Shouldn't all electronic styles be represented here ? I do not see much in
jungle/drum'n bass, not much in "dubby" stuff such as Pole ? The Plug and BC
surely do not represent the whole spectrum, D'n B wise I would have put
Tally Ho! rather than Plug, added Third Eye Foundation's "Ghosts" and Amon
Tobin's "Bricolage", "dubby" wise I would have added Pole 3 and the Sabres
of Paradise's "Haunted dancehall"
Plus : the ART comp would be enough to represent both Black Dog & Balil,
there is too much ambient stuff, while the harder stuff seems completely
absent (Tresor ?), I see no "trip-hop" either, I think Interstellar
Fugitives is more interesting than Revolution for Change, have you forgotten
Renegade Soundwave? and what about two great LPs from last year : Console's
"Rocket in the pocket" and Moby's "Play" (no provocation here, but I really
think Moby is underrated, and even in spite of its huge commercial success,
this LP proved both long-lasting and able to bring tons of new listeners to
electronic music)
Gwendal

> Here’s something to spark some much needed
> critical analysis on this list: if you had to name the
> fifty best AND most important electronic CD’s of
> the past 25-odd years, what would they be?
> Here are my picks. I’ve been working on this for a
> while; believe me, I have considered most albums
> people are going to point out are absent. However,
> I’d love to discuss why you think that record is important.
> And yes, I do know Juan Atkins, Kevin Saunderson,
> Black Dog, and some others are not on here, and I think
> I can defend my decisions.
>
> --
>
> Aphex Twin: Selected Ambient Works, Volume 2 (Warp)
> Autechre: Chiastic Slide (Warp)
> Balil: Parasight (Rising High)
> Basic Channel (BCP/EFA)
> Biosphere: Substrata (All Saints)
> Boards of Canada: Music Has the Right to Children (Matador/Warp/Skam)
> Brian Eno: Ambient 1 - Music For Airports (EG)
> Brian Eno & Harold Budd: Ambient 2 - The Plateaux of Mirrors (EG)
> B12: Electro-Soma (Warp/AI)
> B12: Prelude Part 1 (B12)
> Claude Young: DJ Kicks (Stud!o K7)
> Carl Craig: Landcruising (Blanco Y Negro)
> Derrick May: Innovator (Transmat)
> Derrick May: Mix-Up, Volume 5 (Sony Japan)
> Detroit Escalator Co.: Soundtrack [313] (Ferox)
> Dettinger: Intershop (Kompakt)
> DJ Rolando: The Aztec Mystic Mix (Underground Resistance)
> DJ Shadow: Endtroducing (Mo’Wax)
> Fumiya Tanaka: I Am Not a DJ (Sony Japan)
> Fumiya Tanaka: Mix-Up, Volume 4 (Sony Japan)
> Future Sound of London: Lifeforms (Astralwerks)
> Gas: Pop (Mille Plateaux)
> Giorgio Moroder: From Here to Eternity (Repertoire)
> Global Communication: 76:14 (Dedicated)
> Harold Budd w/Brian Eno: The Pearl (EG)
> I-F: Mixed Up in the Hague, Volume 1 (Panama)
> Isolee: Rest (Playhouse)
> Jeff Mills: Live at the Liquid Room, Tokyo (React)
> John Beltran: Earth & Nightfall (R&S/Distance)
> Kraftwerk: Autobahn (EMI)
> Kraftwerk: Trans-Europe Express (Capitol)
> Kruder & Dorfmeister: The K&D Sessions (Stud!o K7)
> Monolake: Interstate (ml/i)
> Moodymann: A Silent Introduction (Planet E)
> Negativland: U2 (SST)
> Paperclip People: The Secret Tapes of Dr. Eich (Planet E)
> Pete Namlook: Air I&II (Instinct)
> Placid Angels: The Cry (Peacefrog)
> Plug: Drum ‘n’ Bass For Papa (Nothing/Blue Planet)
> Reload: A Collection of Short Stories (Infonet)
> Sterac: The Secret Life of Machines (100% Pure)
> Tangerine Dream: Phaedra (Virgin)
> Tangerine Dream: Rubycon (Virgin)
> Terrence Parker: Tragedies of a Plastic Soul Junkie (Stud!o K7)
> Tetsu Inoue: World Receiver (Instinct)
> The KLF: Chill Out (TVT/Wax Trax)
> The Martian: LBK-6251876 (Red Planet)
> Theo Parrish: Sound Signature Sounds (Sound Signature)
> The Orb’s Adventures Through the Ultraworld (Island)
> The Philosophy of Sound and Machine (A.R.T./Rephlex)
> Underground Resistance: Revolution For Change (Network)
>
> --
>
> This list is _far_ from finished.
>
> I haven’t gotten these CD’s yet, that will in all probability make
> it on and replace less potent discs:
>
> Dettinger: Oasis
> Thomas Brinkmann: Rosa
> Moodymann: Forevernevermore
> Jedi Knights retrospective
>
> So, of course, as good albums appear, I will update this, although
> new releases would have to be something else to break through
> with CD’s of the above caliber. Also, I am not sure whether
> Drexciya’s “The Quest” should be included....if anyone has a good
> argument either way, let’s talk. It's been a while since I
> remember an intricate, articulate 313 debate.
>
> Matt
>
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