easy sparky. i said when it comes to concepts- mills is a lightweight. read a NoU CD booklet and see what i'm saying.
On Thu, 8 Apr 2004, Steward, Tim wrote: > There is no way you can say mills is a lightweight, > Music production is an art, and art is a form of expression > if you choose not to buy it that's your choice, but call > him a lightweight when he is a true artist..It appears to me > that he is able to continually re-create himself and capture > his audience. If you take a look around the industry there are > many people that copy the things he does, for example > without naming names - who just recently copied his See The Light > idea...and who will copy the dvd concept next.. > The art of DJing is not easy we all know, but the art of music > production is not easy either (believe me) In order for the techno > (electro,house,jungle,trance etc...) scene to survive more people > have to constantly step out on the edge and try to re-create themselves. > > TS-1 (Deep in the 313) Where music evolves from the soul of the city.... > > -----Original Message----- > From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] > Sent: Thursday, April 08, 2004 1:27 PM > To: Blackman, Ryan (UKEKT) > Cc: 'Robert Taylor'; Andrew; 313@hyperreal.org > Subject: RE: (313) new Mills > > > you want a concept? buy a friggen Nation of Ulysses record. Now they had > f**kin concepts. > > Mills is a lightweight. > > > > > > > > On Thu, 8 Apr 2004, Blackman, Ryan (UKEKT) wrote: > > > Right, right, I see...it's "diss Mills time" again!! > > At the end of the day, take it or leave it. If that's how HE chooses to do > > things, and you don't get it, then don't worry about it!! > > Take from it what you want. > > At the end of the day, the concepts don't sell the records to me, at all - > > but I certainly wouldn't attempt to belittle the ideas by imposing my > > opinion on others. > > > > Better than conceptualising about drug monkeys in a nightclub anyway - > > because that is just not challenging, in the slightest. > > > > -----Original Message----- > > From: Robert Taylor [mailto:[EMAIL PROTECTED] > > Sent: 08 April 2004 1:12 > > To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > > Subject: RE: (313) new Mills > > > > > > A concept that is somewhat lacking if it takes a load of highfaluting > > nonsense to explain it. > > > > -----Original Message----- > > From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] > > Sent: Thursday, April 08, 2004 11:07 AM > > To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > > Subject: RE: (313) new Mills > > > > > > That he's composed a piece of music based specifically around an idea, a > > concept. > > > > -----Original Message----- > > From: Robert Taylor [mailto:[EMAIL PROTECTED] > > Sent: 08 April 2004 1:06 > > To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > > Subject: RE: (313) new Mills > > > > > > My arse exists on more levels than the purely conceptual, Ryan. > > > > What do you mean by conceptual? > > > > > > -----Original Message----- > > From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] > > Sent: Thursday, April 08, 2004 11:05 AM > > To: Robert Taylor; Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > > Subject: RE: (313) new Mills > > > > > > No, it's obviously conceptual. > > > > -----Original Message----- > > From: Robert Taylor [mailto:[EMAIL PROTECTED] > > Sent: 08 April 2004 1:04 > > To: Blackman, Ryan (UKEKT); Andrew; 313@hyperreal.org > > Subject: RE: (313) new Mills > > > > > > My arse > > > > -----Original Message----- > > From: Blackman, Ryan (UKEKT) [mailto:[EMAIL PROTECTED] > > Sent: Thursday, April 08, 2004 11:03 AM > > To: Robert Taylor; Andrew; 313@hyperreal.org > > Subject: RE: (313) new Mills > > > > > > To you, maybe. To Mills it's obviously conceptual. > > > > -----Original Message----- > > From: Robert Taylor [mailto:[EMAIL PROTECTED] > > Sent: 08 April 2004 1:02 > > To: Andrew; 313@hyperreal.org > > Subject: RE: (313) new Mills > > > > > > But it's just a record > > > > -----Original Message----- > > From: Andrew [mailto:[EMAIL PROTECTED] > > Sent: Thursday, April 08, 2004 10:58 AM > > To: 313@hyperreal.org > > Subject: RE: (313) new Mills > > > > > > Sorry to pile in here...philosophy background coming into play ;-) > > > > "Mills chose the symbolic colour of white as the vinyl colour in the > design > > to represent an unknown destination in space and/or time" > > > > This is actually justified conceptually by thinking about a situation > where > > you are in space which is completely white - no other information is being > > received by you. You therefore have no sense of change in your environment > > other than your inner sense of space and/or time, and so in an limited > sense > > these things cease to exist. > > > > Philosophically I call this a 'white room' scenario, actually a very > > interesting situation which highlights certain things about how we > perceive > > and know anything at all. > > > > So there! > > > > Peace, > > > > Andrew > > > > > > > > > > > ############################################################################ > > ######### > > Note: > > > > Any views or opinions are solely those of the author and do not > necessarily > > represent > > those of Channel Four Television Corporation unless specifically stated. > > This email > > and any files transmitted are confidential and intended solely for the use > > of the > > individual or entity to which they are addressed. 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