I guess I approach this from standpoint of worldside music

I just dont see a big racial element in techno.

I've seen every kind and color of person at clubs and parties and everyone
is cool with each other.

I also have limited from a production/live show standpoint, and I think the
whole scene is very easygoing in general.

I'm sorry to clash with the list, but this seems so far from what I
experience, I find it hard to believe.

I CAN believe it though


----- Original Message -----
From: "Cyclone Wehner" <[EMAIL PROTECTED]>
To: "313 Detroit" <313@hyperreal.org>
Sent: Thursday, March 07, 2002 2:19 AM
Subject: Re: [313] Regarding Business


>
> >>  dont you fools
> >> know that the music knows no color?
>
> This is a lovely idealistic thought but you really can't isolate music in
> some kind of poetic vacuum. The music is a product of a certain cultural,
> social and economic hegemony and the circumstances determine whether it is
> heard or not and by whom. This affects people of colour making music,
women
> making music, musicians in Second or Third World countries..... There is
> incredible cutting-edge hip-hop style music coming out of South Africa but
> how many of us get to hear it? Instead this music is 'ghettoised' as
'World
> Music' or not disseminated at all.
>
> The thing is, by building support, some people can to a point intervene in
> this paradigm and I think many techno types have done this - look at how
UR
> brilliantly handled the Rolando/Jaguar situation! Genius. In a pop
paradigm
> I feel in different ways Madonna and Missy "Misdemeanor" Elliott really
> flipped the script for female artists.
>
> Juan has spoken of these issues in other interviews and he is always
matter
> of fact about them. I personally feel there is validity to his
> arguments/heard some interesting things. But whether you agree or not, why
> can't we discuss them without getting personal?
>
> Actually I have forgotten what the original debate was about!
>
>
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