brian wilson and the beach boys, beatless, kraftwerk etc... big music with an own signature in sound, composition, artistic meaning -
done by some special muscians and there are many more out there yes artists of all colours - would never deny that - but still they also live and lived in the context of what´s been around them and b4 - (by the way, I love some classic-music-kind too - up to debussy putting in oriental influences in his music) ... but - still I believe, when we talk about the subject Detroit-techno we need to talk about the individual artists but also some collective phenomenans and as much is about the communication with beats the talking drums - this - was not the european culture 4 a long time (the real tribal music there got almost lost and mutated to a nothing) Then as some detroit art is directly about "ebonics" "blackness" "black mahagony" up to "underground resistance" in the context of the world as it is - this is in the story-line of black music, because the shit don´t stop till now almost not to talk about it, when you talk about it, is more then ignorant ... A Guy Called Gerald meantioned yesterday - his statement about what happens to detroit techno "they take it, fake it and break it" - guess what he meant by that ... ps - anyone checking the debate on KDJ on deephouse ? -- LoveThemPlanetZ peoplez plantz peaze pluz m GMX - Die Kommunikationsplattform im Internet. http://www.gmx.net --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
