> This is one really important measure of the level of "commercialism."
> Will people around the world have access to ALL of the dj sets, or just
> the corporate sponsored ones?

Which, interestingly, includes not just the festival itself, but promoters
putting on 'after parties'.  They're certainly commercial, but not offered
free of charge.  In my opinion, some of last year's after parties were
rudely expensive.

Vince Woolums
AOL IM: vincewoolums
http://bnsrecords.gemm.com
http://www.recordcollectorinc.com


----- Original Message -----
From: Lester Kenyatta Spence <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Cc: Matthew L. Thompson <[EMAIL PROTECTED]>; <313@hyperreal.org>
Sent: Wednesday, February 20, 2002 12:23 PM
Subject: Re: [313] Re: DEMF 2002: The Sexy Adventures of Carol Marvin313


> On Tue, 19 Feb 2002 [EMAIL PROTECTED] wrote:
>
> >
> > >But all of that aside, I agree that the panel (its make-up in
particular)
> > is a step in the right direction.  I
> > >believe the DEMF's future will be okay (maybe even bright, perhaps?),
but
> > we shall see what unfolds this year. :)
> >
> > I hope at least Groovetech (or another capable web based broadcaster)
will
> > be able to stream video/sound this year. Ford did a f*cking miserable
job
> > at it last year (eventhough I was there I'd like to be able to relive
Eddie
> > Fowlkes', Kenny Larkin's, and DJ D'jital's sets on the smaller stages).
> >
> > MEK
>
> This is one really important measure of the level of "commercialism."
> Will people around the world have access to ALL of the dj sets, or just
> the corporate sponsored ones?
>
>
> peace
> lks
>
>
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