I think it is a brilliant idea, for obvious reasons, on Louvre's part.
Duel between foes on neutral turf.  It is the best way to show what is going
to be killed in the competition and why.
Boris Shoshensky

-- "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote:
Completely new subject.  (I feel I have said my piece on
jazz...)

In todays 'Le Figaro' there is piece by a certain
Jean-Louis Harouel who apparently wrote a book called
'Culture et Contre-Cultures' and who teaches at Paris II.
Prof Harouel rails against the contemporary art which has
recently been installed in various galleries in the Louvre
to 'dialogue' (thats the Louvres official term) with
the existing art. E.g. in the Rubens Henri IV room there is
what Harouel describes as 'a chaotic heap of rocks looking
like the backyard of some untidy tombstone maker.' (I have
seen photos; it does look a bit like that).

The good professor takes the opportunity to have a large
side swipe at contemporary art in general, which he
describes as imposture and farce propped up by
'sociological, philosophical or spiritual propositions
which, assuming one can work them out, are generally
rubbish'.   Only people who know nothing about art, Prof
Harouel says, will be fooled by this stuff.  And so on.

It struck me that this situation might pose an interesting
dilemma for some on our list.  On the one hand we have the
Louvre  the very prestigious Louvre - saying
(presumably): this stuff is art and it deserves to be in our
galleries alongside Rubens, Rembrandt etc.  On the other
hand, we have a distinguished professor at one of Frances
prestigious universities saying in no uncertain terms that
it is junk.

What do we do?  Could Frances's 'learned experts' be called
in to help perhaps?   And what about those on the list who
upbraid me from time to time for not being able to produce
explicit standards to judge art by, and not being able to
give chapter and verse on why I say something is or is not
art?  How might they proceed in this case? Do they have
their standards ready at hand now to roll out and give to
the Louvre and to the good professor to settle the argument?
 Now would be an ideal moment...

DA
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