>that in early stages a lot of so called 'Detroit Techno' classics are at >least very simular to Chicago House?
I guess a bit.... I always thought that maybe Chicago kind of had similarities with Jamaica (slightly). In that, both Chicago and jamaican producers took records from other 'scenes', remade them in their own style for the purpose of dances/clubs. Chicago Heads + Disco/Italo Disco/Boogie records = House (for music box, warehouse etc) Jamaican Heads + American Soul & Blues records = Dub/Reggae (for the dances/soundsystems/dj's) where as in detroit, there wasn't really a big club scene? and the records weren't really remakes. erm, yet another case of me thinking out loud. dunno anyway. _________________________________________________________________ --------------------- End of message text -------------------- This e-mail is sent by the above named in their individual, non-business capacity and is not on behalf of PricewaterhouseCoopers. PricewaterhouseCoopers may monitor outgoing and incoming e-mails and other telecommunications on its e-mail and telecommunications systems. By replying to this e-mail you give your consent to such monitoring
