I dunno - something about it gets on my t!ts - it's like a band telling people 
to please buy their t-shirts on the way out of the gig. 

-----Original Message-----
From: Martin [mailto:[EMAIL PROTECTED]
Sent: Tuesday, March 02, 2004 10:17 AM
To: Robert Taylor; Blackman, Ryan (UKEKT); [EMAIL PROTECTED]; Brendan
Nelson
Cc: Ken Odeluga; 313
Subject: Re: (313) Mills


But what's the point in doing something if you aren't going to tell anyone
about it? May as well make pots in a dark shed...


2/3/04 10:19 AM Robert [EMAIL PROTECTED]

> Nobody needs to - but many do
> 
> -----Original Message-----
> From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED]
> Sent: Tuesday, March 02, 2004 10:18 AM
> To: Robert Taylor; [EMAIL PROTECTED]; Brendan Nelson
> Cc: Ken Odeluga; 313
> Subject: RE: (313) Mills
> 
> 
> Mills doesn't need to "blatanly self promote".
> 
> -----Original Message-----
> From: Robert Taylor [mailto:[EMAIL PROTECTED]
> Sent: 02 March 2004 10:17
> To: [EMAIL PROTECTED]; Brendan Nelson
> Cc: Ken Odeluga; 313
> Subject: RE: (313) Mills
> 
> 
> I can see the point of a commercially available DVD; I just didn't see the
> point of him using the DVD in a club, unless he's getting RSI and needs the
> odd break. Or is it blatant self-promotion?
> -----Original Message-----
> From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]
> Sent: Monday, March 01, 2004 8:09 PM
> To: Brendan Nelson
> Cc: Robert Taylor; Ken Odeluga; 313
> Subject: RE: (313) Mills
> 
> 
> from a bizznass stand point, DVDs are definately the future of music
> media. 2003 was the first year that DVDs sold better than CDs in the US..
> If you walk into any major electronic/music/media store, you'll see the
> DVDs right in front. and since the pricepoint has now dropped below $20
> for most DVDs, they're the new impulse buy for people who would have
> bought CDs just a few years ago.
> 
> And while you can pirate a DVD, most people don't have the HD
> space/connection speed/patients to do it. So I'd expect a lot more DVDs
> from your favorite DJs in the future.
> 
> On Mon, 1 Mar 2004, Brendan Nelson wrote:
> 
>> I don't know if there's a point as such - it's a bit of a gimmick,
>> really, that he used to try to build up anticipation/suspense in
>> the crowd before he came on. But basically it's a product he's
>> trying to sell and as I've said before I wouldn't mind at all if
>> more DJs released DVDs like that; the gimmick of using it at the
>> start of the set is going to wear off pretty quickly though.
>> 
>>> -----Original Message-----
>>> From: Robert Taylor [mailto:[EMAIL PROTECTED]
>>> Sent: 01 March 2004 12:13
>>> To: Brendan Nelson; Ken Odeluga; 313
>>> Subject: RE: (313) Mills
>>> 
>>> 
>>> I still fail to see the point of the DVD thing. Either I'm
>>> stupid, or Mills' explanation for it is rubbish.
>>> 
>>> -----Original Message-----
>>> From: Brendan Nelson [mailto:[EMAIL PROTECTED]
>>> Sent: Monday, March 01, 2004 12:07 PM
>>> To: Ken Odeluga; 313
>>> Subject: RE: (313) Mills
>>> 
>>> 
>>> While Saunderson was better than I expected, it didn't really
>>> blow me away and like a few other people I was a bit confused
>>> as to why Mills came on so late - which meant that I was
>>> getting unfairly impatient towards the end of Saunderson's
>>> set. It was effective and crowd-pleasing but nothing
>>> ground-breaking really.
>>> 
>>> I was really impressed by Mills, though, I have to say. Maybe
>>> it's because it's a while since I've seen him, or because I
>>> was swept up in the spirit of the night, but he seemed to me
>>> to be very assured and on-form, and he played quite a lot of
>>> tracks that I hadn't heard before but that were pretty
>>> intriguing; the 909 stuff was pretty rude as well. And even
>>> though I know this is serious flamebait, I actually think the
>>> DVD thing at the start worked... *duck!*
>>> 
>>> One of the things I worry about sometimes is that the world
>>> of techno will hit a point where all new music is basically
>>> schranz and if a DJ is going to really rock the crowd he/she
>>> will have to basically play ancient classics. Periodically,
>>> though, you hear a set that helps to persuade you that
>>> there's still development and evolution of the sound going on
>>> (Surgeon's set at Turnmills a few weeks back sounded like
>>> just that sort of thing actually). So yeah, I thought Mills
>>> did a really good job and he did exceed my expectations in
>>> all honesty. The 2001 stuff was nice visual dressing but I'm
>>> not so much of a "visuals" man and didn't really notice it
>>> being "soundtracked" in any particular way... was nice to
>>> look at though!
>>> 
>>> Brendan
>>> 
>>>> -----Original Message-----
>>>> From: Ken Odeluga [mailto:[EMAIL PROTECTED]
>>>> Sent: 01 March 2004 11:56
>>>> To: Brendan Nelson; 313
>>>> Subject: RE: (313) Mills
>>>> 
>>>> 
>>>> Well what did we all think of Lost then? Especially Mills and
>>>> Saunderson.
>>>> Come on, let's 'ave opinions ...
>>>> 
>>>> k
>>>> 
>>>>> -----Original Message-----
>>>>> From: Brendan Nelson [mailto:[EMAIL PROTECTED]
>>>>> Sent: Monday, March 01, 2004 11:45 AM
>>>>> To: 313
>>>>> Subject: RE: (313) Mills
>>>>> 
>>>>> 
>>>>> Yeah, it was a pretty surreal moment on Saturday when I saw that
>>>>> in the magazine! I was on the lookout for a bunch of Absolutely
>>>>> Fabulous-style fashion journos looking out of their depth at Lost,
>>>>> but without success...
>>>>> 
>>>>>> -----Original Message-----
>>>>>> From: Tom Churchill [mailto:[EMAIL PROTECTED]
>>>>>> Sent: 01 March 2004 11:47
>>>>>> To: 313
>>>>>> Subject: (313) Mills
>>>>>> 
>>>>>> 
>>>>>> Did anyone other UK list-members spot the Jeff Mills mention
>>>>>> in the fashion
>>>>>> pages of the Guardian's Weekend magazine on Saturday?
>>>> Quite amusing:
>>>>>> 
>>>>>> http://www.guardian.co.uk/weekend/story/0,3605,1156729,00.html
>>>>>> 
>>>>>> 
>>>>> 
>>>> 
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