I'm coming rather too late to this but I'd work backwards from the delivery
medium. Maybe inform the client that 24fps does not magically give a 'film
look'. There are historic reasons why sound film runs at 24fps, established
before the era of television (also investigate the refresh rate of a film
projector, which masks the 24fps). There are also engineering reason whey PAL
and NTSC do not run at 24fps! Fun all round for editors.
On 8 Oct 2012, at 21:48, anschel91 wrote:
> The client really wants the new footage moving forward as 24fps (more film
> look), though.
With best wishes,
Roger Shufflebottom
+44 7973 543 660
[Non-text portions of this message have been removed]
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