Kim
I never heard of Fox in Flight. What would they have that Criterion
Pictures USA which handle Fox would not. Do they license for colleges?

Obviously you can't list everyone thought there a lot of places with
significant collections mostly of indie & foreign titles ( Zeitgeist, IFC,
Milestone, Music Box. Cohen Media etc) the one I would add is Sony Classics
since they do their own while Swank handles standard Sony and that leads to
lots of confusion. I know people on here have the contact but I can't find
it.
Great that you help out the students and professors with this.

Jessica


On Thu, Jul 17, 2014 at 3:36 PM, Stanton, Kim <kim.stan...@unt.edu> wrote:

> For students with one-off screenings, I usually do some light research and
> point them in the right direction. For larger university events (student
> film fests, departmental film series) I will get more involved, usually
> handling the entire licensing process, if I'm contacted at all.
>
> We have some information on our website about when PPR is needed, how to
> obtain it and how to identify materials with Edu PPR in our catalog:
> https://www.library.unt.edu/services/media-library/media-111c-screening-room
> and https://www.library.unt.edu/media-library/public-performance-rights
>
> Students are able to reserve rooms across campus online, without anyone
> vetting the use. My staff pay attention to what's happening in our
> library's screening room/ classroom, but I don't have a sense of what's
> happening in other spaces on campus.
>
> Kim Stanton
> Head, Media Library
> University of North Texas
> kim.stan...@unt.edu
> P:(940) 565-4832
>
> -----Original Message-----
> From: videolib-boun...@lists.berkeley.edu [mailto:
> videolib-boun...@lists.berkeley.edu] On Behalf Of Driscoll, Susan M.
> Sent: Wednesday, July 16, 2014 11:34 AM
> To: videolib@lists.berkeley.edu
> Subject: Re: [Videolib] Feature films and Libraries
>
> I do most of the licensing for public screenings on campus. I say most
> because occasionally student clubs will take the initiative and contact a
> filmmaker about rights, but rarely will they contact Swank directly. I am
> happy to let them negotiate with small film companies, because it is good
> for them to arrange and event from start to finish and it is less work for
> me, but I want them to contact me to let me know they have paid the rights.
> Also, I am looped in when people reserve rooms for film screenings. We're a
> pretty small college, so I take it in stride to check the weekly calendar
> and posters advertising film screenings. Especially at the beginning of a
> semester, it's important to educate the community about acquiring
> performance rights.
>
> Sue Driscoll
> Acquisitions
>
>
> -----Original Message-----
> From: videolib-boun...@lists.berkeley.edu [mailto:
> videolib-boun...@lists.berkeley.edu] On Behalf Of
> videolib-requ...@lists.berkeley.edu
> Sent: Tuesday, July 15, 2014 10:13 PM
> To: videolib@lists.berkeley.edu
> Subject: videolib Digest, Vol 80, Issue 18
>
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> Today's Topics:
>
>    1. Re: Feature Films and libraries (Anthony Anderson)
>    2. Re: Feature Films and libraries (Hooper, Lisa K)
>
>
> ----------------------------------------------------------------------
>
> Message: 1
> Date: Tue, 15 Jul 2014 22:54:14 +0000
> From: Anthony Anderson <antho...@usc.edu>
> Subject: Re: [Videolib] Feature Films and libraries
> To: "videolib@lists.berkeley.edu" <videolib@lists.berkeley.edu>
> Message-ID:
>         <
> 7b98f0e3eca94679bba7a68fa25c7...@co2pr07mb505.namprd07.prod.outlook.com>
>
> Content-Type: text/plain; charset="utf-8"
>
> lorraine! I think many academic libraries handle this in different ways.
> Here at USC we unfortunately don?t have a media librarian. By default, I do
> act as sort of one but it is only one of the many responsibilities which I
> have here. Because of this, I have neither the time nor (quite frankly) the
> inclination to pursue investigating PPR for groups wishing to show feature
> films on campus. I am always happy, however, to refer such groups to Swank
> and other such companies. But I let the student groups know at the same
> time that it is strictly their responsibility to obtain the necessary
> licenses and to pay the necessary fees. USC has nearly 2700 documentary
> films on DVD, but because 99.78% of them were purchased at the
> ?institutional rate?, at least USC students are spared the hassle of having
> to obtain PPR for them. Feature films are another matter.
>
> Cheers!
> Anthony
>
> *******************************
> Anthony E. Anderson
> Assistant Director, Doheny Memorial Library University of Southern
> California Los Angeles, CA 90089-0182
> (213) 740-1190   antho...@usc.edu<mailto:antho...@usc.edu>
> "Wind, regen, zon, of kou,
> Albert Cuyp ik hou van jou."
> ********************************
>
> From: videolib-boun...@lists.berkeley.edu [mailto:
> videolib-boun...@lists.berkeley.edu] On Behalf Of Wochna, Lorraine
> Sent: Tuesday, July 15, 2014 2:54 PM
> To: videolib@lists.berkeley.edu
> Subject: [Videolib] Feature Films and libraries
>
> Hi everyone,
>
> I?m writing up a PPR/Feature Film blurb for our website.  When faculty /
> grads / students want to show a feature film, do you direct them to Swank
> or Criterion, or does your library (librarian, media library) investigate?
>  How many of you consider this a library service?  For the most part, this
> will not come out of our budget, but folks ask how to get rights  and I
> wanted to give them a decent answer.  Right now my advice to them is to
> contact Swank Digital (on their own).   I?m completely happy to help all of
> them, but it might be best if they know how to begin on their own.
>
> Thanks for your input,
> Best,
> Lorraine
