I forgot yesterday to add the best advice I could give you. Take 15 minutes to 
create a test sequence or two. Start with one matching the 1080/24p you intend 
to shoot in. Even if you don't have 
footage of that type to work with yet, you will see what you are dealing with 
regarding the SD material from the archives.  Without HD footage, you could use 
color bars as a background behind the SD 
footage for spatial reference.

David



On 10/9/2012 7:45 AM, anschel91 wrote:
>
>
>
> Dan/Rieni,
>
> Thanks so much for your replies. These are good suggestions.
>
> Just checking - with multiple frame rates all combined on one timeline 
> (sequence) would there be a lip sync issue with the footage that is not 
> native to the sequence settings?
>
> Thanks again.
>
> --- In [email protected] 
> <mailto:Adobe-Premiere%40yahoogroups.com>, Rieni <polderien@...> wrote:
> >
> > I totally agree! If you want to use SD for HD, place two SD frames
> > next to each other. It opens a can of new possibilities!
> >
> > Rieni
> >
> > At 8-10-2012 23:43, David Braga wrote:
> > >
> > >
> > >I'd set the sequence to the primary playback resolution that will be
> > >used. I'd assume for you that will be 1080/24 off Blu-ray or online.
> > >Premiere should be able to mix and match the frame rates no
> > >problem. Your bigger concern should be how to incorporate all of the
> > >SD footage since you can only blow it up 10-20% before it's pretty
> > >useless. What I've been doing with archival SD is use a
> > >multi-image approach with 2 or 3 clips at a time over an animated
> > >background to fill the full HD raster. B-roll can go alongside the
> > >soundbites rather than covering them. If there's a lot more SD
> > >footage than 1080p I'd also consider going with a 720p sequence as a
> > >compromise.
> > >
> > >David
> >
>
> 



[Non-text portions of this message have been removed]



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