There is no way you can say mills is a lightweight, Music production is an art, and art is a form of expression if you choose not to buy it that's your choice, but call him a lightweight when he is a true artist..It appears to me that he is able to continually re-create himself and capture his audience. If you take a look around the industry there are many people that copy the things he does, for example without naming names - who just recently copied his See The Light idea...and who will copy the dvd concept next.. The art of DJing is not easy we all know, but the art of music production is not easy either (believe me) In order for the techno (electro,house,jungle,trance etc...) scene to survive more people have to constantly step out on the edge and try to re-create themselves.
TS-1 (Deep in the 313) Where music evolves from the soul of the city.... -----Original Message----- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Sent: Thursday, April 08, 2004 1:27 PM To: Blackman, Ryan (UKEKT) Cc: 'Robert Taylor'; Andrew; 313@hyperreal.org Subject: RE: (313) new Mills you want a concept? buy a friggen Nation of Ulysses record. Now they had f**kin concepts. Mills is a lightweight. On Thu, 8 Apr 2004, Blackman, Ryan (UKEKT) wrote: > Right, right, I see...it's "diss Mills time" again!! > At the end of the day, take it or leave it. If that's how HE chooses to do > things, and you don't get it, then don't worry about it!! > Take from it what you want. > At the end of the day, the concepts don't sell the records to me, at all - > but I certainly wouldn't attempt to belittle the ideas by imposing my > opinion on others. > > Better than conceptualising about drug monkeys in a nightclub anyway - > because that is just not challenging, in the slightest. > > -----Original Message----- > From: Robert Taylor [mailto:[EMAIL PROTECTED] > Sent: 08 April 2004 1:12 > To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > Subject: RE: (313) new Mills > > > A concept that is somewhat lacking if it takes a load of highfaluting > nonsense to explain it. > > -----Original Message----- > From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] > Sent: Thursday, April 08, 2004 11:07 AM > To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > Subject: RE: (313) new Mills > > > That he's composed a piece of music based specifically around an idea, a > concept. > > -----Original Message----- > From: Robert Taylor [mailto:[EMAIL PROTECTED] > Sent: 08 April 2004 1:06 > To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > Subject: RE: (313) new Mills > > > My arse exists on more levels than the purely conceptual, Ryan. > > What do you mean by conceptual? > > > -----Original Message----- > From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] > Sent: Thursday, April 08, 2004 11:05 AM > To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > Subject: RE: (313) new Mills > > > No, it's obviously conceptual. > > -----Original Message----- > From: Robert Taylor [mailto:[EMAIL PROTECTED] > Sent: 08 April 2004 1:04 > To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > Subject: RE: (313) new Mills > > > My arse > > -----Original Message----- > From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] > Sent: Thursday, April 08, 2004 11:03 AM > To: Robert Taylor; Andrew; 313@hyperreal.org > Subject: RE: (313) new Mills > > > To you, maybe. To Mills it's obviously conceptual. > > -----Original Message----- > From: Robert Taylor [mailto:[EMAIL PROTECTED] > Sent: 08 April 2004 1:02 > To: Andrew; 313@hyperreal.org > Subject: RE: (313) new Mills > > > But it's just a record > > -----Original Message----- > From: Andrew [mailto:[EMAIL PROTECTED] > Sent: Thursday, April 08, 2004 10:58 AM > To: 313@hyperreal.org > Subject: RE: (313) new Mills > > > Sorry to pile in here...philosophy background coming into play ;-) > > "Mills chose the symbolic colour of white as the vinyl colour in the design > to represent an unknown destination in space and/or time" > > This is actually justified conceptually by thinking about a situation where > you are in space which is completely white - no other information is being > received by you. You therefore have no sense of change in your environment > other than your inner sense of space and/or time, and so in an limited sense > these things cease to exist. > > Philosophically I call this a 'white room' scenario, actually a very > interesting situation which highlights certain things about how we perceive > and know anything at all. > > So there! > > Peace, > > Andrew > > > > > ############################################################################ > ######### > Note: > > Any views or opinions are solely those of the author and do not necessarily > represent > those of Channel Four Television Corporation unless specifically stated. > This email > and any files transmitted are confidential and intended solely for the use > of the > individual or entity to which they are addressed. 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