>
>
> lorraine wochna
> Alden Library, Ohio U
> Instruction Coordinator
> Liaison to African America Studies, English, Film, Theatre Athens OH  45701
> 740.597.1238
> http://libguides.library.ohiou.edu/profile/lorraine
>
>
>
> -------------- next part --------------
> An HTML attachment scrubbed and removed.
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>
> ------------------------------
>
> Message: 2
> Date: Wed, 16 Jul 2014 02:12:33 +0000
> From: "Hooper, Lisa K" <lhoop...@tulane.edu>
> Subject: Re: [Videolib] Feature Films and libraries
> To: "videolib@lists.berkeley.edu" <videolib@lists.berkeley.edu>
> Message-ID: <1405476770238.43...@tulane.edu>
> Content-Type: text/plain; charset="iso-8859-1"
>
> Hi Lorraine,
>
>
> my response more or less follows this thought process:
>
>
> 1. If we have the film in our collection, then go to step 2a. If we don't
> already have the film in our collection then go to step 2b.
>
>
> 2a. i check to see if it was purchased with appropriate licensing. If we
> do have appropriate screening rights then go to step 3a. If we don't have
> the correct license for public screenings then go to step 3b.
>
>
> 2b. Try to find a vendor offering the dvd with PPR for the life of the
> disc. If i find a vendor with ppr licensing at a reasonable price then i'll
> buy it for the library collection and hope it arrives in time for the
> screening. Once i know i can get the film with PPR then i let the faculty
> member know it's on order and say for future reference, check out the
> information on the different licenses here:
> http://library.tulane.edu/collections/mmc/copyright.
>
>
> Step 3a. Happily say yes! use our copy for your screening! and for future
> reference, check out the information about different licensing rights and
> what you can and can't do:
> http://library.tulane.edu/collections/mmc/copyright.
>
>
> Step 3b. Check to see if it's available for campus streaming via Swank or
> Criterion. If yes, go to step 4a. If no, go to step 4b.
>
>
> 4a. Refer the faculty member to Swank or Criterion as appropriate and
> suggest going through University Student Activities Office which has
> accounts with both companies and organizes regular campus screenings
> (perhaps your campus has similar movie nights?).
>
>
> 4b. Try to find out if its possible to purchase one-time screening rights
> for the physical copy already in our collection and connect the faculty
> member or group with the appropriate person to make the purchase. I will
> buy DVDs with PPR but for the life of the disc only; the organizing faculty
> or group would have to purchase one-time screening rights that can be
> applied to the copy we already have in our collection (this can take quite
> a bit of communication tact between yourself, the faculty, and the vendor).
>
>
> Hope something in there is helpful.
>
> Best,
>
> -lisa H.
>
> Music & Media Librarian
>
> Tulane University
>
> New Orleans, LA
>
> 504.314.7822
>
>
>
> ________________________________
> From: videolib-boun...@lists.berkeley.edu <
> videolib-boun...@lists.berkeley.edu> on behalf of Wochna, Lorraine <
> woc...@ohio.edu>
> Sent: Tuesday, July 15, 2014 4:54 PM
> To: videolib@lists.berkeley.edu
> Subject: [Videolib] Feature Films and libraries
>
> Hi everyone,
>
> I'm writing up a PPR/Feature Film blurb for our website.  When faculty /
> grads / students want to show a feature film, do you direct them to Swank
> or Criterion, or does your library (librarian, media library) investigate?
>  How many of you consider this a library service?  For the most part, this
> will not come out of our budget, but folks ask how to get rights  and I
> wanted to give them a decent answer.  Right now my advice to them is to
> contact Swank Digital (on their own).   I'm completely happy to help all of
> them, but it might be best if they know how to begin on their own.
>
> Thanks for your input,
> Best,
> Lorraine
>
>
> lorraine wochna
> Alden Library, Ohio U
> Instruction Coordinator
> Liaison to African America Studies, English, Film, Theatre Athens OH  45701
> 740.597.1238
> http://libguides.library.ohiou.edu/profile/lorraine
>
>
>
> -------------- next part --------------
> An HTML attachment scrubbed and removed.
> HTML attachments are only available in MIME digests.
>
> End of videolib Digest, Vol 80, Issue 18
> ****************************************
>
> VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation, acquisition,bibliographic
> control, preservation, and use of current and evolving video formats in
> libraries and related institutions. It is hoped that the list will serve as
> an effective working tool for video librarians, as well as a channel of
> communication between libraries,educational institutions, and video
> producers and distributors.
>
> VIDEOLIB is intended to encourage the broad and lively discussion of
> issues relating to the selection, evaluation, acquisition,bibliographic
> control, preservation, and use of current and evolving video formats in
> libraries and related institutions. It is hoped that the list will serve as
> an effective working tool for video librarians, as well as a channel of
> communication between libraries,educational institutions, and video
> producers and distributors.
>
VIDEOLIB is intended to encourage the broad and lively discussion of issues 
relating to the selection, evaluation, acquisition,bibliographic control, 
preservation, and use of current and evolving video formats in libraries and 
related institutions. It is hoped that the list will serve as an effective 
working tool for video librarians, as well as a channel of communication 
between libraries,educational institutions, and video producers and 
distributors.

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