Yep, 'Schranz' is a german word used to describe the sound and tunes wich
are played by Chris Liebing, Massimo, Toni Rios, Frank Lorber and sometimes
even Sven Väth.
Most people on this lis don't dig this sound, others do (like me) but what's
strange about the whole
discussion is that if for instance Hawtin or Mills is playing  in Germany
and pump out the tunes
like Leibing or Väth do everybody thinks it's cool! Where as i would say
they play 'schranz' as well,
check out Mills set @ hafentunnel, frankfurt in Germany last year august for
example, no different then Liebing!
Just my thoughts on the subject.
Regards,
Martijn


----- Original Message -----
From: "Dennis Donohue" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, April 04, 2001 2:56 PM
Subject: Re: [313] German techno that fits 313?


> Correct me if I'm wrong, but I believe Schranz refers to artists such as
> Chris Liebing, Andreas Kremer, and the like.  The really hard, minimal,
> techno, that is usually abhorred by the list.  Chris Liebing even has a
> series of 7" called "(the) Real Schranz".
>
> Personally, I think that type of techno is a necessary evil in a "good"
> techno set.  I rather enjoy the stuff of that caliber.  Most will disagree
> with me.
>
> Cheers!
>
> Dennis
>
>
> >From: "jim proffit" <[EMAIL PROTECTED]>
> >To: 313@hyperreal.org
> >Subject: Re: [313] German techno that fits 313?
> >Date: Wed, 04 Apr 2001 08:33:57
> >
> >Arne.Weinberg:
> >
> >>Coming from Germany i asked myself how the list (you) think about the
> >> >german techno scene and its producers.
> >
> >>In my opinion the german techno thing is really booooooooring, because
> >> >they all hear and produce and spin only the hard banging soulless crap
> >> >called "Schranz"
> >
> >For certain people (like me) the "german sound" was really important in
the
> >early 90's to mid 90's.
> >
> >What records/labels you mean by "Schranz"?
> >I would think there are people that really HATE the Cologne minimalism
> >sound. Cologne's acid sound is a whole different story...
> >
> >For me the germans kept the original attitude of the early Chicago (and
> >later Detroit with Tresor etc.) sound and production values better than,
> >say, the folks in England.
> >
> >And you can't really deny that when you're talking about electronic music
> >in
> >general, Germany is in a class of it's own.
> >
> >
> >-Proffit
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