i have had one 2-week residency that sort of worked like this; an informal residency programme that provided working space, accommodation, some tech support & excellent intellectual/artistic climate. it wasn't something that could be applied for, but that the organisation offered to people it wanted to support (i say this in the past tense because they are about to move out of their space so i don't know whether it will be something that continues).

building relationships with other organisations & individuals is about the best way i know of to achieve anything, really.

h : )

On 25/06/11 11:52 PM, Robert Carter wrote:
Have people had any success creating their own residencies? By this I mean, 
building a relationship with a national or international organisation and 
finding funding opportunities from that. Does it ever work this way?

Rob

On 23/06/2011, at 11:41 PM, Damian Stewart wrote:

Having been on several residencies, the experience can vary enormously.

My personal experience is of overall suckiness. You're away from your studio so 
it's not an optimal working environment. You're away from your family and your 
friends and usually in a foreign culture so if your host is anything short of 
amazing it can get very lonely.

Having said that, it can be great. I went on a one week unfunded 'residency' 
(in an artist's front room) that turned into a 3 month stay and a solid 
friendship. On the other hand I was for several months officially funded 
residency where I had my own apartment and working space and, due mainly to a 
horrible mixture of neglect and high expectations of output by my hosts, and my 
inability to speak the language, it was one of the most miserable few months of 
my life.

 From a New Zealand perspective, an AiR is best seen as a 
get-out-of-the-country-free card. If you can jack up some kind of longer-term 
visa for the country where you are going to stay in advance, and don't take the 
return ticket, then you can use it as a kind of springboard for getting a 
foothold in the art scene in a new country, on the understanding that if you 
leave and go back home most of the networking work you've done will have likely 
been for nix.

D

On 23 Jun 2011, at 01:07, Lissa Mitchell wrote:

Yes - a great opportunity. I'm interested though in what people think about 
applying for residencies as there certainly seems to be a lot of them these 
days and artists it would seem must spend a lot of time doing paperwork.

Does the work of applying reward the opportunities offered?  Would it be better 
if agencies actually approached who they want to offer a residency too?  Is it 
a prize that most artists would actually have a show of winning or is it just 
too competitive to be a real opportunity?

cheers
lissa


On 23/06/11 10:08, Su B wrote:
Hi everyone,
Creative New Zealand are offering a four month artist residency at the 
International Studio&   Curatorial Program (ISCP) in New York, 1 February – 31 
May 2012. Below is a link to the call for applications, would be great to see an 
ADA-related person there.

http://www.creativenz.govt.nz/en/getting-funded/find-funding-opportunities/international-studio-curatorial-program-new-york-usa/general-info

The application deadline is 5pm Friday 22 July.

If there are any specific questions please contact Felicity Birch, Programme 
Adviser, DDI +64 4 498 0735, [email protected]

cheers
Su



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