loud" they are, but you dont "see" which frequency is
> > loud.
> >
> > if you have an overload in treble (trumpet?), it will hit the "wall"
> > and everything else
> > will dissapear.
> >
> > and thats where the beauty of jamin starts.  just click the spectrum
> > view, and either
> > cut down by eq, or compress the overload, and THEN compress (expand?)
> > the shit out of it...
> >
> > so the WHOLE array of frequencys hit the wall, not just one small
> > section of it.
> >
> > end of 2 cents....and sorry for my pretentious babble.
> > <http://g.msn.ca/ca55/217>
>
> "so the WHOLE array of frequencys hit the wall, not just one small
> section of it."
>
> NO! NO! NO!
>
> This is why we have music where the entire mix of a song is as loud as
> every other.
>
> You're recommending he kill the dynamic range of the song. This is
> exactly what wrong with mastering in the last 10 years.
>
> I can control my volume knob thank you. ;)
>
> Music is supposed to have quiet/loud parts. Someone would be killed if
> they did Jazz or classical this way. It boggles my mind whey people
> would accept it with other music.
>
> Not to mention that listing to a whole album this way is tiresome. This
> is well documented.
>
> -Cory \m/
>
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-- 
Joe
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