Dear Ed,

   You'll have seen by now Monica Hall's response and our subsequent
   discussion. Unless there's any other input, it seems there is no
   evidence to suggest this sort of string damping  - it's probably just a
   question of employing great precision in strumming; but I'll keep an
   open mind.

   Your point about the 5th course is certainly well made, however,
   missing this course is not so tricky as avoiding playing the first
   course when using a downwards index strum. Indeed, I raised the matter
   since I'd heard quite a few players accidentally (I presume) strum a
   dissonance by catching the first course especially (tho', of course,
   the occasional unexpected dissonance might be thought to be part of the
   idiosyncratic charm of the instrument.......).

   MH

   Martyn
   --- On Fri, 1/6/12, Ed Durbrow <edurb...@sea.plala.or.jp> wrote:

     From: Ed Durbrow <edurb...@sea.plala.or.jp>
     Subject: [VIHUELA] Re: 5 course guitar - partial strums
     To: "vl" <vihuela@cs.dartmouth.edu>
     Date: Friday, 1 June, 2012, 12:30

   I am curious if there is an answer to your question. Tangentally, I
   have a theory that so many strummed chords didn't include the 5th
   course, that they didn't even bother to put a dot there if it would
   make a dissonance, they just assumed you wouldn't include it in the
   strum.
   On May 31, 2012, at 6:57 PM, Martyn Hodgson wrote:
   > Various 5 course guitar tablature sources ask for partial strums in
   >   which only some of the courses are to be strummed; unstrummed
   >   courses being indicated by dots (although the practice may, of
   course,
   >    be more widespread than suggested only by the tablatures with
   these
   >   dots).
   >
   >   A typical example is a G major chord (stopped on the 2nd and 5th
   >   courses) but with a dot on the first course indicating a strum of
   the
   >   lower 4 courses but without the first course strummed (eg Lobkowicz
   Ms
   >   OLIM Prague II Ms Kk77  fol 82v - Minuet).  Is there any evidence
   that
   >   these were ever performed by using, say, the middle finger of the
   right
   >   hand (or even a spare left hand finger) to damp the unplayed course
   or
   >   is it simply a matter of precision in execution of the strum with
   the
   >   index finger?
   >
   >   MH
   >
   >
   >
   >
   >
   >   --
   >
   >
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References

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