Dear List,
I have recently finished editing all the known chamber music for Baroque guitar and strings, including all these "Capricci" by Granata. I noted the light figured bass markings here and in Granata's Sonata (1659) for the same instrumentation (in which the violin is *not* a mere doubling). However, I decided not to include any continuo realizations, because the guitar already provides a nice sketch of the harmonies. (This decision was reached partly in conference with Monica.) That said, please let me point out three "Simphonies" by Henry Grenerin for two violins, guitar, and "basse" with figures, where the figures are specified to be for a theorbo. We should probably consider the theorbo/chitarrone to be a good continuo instrument for Granata's music as well. Mike [1]mich...@lgv-pub.com -- References 1. mailto:michael.f...@notesinc.com To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
