In a message dated 7/4/08 10:05:25 PM, [EMAIL PROTECTED] writes:
> Without realizing it, he is in the grip of a view of art history which
> was well and truly in the realm of the problematical by the 1930s -
> and which is quite outmoded now. (One only has to go to any major art
> museum - or browse the shelves of any bookshop with a decent art book
> section - to see that.)
>
Could you explain what you see as Benjamin's view of art history? Or would
that take too long?
Kate Sullivan
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