I'd set the sequence to the primary playback resolution that will be used. I'd
assume for you that will be 1080/24 off Blu-ray or online. Premiere should be
able to mix and match the frame rates no
problem. Your bigger concern should be how to incorporate all of the SD footage
since you can only blow it up 10-20% before it's pretty useless. What I've
been doing with archival SD is use a
multi-image approach with 2 or 3 clips at a time over an animated background to
fill the full HD raster. B-roll can go alongside the soundbites rather than
covering them. If there's a lot more SD
footage than 1080p I'd also consider going with a 720p sequence as a compromise.
David
On 10/8/2012 3:48 PM, anschel91 wrote:
>
> Thanks in advance to those who have an answer for me. I have a project that
> is going to be shot 1920x1080 24p. The final video will incorporate this
> original footage along with archived footage from
> the last ten years that was shot at 720x480 29.97i. This includes interviews,
> B-roll, and graphics.
>
> What is the best work flow in Premiere CS 5.5 to accomplish editing these two
> frame rates and resolutions together. How should my sequence be set up? What
> will be the least painful and most
> efficient method. Would it be easier to simply shoot the new footage at 29.97
> (or 30fps) rather than 24? The client really wants the new footage moving
> forward as 24fps (more film look), though.
>
> The project is not going to be broadcast but will be played publicly to a
> large audience (projection screens) on either DVD-Video or Blu-Ray.
>
> Thanks very much again.
>
>
[Non-text portions of this message have been removed]
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