Pro Tools is really no difeerant that usin a hardware sequencer, it's not going to compose tracks for you. Most of today's vynil is either from a CD or DAT master Pro Tools is only going to make your master sound better if your using it properly, buy some nice analog outbourd gear, if you want something raw and warm record an EMU SP-12 and a Minimoog into ProTools and buy their Contol 24 mixer with Focusrite. If you use a Rompler with cheesy D*gital effects it's going to sound like an F*cking rompler.
on 2/5/03 8:18 PM, [EMAIL PROTECTED] at [EMAIL PROTECTED] wrote: > I'm sorry, but I'm not blaming anything on Pro-Tools, it's the people > using it with no imagination, a different point. When a producer stops > using his/her brain and lets Pro-Tools take over their sound, then we get > the situation we have now, with lots of boring tracks - but this is so > obvious to be almost trivial. When a cool producer makes an amazing track, > which is loud and well-produced, then f*ckin A. > > Hope I've cleared that up, > Regards, > Andrew
