> brian wilson and the beach boys, beatless, kraftwerk etc... > > big music with an own signature in sound, composition, artistic meaning - > > done by some special muscians and there are many more out there > > yes artists of all colours - would never deny that - > > but still they also live and lived in the context > > of whats been around them and b4 - > > (by the way, I love some classic-music-kind too - > > up to debussy putting in oriental influences in his music) ... > > but - still I believe, when we talk about the subject Detroit-techno > > we need to talk about the individual artists but also some collective > > phenomenans and as much is about the communication with beats > > the talking drums - this - was not the european culture 4 a long time > > (the real tribal music there got almost lost and mutated to a nothing) > > Then as some detroit art is directly about "ebonics" "blackness" "black > mahagony" > > up to "underground resistance" in the context of the world as it is - > > this is in the story-line of black music, because the shit dont stop till > now > > almost not to talk about it, when you talk about it, is more then ignorant > ... > > A Guy Called Gerald > > meantioned yesterday - his statement about what happens to detroit techno > > "they take it, fake it and break it" - guess what he meant by that ... > > > ps - > > anyone checking the debate on KDJ on deephouse ? I'm hoping someone will invent a button that says "Ignore completely" because the "Delete" function just doesn't quite seem to cover this drivel
Jason Brunton --------------------------------------------------------------------- To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
