Well the Detroit techno movement validated them for a new generation, you have to condede that. Half these kids into them are too young to have been around when Kraftwerk were releasing records in the 80s. I am only surprised as I've read interviews in which they do express just that kind of affinity and heard stories to support that assumption. I think production costs would be a factor. As I said, I don't know the story so it's speculative anyway.
---------- >From: "Robert Taylor" <[EMAIL PROTECTED]> >To: "Cyclone Wehner" <[EMAIL PROTECTED]>, "313 Detroit" <313@hyperreal.org> >Subject: RE: (313) Craftwork (Not a spoiler - don't worry) >Date: Tue, 23 Mar 2004 4:52 AM > > Why should Kraftwerk care about playing Movement? > Their music may mean a lot to many of the attendees and the performers at > the festival but I can't see how they might think that they 'owe' Detroit a > cheaper performance because of that. > > -----Original Message----- > From: Cyclone Wehner [mailto:[EMAIL PROTECTED] > Sent: Monday, March 22, 2004 5:05 PM > To: 313 Detroit > Subject: Re: (313) Craftwork (Not a spoiler - don't worry) > > I can't believe Kraftwerk wouldn't drop their fee, and just do it for a > gift, but hey I don't know the full story. > ############################################################################ ######### > > Note: > > Any views or opinions are solely those of the author and do not necessarily > represent > those of Channel Four Television Corporation unless specifically stated. > This email > and any files transmitted are confidential and intended solely for the use of the > individual or entity to which they are addressed. If you have received this > email in > error, please notify [EMAIL PROTECTED] > > Thank You. > ############################################################################ ######### > >
