One final note. The film is not in fact released in France either, indicating either a difficult rights holder, work on restoration or both. Under other circumstances I would recommend getting a good PAL copy from France sans titles and using that with perhaps some written or simultaneous plot summery since the screening is related to visuals and not plot. This is a case where I would just skip it and wait for high quality legal version to be released.
On Tue, Aug 23, 2011 at 7:35 AM, Karsten, Eileen <kars...@lakeforest.edu>wrote: > Jessica: > > There appears to be cataloging for two versions of the movie released in > the U.S. in OCLC. One has [S.l.] : Foreign Film Classics [?, 199-?, 1924] > for publication/distribution information. The other has [Alamogordo, > N.M.] : Silent Screen Movie Classics [199-] It alss has a note saying that > Foreign Film Classics is on container. So, both are probably from the same > company. There is a note in both records "Restauration: C.N.C. Archives du > Film. 78390 Bois d'Arcy"--Film frame. They are color tinted and have a > running time of 128 min. > > Eileen Karsten > Head of Technical Services > Donnelley and Lee Library > Lake Forest College > 555 N. Sheridan Road > Lake Forest, IL 60045 > kars...@lakeforest.edu > > > _ > VIDEOLIB is intended to encourage the broad and lively discussion of issues > relating to the selection, evaluation, acquisition,bibliographic control, > preservation, and use of current and evolving video formats in libraries and > related institutions. It is hoped that the list will serve as an effective > working tool for video librarians, as well as a channel of communication > between libraries,educational institutions, and video producers and > distributors. > -- Jessica Rosner Media Consultant 224-545-3897 (cell) 212-627-1785 (land line) jessicapros...@gmail.com
VIDEOLIB is intended to encourage the broad and lively discussion of issues relating to the selection, evaluation, acquisition,bibliographic control, preservation, and use of current and evolving video formats in libraries and related institutions. It is hoped that the list will serve as an effective working tool for video librarians, as well as a channel of communication between libraries,educational institutions, and video producers and distributors.
