That's what the fxck I'm talkin 'bout! Me and curtis were talking about this the other day. He goes, "if records are rare, who the fxck's got 'em?!! Cause they sure aren't playing 'em. Whether the stingy bxstards are showing them off to friends/other geeks or waiting to cart the whole lot out to comisky park again, It's the same motivation. Using records to prove an ego-point. Not to move the body. They need to come off that shxt." . 'Bout fell off my legs laughing, because I know more than my share of house/disco "collectors" that go on about the comisky park incident and how those people had no respect for the vinyl and all that. Hahahaha.
Yo tom, I'm going down curtis' tomorrow, so...smoke 'em if you got 'em... Kamal K. Stoddard Turner Broadcasting Systems > -----Original Message----- > From: Thomas D. Cox, Jr. [mailto:[EMAIL PROTECTED] > Sent: Tuesday, April 26, 2005 5:32 PM > To: [email protected] > Subject: Re: (313) peacefrog > > > ---------- Original Message ---------------------------------- > From: Jason Brunton <[EMAIL PROTECTED]> > > >I've got mixed feelings on the matter- it's great when you finally > >track down a record you've been after (sometimes for YEARS), not so > >nice when you have to pay more than a "reasonable" amount > for it (about > >£20-25 is the most I've ever paid for something, and > rarely over > >a tenner). We had a guy call the shop last week who wanted a whole > >load of Chain Reaction releases but ONLY if they were in the > original > >"brown card" sleeves and NOT the "new" black ones- that's when it > gets > >a bit silly for me- we had them all so he was happy but it just > struck > >me as strange that he would have knocked them back had they been > in a > >different sleeve! > > thats just total nonsense. personally, i wish everyone who > made good music kept it in press all the time. change the > labels, i dont care. i dont like buying bootlegs so i wont. > legit reissues im super cool with, like all the transmats > and KMS that have come out in the last year. im less likely > to be down with comps since they probably only paid out a > flat fee to license those tunes, but in extreme cases (the > arthur russel one on soul jazz with "in the light of the > miracle" on it) ill go for that too. i dont give a crap about > a record's rarity. the number of deejays playing actually > good records already makes it a rarity to hear good stuff as > it is. i just play good music. > > tom > > ________________________________________________________________ > andythepooh.com > > > > >
